Read The Excerpt From Persepolis. 3 Panels From The Graphic Novel Persepolis About Pardisse'S Report On "The Arab Conquest And Our War" But The Teacher Didn'T Seem Too Impressed With The Report. Which Element Best Illustrates The Central Idea Of These Panels?

2025-06-10 07:23:44 223

3 answers

Eva
Eva
2025-06-11 18:01:52
Those panels in 'Persepolis' hit hard because they show how authority figures dismiss kids' genuine efforts. Pardisse’s report on 'The Arab Conquest and Our War' wasn’t just a school assignment—it reflected her lived reality during the Iran-Iraq War. The teacher’s lack of enthusiasm isn’t just about grading; it’s symbolic of how the regime suppressed critical thinking. The central idea? Institutional indifference. The panels contrast Pardisse’s earnestness (her detailed report, body language) with the teacher’s bored expression, emphasizing how the system stifles youth voices. It’s not about the content of the report but how power dynamics render it meaningless. The shading in the panels—dark, oppressive—mirrors this emotional weight.
Kate
Kate
2025-06-11 04:12:37
The panels in 'Persepolis' where Pardisse presents her report are a masterclass in visual storytelling. Satrapi uses minimalism to convey maximal emotion. The teacher’s disinterest isn’t just a character trait; it’s a critique of education under authoritarian regimes. Pardisse’s report topic—'The Arab Conquest and Our War'—is ironic because it’s literally about conflict, yet the teacher’s apathy mirrors the larger societal numbness to violence. The central element here is the juxtaposition: Pardisse’s eager posture vs. the teacher’s slouched indifference, the detailed report vs. the blank chalkboard behind them.

What’s brilliant is how Satrapi ties this to Marjane’s own arc. Earlier, Marjane’s teacher punishes her for questioning authority, and now Pardisse’s effort is ignored. The panels aren’t just about one incident; they’re a pattern. The teacher’s glazed eyes and crossed arms scream systemic dismissal. Even the report’s title—linking historical conquest to contemporary war—gets erased, symbolizing how history is whitewashed. The central idea? Complicity through silence. The regime doesn’t need active cruelty when passive neglect achieves the same goal.
David
David
2025-06-16 21:07:35
Reading those 'Persepolis' panels feels like watching a slow-motion betrayal. Pardisse, this earnest kid, pours her heart into a report connecting past invasions to her current war-torn life, and the teacher barely blinks. The central idea isn’t just 'teachers are mean'—it’s about how systems drain meaning from education. The panels’ composition does the heavy lifting: Pardisse’s tiny figure holding up papers, the teacher’s massive desk looming between them like a barrier. The report’s title, 'The Arab Conquest and Our War,' is almost sarcastic; the 'our' implies collective trauma, but the teacher’s reaction reduces it to a checkbox exercise.

Satrapi’s genius is in the details. The teacher’s offhand comment ('Next time, add more dates') reduces history to rote memorization, erasing Pardisse’s personal lens. The war isn’t theoretical for these kids; they hear bombings daily. The panels’ stark black-and-white contrasts hope (Pardisse’s neat handwriting) with despair (the teacher’s vacant stare). The central element? Dehumanization. When institutions treat war as a dry academic topic, they mirror the regime’s desensitization tactics. It’s chilling how a classroom moment captures a national tragedy.

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