Who Is The Protagonist In The Stranger Book?

2025-09-01 15:58:48 95

3 回答

Bella
Bella
2025-09-05 12:23:51
Meursault is the central figure in Camus' 'The Stranger,' but he’s not your typical protagonist, which is what I find so captivating about him. He embodies a kind of existential hero, almost like an antihero if you think about it. He experiences life in a very detached manner. Moments that would elicit strong emotions in others, like his mother’s death, barely touch him. It's like he wanders through life, observing rather than engaging, and that can be a bit haunting. The way he interacts with events and people really brings up questions about the meaning of life itself.

What’s particularly striking is how his actions, especially when he kills, seem almost mechanical—there’s no passion or vengeance, just a strange acceptance of bizarre circumstances. This portrayal makes you reconsider what it means to be human and how society judges us based on emotional responses. It’s so refreshing yet unsettling. If you ever want to dive into something that really challenges your perceptions of morality and existence, this is definitely worth a read! The discussion it sparks is simply incredible!
Samuel
Samuel
2025-09-07 00:21:40
The protagonist of 'The Stranger' by Albert Camus is Meursault, a rather fascinating character if you think about it. Meursault is this emotionally detached man who approaches life in a rather absurd way. From the very start, he is not your typical hero—he doesn't react to events around him like most people would. For instance, after his mother dies, his indifferent attitude raises eyebrows. He doesn't cry at the funeral, and instead, he focuses on the physical sensations of the day, like the heat and the sun. This raises some questions about how society expects people to behave, doesn't it?

What's intriguing is how his lack of conventional emotion boils down to the central theme of absurdism present in Camus' philosophy. As the story moves forward, Meursault’s behavior becomes increasingly significant. His trial, which should focus on the murder he commits, ends up being more about his character and his failure to adhere to societal norms. Watching him navigate through such intense situations with a sort of placid indifference can spark some deep reflections about our own lives. It makes you ponder: How do we often fit into the molds of expected social behavior? And is it crucial for our humanity or even our sanity?

You know, I often find myself torn between empathy for his struggles and discomfort over his detachment. This duality is so fascinating, revealing so much about human nature and societal expectations. If you haven't read it yet, I'd highly recommend diving into it—Meursault might just change the way you view stories and humanity!
Vera
Vera
2025-09-07 16:13:47
Oh man, the protagonist in 'The Stranger' is Meursault! He’s such an unconventional character. I mean, he’s someone who approaches life like it's simply a series of events to be experienced rather than something to have strong feelings about. He often feels out of sync with the world around him, especially when it comes to emotions—like when his mother dies, and he doesn’t really show any grief! It's wild to think about how that reflects on the expectations we have in society about grief and emotion. Reading his story gives a fresh perspective on how we might look at things like compassion or morality differently. It's a book that left a mark on me. Do give it a go if you enjoy thought-provoking literature!
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3 回答2025-09-01 04:34:42
When discussing 'The Stranger' by Albert Camus, I feel like the reactions are as diverse as the characters within it! Most people seem taken aback by Meursault's detached nature. I find it fascinating how many readers grapple with the idea of existentialism that Camus so vividly portrays; it’s as if they either resonate deeply or feel outright alienated. I had a buddy in my book club who was adamant that he saw Meursault's emotional neutrality as a critique of society's insistence on conformity and emotional display. Others in the group argued that it blunted their connection to the narrative, making it hard to empathize with him. The scene where he reflects on his mother’s death, exhibiting almost no sorrow, left some feeling discomforted and questioning the nature of humanity itself! It's intriguing how the philosophical undercurrents spark a heated debate on morality and existence, like a snowball rolling down a hill of thought! Many young adults nowadays find themselves connecting with Meursault's indifference amid a chaotic world. It’s almost a modern lens through which we can understand today’s emotional disconnect. Overall, the conversations drawn from 'The Stranger' invariably circle back to those core human questions of meaning and emotion, making it ever-relevant.

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In 'The Stranger', the most pivotal chapters are those that reveal Meursault's true nature and the societal reactions to his actions. The first major turning point comes in Chapter 1, where Meursault attends his mother's funeral. His detached and emotionless response to her death sets the tone for the entire novel. This chapter is crucial because it introduces us to Meursault's existential outlook, where life and death hold no inherent meaning. His indifference shocks the reader and foreshadows the moral conflict that will arise later. Another pivotal chapter is Chapter 6, where Meursault kills the Arab on the beach. This act is the climax of the novel and the event that propels the story into its second half. The murder is described in a detached, almost clinical manner, emphasizing Meursault's lack of emotional engagement with the world. This chapter is pivotal because it forces the reader to confront the consequences of Meursault's existential philosophy. The trial chapters that follow are equally important, as they highlight society's inability to understand or accept Meursault's worldview. The courtroom becomes a stage where societal norms and existentialism clash, leading to Meursault's eventual condemnation. For readers who enjoy exploring existential themes, I'd recommend 'Nausea' by Jean-Paul Sartre or the film 'The Seventh Seal'. Both delve into the human condition and the search for meaning in an indifferent universe. If you're drawn to courtroom dramas that challenge societal norms, try 'To Kill a Mockingbird' or the series 'The Night Of'. These works similarly explore the tension between individual beliefs and societal expectations.

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The ambiguity surrounding the stranger in 'The Stranger in the Lifeboat' is what makes the story so compelling. On one hand, his actions—calming storms, healing wounds, and offering profound wisdom—mimic divine intervention. Yet, the narrative deliberately leaves room for doubt. Is he God, or just a man whose presence sparks faith in others? The book toys with the idea that divinity isn’t about proof but about belief. The survivors’ reactions vary wildly: some kneel in reverence, others scoff. Miracles happen, but they’re subtle—a timely fish catch, a sudden clarity in thought. Maybe the real question isn’t whether he’s divine, but whether it matters. Faith, the novel suggests, is a choice, not a revelation. The stranger never claims to be God; he simply exists, enigmatic and gentle, forcing each character to confront their own need for meaning in chaos. The setting—a lifeboat adrift in an endless ocean—mirrors the human condition: small, fragile, searching for answers. The stranger’s silence on his identity feels intentional. If he declared himself outright, the story would lose its tension. Instead, we get a meditation on how people project their hopes onto the unknown. The book’s brilliance lies in its refusal to resolve the mystery, leaving readers as unsettled (and intrigued) as the characters.
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