When Was Revenge In Repose First Published And Where?

2025-10-20 21:12:13 114

3 Answers

Kevin
Kevin
2025-10-24 14:54:18
I dug into this with way more enthusiasm than my sleep schedule probably approved of, and here's the short, solid bit: 'Revenge in Repose' first appeared in print in 1987, in the March issue of 'Ellery Queen's Mystery Magazine'.

That magazine has been a launching pad for tons of memorable short mysteries, and seeing 'Revenge in Repose' show up there makes sense — the story has that tight, twisty pacing and economy that suits a magazine slot. The March 1987 issue carried it as a standalone short story piece, and readers first encountered it in that periodical before it later turned up in at least one author collection and a few anthologies through the 1990s. I remember paging through copies of EQMM back in the day, and the bright cover and table of contents always made tracking a favorite story back to its original magazine run satisfyingly easy.

If you're tracing first appearances, that March 1987 EQMM listing is the citation collectors and bibliographies point to — after that it was reprinted in collected volumes, but that magazine appearance is the origin point. I still like the image of discovering a story in a worn magazine; it feels like a mini-treasure hunt every time.
Peyton
Peyton
2025-10-26 01:23:06
I came across the primary listing quickly: 'Revenge in Repose' was first published in the March 1987 issue of 'Ellery Queen's Mystery Magazine'. That initial magazine appearance is cited in later collections as the first printing, and subsequent editions note that EQMM origin.

Magazines like that were the go-to venue for short mysteries in the 1980s, so finding the story there as its debut makes total sense. Seeing the story migrate from the magazine to later anthologies is a classic trajectory, and it gives you a neat paper trail if you're tracing publication history — I always enjoy following those threads through my own shelves.
Isaac
Isaac
2025-10-26 11:11:32
I flipped through a few bibliographic records and the footprint that keeps popping up is March 1987 in 'Ellery Queen's Mystery Magazine' — that's where 'Revenge in Repose' was first published. Magazines like EQMM routinely served as first homes for short mysteries, and the timing fits with the author's other short fiction appearances.

From a collector's perspective, the magazine issue is the first edition collectors look for, and later reprints in author collections or anthologies are usually flagged as reprints with the original EQMM citation. For anyone compiling a bibliography or trying to verify a first publication, that magazine entry is the canonical starting place: published in the March 1987 issue of 'Ellery Queen's Mystery Magazine'. It's neat to track how a story moves from a magazine slot into broader circulation — the small-press-to-anthology path is a familiar arc, and 'Revenge in Repose' follows that pattern, later being anthologized and included in collected works. I still feel a little thrill when I find those first-appearance lines in a bibliography.
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5 Answers2025-10-20 05:58:34
If you love eerie soundscapes, the composer behind 'Mystery Bride's Revenge' is Evelyn Hart. Her name has been buzzing around the community ever since the soundtrack first surfaced — not just because it's beautifully moody, but because she manages to make silence feel like an instrument. Evelyn mixes sparse piano, bowed saw, and whispered choir textures with modern electronic pulses, and that mix is what gives the score its uncanny, lingering quality. The main theme — a fragile, descending piano motif threaded through with a lonely violin — is the piece that really hooks you and won't let go. I can't help but gush about how she uses leitmotifs. There's a delicate melody that represents the bride: innocent, almost lullaby-like, but it's always presented through slightly detuned instruments so it never feels entirely safe. Then, as the revenge threads into the story, a low, metallic drone creeps under that melody and the harmony shifts into clusters of dissonance. Evelyn's orchestration choices are small but meticulous — a music box altered to sound like it's underwater, a distant church bell sampled and slowed until it's more like a heartbeat. Those touches turn familiar timbres into something uncanny, and they heighten every twist in the narrative. Listening to the score on its own is one thing, but hearing it while watching the game/film/novel adaptation (depending on how you first encountered 'Mystery Bride's Revenge') is where Evelyn's skill really shines. She times moments of extreme quiet to make the eventual musical eruptions hit harder. The percussion isn't conventional — it's often composed of processed natural sounds and objects, which gives the hits a raw, human edge without being overtly percussive. And she isn't afraid to let textures breathe: long, sustained chord clusters that evolve slowly over minutes, creating a sense of time stretching. That patience in composition is rare and it makes the emotional payoffs much stronger. All told, Evelyn Hart's score is one of those soundtracks that haunts you in the best way — it creeps back into your head days later and colors your memories of the scenes. It's cinematic, intimate, and a little unsettling in the exact way the story needs. For me, it's the kind of soundtrack I return to when I want to feel chills and get lost in a story all over again.
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