Will The Producers Renew 'This Is Going To Hurt' For Season Two?

I can’t help being optimistic about the idea of a second season of 'This Is Going to Hurt.' The series landed with emotional punch and sharp writing, which usually makes networks and producers sit up and take notice. Realistically, whether it gets renewed depends on a few clear things: audience figures (including international streaming), whether the original writers and lead cast want to continue, and whether the producers can find fresh but faithful material to adapt or expand.

If the creative team chooses to invent new stories in the same world—careful to preserve the tone—it could work and be greenlit. If they insist on staying strictly faithful to the memoir’s scope, then it may remain a single, brilliant season. Either way, I’d be thrilled to see more, but I’d prefer they only do it if it can keep the same heart; half-measured sequels aren’t fun. For now, I’m crossing my fingers and rewatching the moments that landed hardest for me.

Lately I've been turning this question over in my head: will the producers renew 'this is going to hurt' for a second season? The show landed like a gut-punch and a warm hug at the same time, and that kind of response makes you think a renewal is almost a given. But TV is messy — ratings, streaming windows, international deals and the fact the series was pitched as a finite adaptation all matter. Critically it did very well, and viewers have been loud about wanting more, yet the source memoir by Adam Kay isn't an endless well of sitcom setups; it's a specific coming-of-medical-crisis story with a clear arc.

From a storytelling angle, I can see two plausible routes. One, the creators keep it tight and let the original story breathe without stretching it thin — that would mean no season two, or maybe a rare mini-episode special. Two, they expand sideways: follow different doctors, other hospital wards, or adapt additional chapters and anecdotes from Kay's life, turning it into an anthology of hospital stories tied together by tone rather than the exact plot. That requires buy-in from the lead cast and creatives, and actors like the lead have busy calendars, which complicates things.

Realistically I lean toward cautious optimism: not because it's inevitable, but because shows with passionate fanbases and clear creative paths often find ways to continue, whether as a true season two, a limited follow-up, or a spin-off. I'll keep rewatching the scenes that made me laugh and wince — and hope they do find a way to give us more without ruining what made the first run special.

I keep half-expecting some headline saying it's definitely coming back, but the reality feels more like hopeful waiting. 'this is going to hurt' is based on a memoir with a strong, finite arc, so a straight continuation might feel forced — unless the writers intentionally shift perspective and treat each new season as a different slice of hospital life. That approach could preserve the tone while giving us fresh stories and characters.

As a fan, I follow the cast and the author on social media; the vibes have been positive, with hints of interest but nothing concrete. Fan campaigns and word-of-mouth can move the needle, especially if streaming partners see sustained viewership. For now, I'll keep recommending it to friends and rewatching my favorite scenes — and if a second season happens, I'll be thrilled, but I'm also content with what we already have.

From the production side, the question boils down to a few concrete levers: rights, money, and availability. 'this is going to hurt' was presented as a tight adaptation, which sometimes means the producers and network view it as a complete piece. That said, if the numbers (streaming views, international sales, awards buzz, and critical acclaim) line up favorably, it's not uncommon for limited shows to be revisited. Producers will weigh projected return on investment; expanding into another season requires more scripts that justify additional spend and scheduling a cast who may already be booked elsewhere.

I've watched similar projects get revived when creators pitch smart ways to expand the world — anthology formats, time jumps, or focusing on other central characters. Contracts also play a role: were key actors signed for potential future seasons? If not, renegotiations can be a blocker. Ultimately, renewal is possible but contingent on a confluence of business decisions and creative willingness. I'm rooting for it, because shows that balance humor and real stakes like this one are rare, and I’d be excited to see the team explore new medical stories without losing the voice that made the first season hit home.

because 'This Is Going to Hurt' left such a big mark on me. The show was clearly rooted in Adam Kay's memoir, which gives it a natural ending point: the book covers a specific arc in his life and career, and the TV adaptation felt deliberately tight and complete. That said, television loves second chances when a series connects with viewers and critics. If the numbers were strong on the BBC and any international partners—plus good streaming figures—there’s always room for producers to consider another season. Producers look at ratings, awards buzz, and whether the creative team and cast are excited to continue. If those align, renewal becomes much more than wishful thinking.

From a storytelling perspective, a second season would need a reason beyond just capitalizing on success. The original material has a fixed narrative, so expanding would either mean inventing new arcs that stay true to the show's tone and characters or shifting focus to a different time or set of people within the same world. Both routes have worked for other shows, but they require a strong creative rationale. Practical issues matter too: the lead actors’ schedules, key writers’ interest, and the producer-network dynamics. Even if the producers want more, the creators might prefer to keep it concise and powerful as a single-season statement.

So, will producers renew it? My gut says it’s possible but not guaranteed. If the show continues to trend, gets award traction, or if the team finds a compelling way to tell more stories without diluting the original punch, I could easily see a green light. Conversely, if everyone loves the show precisely because it’s a compact adaptation of the memoir, they might let it stand alone. Personally, I’m hopeful but cautious—I’d love more time with the characters, but only if a new season can match that same mix of humor, pain, and honesty that made the first run sing.