How Does The Remains Of The Day End?

2025-11-10 08:01:19 108

5 Answers

Wesley
Wesley
2025-11-11 17:54:53
The ending of 'The Remains of the Day' left me with this quiet ache that lingered for days. Stevens, the butler, finally meets Miss Kenton after years apart, and their conversation on the pier in Weymouth is so painfully restrained. He realizes she’s happy with her life now, married to another man, and that his own devotion to duty cost him any chance of love. What gets me is how he still clings to professionalism, joking about bantering—something he once failed at miserably. It’s heartbreaking because you see the weight of his regrets, but he’ll never fully admit them, not even to himself.

That final scene where he sits on the bench, talking to a stranger about how to make the 'remains of the day' count? It’s haunting. He’s spent his life serving a flawed man, believing in ideals that betrayed him, and now he’s left with nothing but the faint hope of learning to 'banter' in his Twilight years. Ishiguro doesn’t spell out the tragedy—it’s all in what Stevens doesn’t say. Masterful storytelling.
Tobias
Tobias
2025-11-12 09:49:32
What struck me about the ending was Stevens’ quiet resignation. After spending the whole novel defending Lord Darlington, he finally admits—to himself, barely—that his loyalty might’ve been misplaced. But it’s too late. Miss Kenton’s gone, his master’s reputation is ruined, and all he’s left with is this hollow professionalism. The banter bit is so tragically funny; he’s like a robot trying to learn human emotions at the eleventh hour. Ishiguro’s genius is in how he makes you feel the weight of everything unspoken.
Russell
Russell
2025-11-13 20:32:23
That final conversation between Stevens and Miss Kenton? Brutal. She’s moved on, he’s stuck in the past, and neither of them can say what they really feel. When she cries about her unhappy marriage, for a second you think he might finally break—but nope. Duty wins again. The bench scene afterward is like watching someone slowly realize they’ve been the fool in their own story. Gut-punch of a ending.
Sabrina
Sabrina
2025-11-14 11:53:14
Man, that ending wrecked me in the best way. Stevens’ whole journey to visit Miss Kenton feels like this slow unraveling of his tightly controlled world. When they finally talk, she’s warm but distant, and you can tell he’s dying inside knowing she moved on. The way he obsesses over 'bantering' as some symbolic failure kills me—it’s this tiny, ridiculous thing masking a lifetime of emotional avoidance. And then that last moment with the random guy on the bench? Stevens admitting he might’ve wasted his life but still trying to convince himself otherwise? Ugh. Ishiguro leaves you with this hollow feeling, like you just watched someone bury their heart under years of repressed feelings.
Oliver
Oliver
2025-11-14 21:24:41
Stevens’ reunion with Miss Kenton is the kind of scene that sneaks up on you. They’re both so polite, so careful, but beneath it all, there’s this ocean of unsaid things. She mentions her marriage casually; he deflects with talk of staffing issues. The tragedy isn’t in grand gestures—it’s in the teacup she sets down too firmly, the way he lingers after she leaves. By the end, he’s alone on a bench, staring at the sea, and you realize: this man will never let himself grieve. Devastating.
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