Qui A Écrit La Comédie Musicale Chicago ?

2026-06-25 06:46:28 127
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3 Answers

Claire
Claire
2026-06-27 03:18:47
Chicago is one of those timeless musicals that never gets old, and it's fascinating to dig into its origins. The music and lyrics were written by the legendary duo John Kander and Fred Ebb, who also brought us 'Cabaret' and 'New York, New York.' The book was crafted by Bob Fosse himself, the iconic choreographer and director who gave the show its signature gritty, jazzy vibe. It's wild how their collaboration created something so sharp and stylish—every song feels like a dagger wrapped in velvet.

I love how 'Chicago' plays with satire and dark humor, especially in numbers like 'All That Jazz' and 'Cell Block Tango.' Fosse’s touch is unmistakable; you can see his fingerprints in every hip thrust and bowler hat tilt. The show’s revival in the ’90s, followed by the Oscar-winning film, just cemented its place in pop culture. It’s one of those rare cases where the stage and screen versions are equally dazzling.
Wyatt
Wyatt
2026-06-28 11:08:12
The creative minds behind 'Chicago' are like a dream team of Broadway royalty. John Kander composed the music, Fred Ebb wrote the lyrics, and Bob Fosse handled the book and original direction. Their combined genius turned a 1926 play by Maurine Dallas Watkins into this sleazy, glamorous masterpiece. Kander and Ebb’s songs are so clever—they make murder and corruption sound downright catchy. And Fosse’s choreography? Pure magic. The way he blended vaudeville with noir still feels fresh decades later.

What’s cool is how 'Chicago' evolved. It wasn’t an instant smash in 1975, but the 1996 revival stripped it down to its black-lace core, and suddenly everyone got it. The film adaptation in 2002 brought Renée Zellweger, Catherine Zeta-Jones, and Richard Gere into the mix, and boom—Oscars galore. It’s proof that great material just needs the right moment to shine.
Claire
Claire
2026-07-01 20:03:43
Chicago’s got this irresistible mix of jazz, scandal, and killer choreography, all thanks to John Kander, Fred Ebb, and Bob Fosse. Kander’s music slinks along like a cat in a back alley, while Ebb’s lyrics are razor-sharp—think 'Razzle Dazzle' or 'Mr. Cellophane.' Fosse’s book and staging tied it together with that unmistakable, pelvis-forward flair. The show’s based on Watkins’s play, but they cranked up the satire to 11. It’s wild how a story about tabloid fame and acquittal-for-hire still feels so relevant. The movie adaptation just sealed the deal, with Zeta-Jones stealing every scene. Classic stuff.
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