5 Answers2026-08-02 22:29:52
Hmm. I've only read 'The Retreat.' Are the others just as scary? Might need to dive in deeper based on this thread.
3 Answers2026-08-02 01:39:29
Wait, are we counting the one he wrote under a pseudonym? Or is that a different author entirely? I can never keep these things straight.
8 Answers2026-08-02 00:40:05
Think of it like a TV show. You can watch any episode of a police procedural and follow the case-of-the-week, but you'll miss the serialized elements of the main characters' lives. Hannah's unresolved past case is a slow-burn thread. Daniel's reasons for moving to the Lakes and his evolving connection to Hannah are series-long arcs. For the full effect, watch from the pilot.
5 Answers2026-08-02 20:18:49
He also wrote under a pseudonym once, didn't he? Or am I thinking of someone else? Either way, his main body of work is under his own name. The challenge with a list is the reissues and reprints. Some of the early Devlin books got new editions with introductions, which is nice. For the most accurate, up-to-date list, his publisher's website or his own official site is the best bet. Forums like this are great for recommendations, but for pure bibliographic data, go straight to the source. I learned that after trying to piece together the order from various online stores with conflicting publication dates.
6 Answers2026-08-02 16:47:16
One correction to some lists online: 'The Devil in Disguise' is definitively the last novel. There's no seventh full-length case. After that, Edwards moved on to the Lake District mysteries. The short story collection 'Where Do You Find Yourself?' came much later (2019) and is a nice coda, but it's not a novel. So your reading journey has a clear, six-book endpoint.
2 Answers2026-08-02 08:46:08
If you're looking for a suggested 'experience' order rather than a plot order, I'd say start with 'The Magpies'. It's his breakout hit and perfectly encapsulates his style of turning mundane life into a living hell. Then, maybe move to 'The Retreat' for a shift into a more atmospheric, isolated horror-thriller. After that, 'The House Guest' shows his mastery of the 'stranger in the house' trope. This order gives you a tour of his different sub-genre strengths within psychological thrillers.
But again, it's a thematic tour, not a narrative one. Each book is its own encapsulated fear experiment. You won't lose any story threads by mixing it up.
8 Answers2026-07-31 04:48:52
Hmm, I'm only on book four, 'A Rule Against Murder'. Loving it so far, but I can't speak to the full order beyond that. The community here seems really knowledgeable, though! I'll just follow this thread and see what the long-time readers suggest for the best way to proceed. Maybe there are even companion reads or author interviews I should look up. Sorry I can't be more help with the complete list!
5 Answers2026-08-02 16:16:58
The 'Magpies' trilogy is thematically linked by the idea of 'sinister attachments'—neighbours, lovers, coworkers. Reading them together in a short span can be emotionally exhausting because it's a triple dose of 'trust no one'. I'd recommend spacing them out with a standalone like 'Follow You Home' in between as a palate cleanser. So order could be: 'The Magpies', 'Follow You Home', 'Because She Loves Me', 'The Retreat', 'The Devil's Work'.
It's about managing your paranoia levels.
5 Answers2026-08-02 00:52:48
Honestly, I'd just look it up on Wikipedia. It's all laid out there, including the books he wrote under the names 'Simon Quinn' and 'Martin Smith' early in his career. Trying to recall all of them from memory is a headache because some are pretty obscure. The main thing everyone cares about is the Arkady Renko series order, which is pretty straightforward post-'Gorky Park'. But if you're a completist, you need that full list with the early 70s titles.
6 Answers2026-08-02 23:16:50
I see a lot of ‘start with The Magpies’ which is fair, but it’s also his most brutally realistic and mean-spirited (in a good, thrilling way). If you’re not in the headspace for that, it could put you off. 'The Hollows' has a colder, more detective-like tone that might be an easier entry for some. Or 'Follow You Home' starts with a literal train ride into terror—it’s propulsive from page one. So maybe consider your subgenre preference within thrillers. But the bottom line remains: no narrative connections. You’re choosing a flavor, not a chapter in a saga.