How Can Reading And Research Improve Dialogue In Stories?

I was nineteen the first time Cole Whitfield broke me. Not with cruelty. With a single word. Why. Not did you — why. Like the answer was already settled and he just wanted the story to make sense. I told him the truth anyway. He said nothing that mattered. So I picked up my bag, walked out of his apartment, and decided that a man who trusted a rumor over two years of me wasn’t worth a correction. I spent the next two years becoming someone I actually liked. New city. Graduate program. A published paper with my name on it. I was done with Cole Whitfield in every way a person can be done. Then I walked into Seminar Room 114 and he was sitting right there, gray eyes already on the door, like some part of him knew. I sat down. I opened my notebook. I did not look up. Here’s the thing about studying how people form beliefs: you understand exactly why he believed it. That doesn’t mean you forgive it. That doesn’t mean two years of silence disappear because he’s learned how to look at you like he’s sorry. He wants a conversation. I want my degree. But the campus is small, the seminar table is round, and the boy who broke my heart at nineteen is doing everything right at twenty-one — and I’m starting to understand that composed isn’t the same thing as healed. I hate that I still know the exact sound of his voice.

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My words can kill. Whatever I say comes true. When I was eight, my cruel adoptive father kicked me into an icy river. I glared at him and said furiously, "You'll drown if you go into water." The next day, he drowned in a stinking ditch where the water barely reached his knees. After realizing I could really kill people, I was so scared I stopped talking and became a mute. A year ago, I was taken back to the Shaw family. In order to stay with the family that I'd finally found after all these years, I absolutely refused to speak. But one day, after Jackie Shaw took a sip of the drink I brought him, he suddenly convulsed and fell to the floor, his face turning purple. A maid screamed in terror, "There's peanut powder in the drink!" Before I could even say anything, my twin sister, Violet, kicked the coffee table, grabbed my hair, and pressed me down hard onto the broken glass shards. "You know Jackie is severely allergic to peanuts! How could you poison him?!" After Mom gave Jackie an emergency injection, she turned around and slapped me hard. "I can't believe I gave birth to a malicious monster like you!" Dad's face was ashen. He splashed boiling tea all over me. "You heartless, vicious ingrate! I can't believe you tried to kill Jackie out of jealousy!" Boiling water mixed with blood dripped down my face, and I clenched my teeth tightly. They had no idea that if I truly wanted him dead, I wouldn't even need to poison him. I just had to speak. Like this. I slowly looked up at Jackie, and my lips moved...

I have a severe case of logorrhea. Only speaking makes me feel alive. My classmates all call me a freak, but Marvin Britt is the only one willing to listen to me. One day, I bring some homemade soup over to see him, only to catch him holding his junior's hand. "Lexie, your voice is so lovely, unlike my wife at home. She sounds like a squawking duck. It's exhausting." My hands shake so violently that I drop the thermal flask. The commotion angers a nearby madman, who forces a bottle of boiling water down my throat. With my mouth full of blood and blisters, I realize I need proof. I send Marvin—a lawyer—a frantic voice note to accompany me to the police station for evidence. Marvin shoots back a single word—"Noted". Of course. He doesn't even listen to it, as usual. He used to reply to everything I said with voice notes at least a minute long. But we hit the seven-year itch, and he's sick of my endless talking. Leaving the hospital, I stare at my diagnosis of permanent mutism and laugh bitterly. He must be thrilled. His world is finally quiet.

Her name was Cathedra. Leave her last name blank, if you will. Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things. Three words: Lies, lies, lies. A picture that moves. And a plea: Please tell them the truth. All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know. No one believed her. No one ever did. She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless. As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone. Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind. Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.