Is 'Rip It Up And Start Again. Post-Punk 1978-1984' Worth Reading?

2026-01-08 23:03:21 79
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3 Answers

Isaac
Isaac
2026-01-10 23:38:20
Reading this book was like time-traveling to a moment when music felt dangerous. Reynolds captures the desperation and innovation of post-punk so vividly—how bands with no formal training rewrote the rulebook using cheap synths and borrowed philosophy. I loved the focus on regional scenes, like Leeds’ abrasive sound versus Glasgow’s melodic weirdness. It’s dense with anecdotes (Brian Eno producing Devo in a cowboy hat!) but never loses sight of the bigger picture: how these artists turned limitations into revolutions. If you’ve ever wondered why modern indie rock still echoes this era, here’s your answer.
Brady
Brady
2026-01-13 23:37:17
'Rip It Up and Start Again' felt like decoding a secret language. Reynolds writes with this mix of scholarly depth and fanboy enthusiasm that’s infectious. I’d heard of bands like Gang of Four or Siouxsie and the Banshees, but the book reveals how radically they redefined what rock music could be—breaking rules with funk basslines, dub production, and Marxist lyrics. The chapter on the 'art terrorist' antics of Throbbing Gristle alone is worth the price of admission.

What surprised me was how contemporary it all feels. The debates about authenticity, commercialism, and genre-blurring could’ve been ripped from today’s music forums. Reynolds doesn’t shy away from the scene’s contradictions, like how many 'anti-star' post-punk bands eventually craved mainstream success. It’s a messy, thrilling read that’ll make you dust off your old records or hunt down obscurities on Bandcamp.
Kate
Kate
2026-01-14 00:36:49
I stumbled upon 'Rip It Up and Start Again' during a deep dive into post-punk history, and it completely reshaped how I view that era. Simon Reynolds doesn’t just catalog bands and albums; he weaves this vivid tapestry of cultural chaos, where music was a battleground for ideas. The way he ties together the DIY ethos of bands like Joy Division and The Fall with the broader social tensions of the late ’70s and early ’80s is masterful. It’s not a dry read at all—it crackles with energy, like you’re flipping through zines in some smoky underground club.

What really hooked me were the lesser-known stories, like the rivalry between Rough Trade and Factory Records, or how post-punk’s experimentation bled into early hip-hop and electronic music. Reynolds has this knack for making you feel the urgency of those times, where every new single felt like a manifesto. If you’re even remotely curious about how punk’s ashes gave birth to everything from goth to synth-pop, this book is essential. I finished it with a playlist of 50 new songs to explore—it’s that kind of rabbit hole.
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