Waves of speculation have been
chasing Namor ever since 'Wakanda Forever' landed, and I have so many thoughts about whether Prince Namor will pop up in future 'Black Panther' sequels. To me, the most important thing is narrative momentum: Marvel gave Namor a very clear exit — he retreats to Talokan with his people — but they also left an emotional and political door cracked open. That kind of setup screams sequel bait. In the comics Namor is famously slippery: sometimes antagonist, sometimes ally, always complicated. That makes him a fantastic recurring element for stories about sovereignty, resources, and the uneasy alliances between kingdoms. From a storytelling standpoint, bringing him back to tangle with Wakanda or to form an uneasy coalition in an Avengers-level crisis would be juicy and natural.
On the practical side, Marvel Studios tends to lean into characters that resonate with audiences and can fuel larger arcs. If Tenoch Huerta is available and the creative team wants to keep the rich threads between Talokan and Wakanda alive, I can absolutely see Namor returning —
maybe not immediately in a direct sequel, but as a major player in a crossover event or the next Black Panther chapter. I also think the studio likes to use supporting characters as wild cards; sometimes they re-emerge as mentors, sometimes as antagonists who later become allies. That flexibility means Namor could be written into a variety of tones: dark and mythic, political and gritty, or even reluctantly heroic when a global threat forces him out of the water.
For fans who want closure or more depth, a follow-up could explore Talokan's culture, Namor's responsibilities, or the personal consequences of his choices. If Marvel wants to deepen Wakanda's worldbuilding, alternating focus between Wakandan and Talokan perspectives would be rich. Personally, I hope they bring him back with nuance — not just as a spectacle, but to
dig into why he rules the way he does and how two hidden nations might coexist. Honestly, imagining scenes of diplomatic chess or underwater strategy meetings gives me goosebumps; it’s the kind of messy, character-driven storytelling that keeps me glued to the screen.