Where Can I Read 'Trying To Save My Favorite Character From His Tragic Fate' Online?

The moment I discover I'm pregnant, Courtney Smith, the leukemia patient I saved three years ago, turns up on my doorstep once again. She claims that her leukemia has relapsed again, so she wants me to abort my baby in order to save her life again. But I'm pregnant with my deceased police husband's baby. So, I tell her that I can only donate my bone marrow to her once I've given birth to my baby. After hearing my answer, not only do Courtney and her family not feel any gratitude toward me, but they also berate me for not helping them out till the end. "You can still have another baby once you lose this one! But if your pregnancy affects my illness in any way, will you be able to take responsibility over this?" Then, the Smiths abduct me to a shady hospital, where they forcibly put me through an abortion and remove my bone marrow. While their operation is a success, my baby and I end up dying on the surgical table. As they gaze at our corpses, the Smiths' faces are plastered with icy expressions. "Don't blame us for what we did. If you were the one with leukemia, we'd still make Court donate her bone marrow to you. One's life is determined by fate. If you can't survive, that just means you're fated to die." When I open my eyes again, I've returned to the timeframe three days before Courtney finds out about her leukemia relapse.

My husband, Terrence Lawson, was a traveler between worlds. He wasn’t allowed to form relationships with the NPCs of each world. But he was quick to fall head over heels for me. Every time his heart throbbed for me, a deep-rooted pain that tore through his soul followed suit. He had suffered from this torment 99 times so far. Later on, I was kidnapped to another country, where I was tormented relentlessly. At one point, I even became a target of sexual abuse. When I was at the brink of suffering from a permanent breakdown, I remembered the secretive technique that Terrence had taught me that allowed me to communicate with him despite being worlds apart. After succeeding in forming a link with Terrence, I overheard his conversation with his mentor. "Terrence, how could you contact the villains and have them kidnap Quinn? Isn't she your true love?" Terrence's voice was awfully icy and resolute. "The female supporting lead, Yvonne Lynn, was supposed to be the one enduring the torment. I had no choice but to let Quinn shoulder this burden in order to save Yvonne's life. "Besides, Quinn is this world's female lead. She has the blessings of the Narrative, so there's no way any harm will come to her. "Once I'm done with this mission, I will be able to stay in this world forever. When the time comes, I'll make sure to make amends to Quinn properly." I was completely heartbroken at that moment. When I saw the villains approaching me once again, I completely gave up on fighting back.

At my wedding to my childhood friend, Mason Rivers, a stream of floating comments suddenly appeared in front of my eyes. [LMAO, supporting character still doesn’t know the groom is a stand-in! The real male lead, Mason Rivers, is at the hospital with the fragile, sweet female!] [It doesn’t matter who the groom is. He only agreed to the marriage to keep his company afloat. This story is about the childhood sweetheart losing to the girl who came later.] [In the end, the supporting character gets completely ruined by the male lead. I almost feel bad for her.] I hid the shock in my eyes and pretended not to know anything as I finished the ceremony. I didn’t want to be the stepping stone for their love, the disposable extra who dies a tragic death. If he didn’t want to marry me, then I’d turn this act into something real and marry someone else instead.

After I transmigrate into a Gary Stu novel as the evil male supporting lead, a system appears in my mind. It tells me that as long as I can conquer one of the female leads, I will be able to return to my original world with a healthy body. But I've failed in my conquest. There are a few female leads in this novel. There's the fake heiress, Leslie Jackman, who I have grown up with and have viewed as my older sister. The true heiress, Miranda Suller, is a boxer who happens to be seatmates with me during our high school times. My childhood sweetheart, Catherine Langdon, who's also a genius surgeon, happens to be one of the female leads too. Heck, even my own daughter, Natalie Jackman… my own flesh and blood… All of them are quick to fall for Gabriel Linner, the poor yet strong-willed young man who's also known as the Gary Stu of this novel. Because of that, they hate me deeply. The system sighs before telling me that as long as I can die in the hands of any of the female leads, it will let me return to my original world. Later on, I use all of the tricks up my sleeve and succeed in getting killed by the female leads. But why is it that they've lost their minds after I die?

Ella is just an ordinary girl among the eight billion inhabitants of the earth who, for an unexpected reason, enters a romance novel as a poor supporting character. Gabriella de Hesing is a character whose life was complicated and she sacrificed his life as a background for the love of the main couple. After discovering the fact that she had become that poor girl. Ella decided that she could not sit idly by, but had to fight her cruel fate. She frantically runs away from her predetermined fate and tries her best to change her cruel death. But Ella's plan to escape fell apart when the girl fell into the sights of the main characters in the story. The handsome vampire prince Roger Clitus, the powerful werewolf general Nolan Conal, and the brilliant wizard Harvey Theodore are all crazy about Gabriella and looking for the girl. Ella's journey to self-rescue has not been smooth.

As the male lead, Henry Johnston, forces himself on me, a row of comments suddenly appears before my eyes. "Henry is about to misunderstand and think Aria drugged him! The angst is about to begin!" "I'm thrilled just thinking about Henry regretting dearly after Aria dies!" "Keep up the act, Henry. After she dies, you'll be hugging her corpse and crying every day." That is when I realize that I am the tragic female lead in a story where I am destined to be tormented until I die. The readers treat my death as a highlight to push the plot forward. They are counting down to my death. As I look at Henry, who is panting on top of me, anger courses through me. I grab a table lamp and smash it into him, killing him on the spot. Who says that the one who dies in a toxic romance story must always be the female lead?