Why Did The Protagonist Leave In I Thought It Was A Common Possession?

On the night of our ninth wedding anniversary, my husband—Damian Grant, the man who ruled the mafia by day and once ruled my heart by night—did not bring me roses. He gave the bouquet that should have been mine to Serena Lane, his personal assistant. Beneath the chandelier where we once danced on our wedding night, he turned to me with that same cold charm he once used to whisper sweet nothings in my ear. “She's pregnant.” Finally, everything fell into place. “She's a picky eater. From today onward, you’ll cook three meals a day for her. And no repeats. “She’s sensitive and hates sleeping alone, so you’ll need to move your things into the guest room.” The room fell silent. I did not raise my voice, nor did I shed a single tear. I simply picked up my packed suitcase and walked to the door. The butler tried to stop me, but Damian did not even blink. “She’ll come back.” He lazily swirled the wine in his glass. “She’ll come back crying and begging within three days.” Our guests burst out laughing. They placed a million-dollar bet right in front of me. They were betting on whether I would be back before the night was over, begging Damian to let me back in like a pathetic stray dog with my tail between my legs. However, they did not know I had already received the family heirloom from my real father. I booked my flight to get far, far away from everyone I used to know. This time, I really left.

I've been married to the prince of the underworld for ten years and have endured countless life-or-death situations by his side. My hands, once trained to play the piano, are covered in calluses from holding guns and stained with blood. But at 28, my husband ends up falling for a young woman from the slums. She's as delicate and pure as a chamomile. She's his well-kept little secret—until I run into them at the woman's prenatal appointment one day. I storm up to him, demanding an explanation, only for him to nonchalantly hand me divorce papers. "Sonia is a devout follower of the church and can't have a child before marriage. I must make an honest woman out of her. Sign these, and you'll get 40% of the company's shares." I refuse to do as told, so he corners me. In the end, he has my crippled younger brother tied up and forced under a hydraulic compression machine. "Sign the papers, Maeve, or watch your brother become a human mince pie. The choice is yours." I fall on my knees and beg him to stop. As the machine turns on, my hands fly to my aching lower belly, and I scream as I lose consciousness. When I wake up again, I'm back in the hospital, in the same spot where I ran into my husband and his mistress at her prenatal appointment. This time, I don't confront him. Overnight, I make arrangements with a sanatorium abroad, get divorced, and run away from home. Yet the moment I truly disappear, my husband loses his mind.

After I got a second chance at life, I stopped bringing lunch to my wife, who had become the factory manager. She would leave for meetings through the south gate, so I would sneak around through the north. In my previous life, I knew she only married me with an ulterior motive, but I still fell for her. I thought I could warm her heart over time. However, Shirley Scott was always just polite to me, nothing more. When I tried to get close, she would hand me a book and say, "Read more so people won't look down on you." Once, with a bit of liquid courage, I hugged her. Yet, she just stood there, stiff as a board, and said, "It's what married folks do." Years later, as I was dying, I read her memoir and learned about how she felt trapped in our marriage, like being stuck in the mud. She hoped she would never have to be with me again in another life. That hurt more than anything. However, then, I woke up and discovered that I was back to when there were whispers about her and the factory's technician. This time, I did not make a scene. I just asked for a divorce.

To "fix" Leonard Rinehart's oh-so-tragic depression, Naomi Gaffron—yeah, the same girl who once swore she'd only ever marry me—secretly tied the knot with him. So I gave in. Played along with the family's little matchmaking stunt. Married Aurelia Spencer—Brieton City's golden girl who'd been obsessed with me since forever. For seven years, she clung to me like I was oxygen. Every night, curled up like she'd break if I moved. I thought that was happiness. Then one night, I caught her whispering to her best friend: "Leonard's already got international awards. When are you dumping Leone?" "Whatever—I'm stuck with someone I don't love anyway. Doesn't matter who I married. Someone's gotta keep an eye on Leone so he doesn't screw up everything Leonard built." I checked her study. Found a hidden folder—over 100,000 photos of Leonard. A hundred unsent love letters. Even I couldn't fake it anymore. Bought a silicone dummy. Laid out the plan. The fire would be step one. Dead or alive—we're done.

Jason Schwartz had been a close friend of my father's, despite the age gap. The year I met him, I was fearless, the kind of girl who thought nothing could touch her. I bit down hard on the hand he offered me. Jason just laughed. "You're adorable," he said. "Like a little wolf." On my 18th birthday, he shoved me onto the bed, his eyes red, as if he had been holding back for years. "Diana, I've finally waited long enough for you to grow up." He was the one who pulled me into that first flutter of desire, the one who led me across every line I wasn't supposed to cross. I grew into exactly the kind of girl he wanted. The day my father was hacked to death by his enemies, Jason took my hand and stepped into his place without hesitation. When I was pregnant, he brought home a girl covered in blood. "Diana, she's not like you. She's like wild grass, tough and stubborn." He said he admired wild grass. But he forgot something. He was the one who raised me into a rose that only knew the shelter of a greenhouse. Good thing I didn't need him anymore.

Three months after Pete took his foster sister as his mistress, I terminated my marriage, chose to die on paper, and vanished from his life entirely. One quiet morning, I handed my child over to the nannies arranged by the family and walked out of the Rizzuto estate alone. Pete didn’t chase after me that day. He believed I would come back. Once I had calmed down, I would lower my head. The following spring, I was diagnosed with cancer. Standing in the hospital corridor, I suddenly remembered years ago— Pete had taken my hand and said, “You’ll be the finest Donna this Rizzuto family has ever had.” What pulled me back was not Pete. It was a letter from Sicily. Thin paper. Cold, rigid handwriting—the kind favored by old families who had ruled too long to bother with sentiment. “The heir has begun showing signs of emotional instability.” “Recent violent behavior has caused internal concern.” “There is disagreement within the family regarding the current Don’s judgment.” In the mafia world, there is only one reason the elders would bypass a man and reach out to a wife officially presumed dead— When the family itself begins to lose balance. So I returned. To the place I had once fled with everything I had. This time, there were no illusions. I no longer placed any hope in emotion. I was there only to fulfill the obligations of the family. I knew exactly how much time I had left. And I knew exactly what needed to be done. I became a proper Donna.