Is Up A Road Slowly Worth Reading?

a really good book for you. I hope you like it becuase it tells you a good story. Please read it.

A blizzard had buried the mountain, turning every road into a death trap. Locals called it Deadman's Pass—seventy-two icy switchbacks with zero room for error. As the only person who had ever made it through without a scratch, I'd just gotten a million-dollar rescue call from beyond the final curve. Ten years ago, I went there once. My seventeen-year-old daughter, Maya, was skydiving with her classmates when a violent air current forced an emergency landing. The rescue came too late. She died there. Later, I learned my husband, Jayden Boone, had ignored Maya's safety. He poured hundreds of thousands of dollars into the rescue effort and redirected every team to save his ex's daughter instead. The girl had only sprained her ankle on a hiking trip. The day Maya died, I walked away from my career as a professor and stayed here, living as a broke driver. I risked my life running Deadman's Pass again and again until I knew every turn by heart. In the ten years since, no one else had died on that road. Today, a friend shoved a million-dollar rescue job in front of me and told me to leave right away. I looked at the face in the photo—the one I could never forget. Then I smiled and tossed my keys onto the table. "I can't take this job."

In the chaos and quiet of her 30s, a woman reflects on the loves that shaped her, the heartbreaks that undid her, and the tender spaces in between. Through fleeting romances, almost-loves, and the weight of expectations—family’s, society’s, and her own—she navigates a world where connection is currency, vulnerability is rebellion, and self-discovery never comes easy. Told with wit, warmth, and raw honesty, this novel is a journey through modern love: messy, magical, and sometimes maddening. It's about the people who entered her life, the ones who left, and the version of herself she’s still becoming.

Book two. Please read "Not All That Glitters" before "Not All Who Wander Are Lost."Christmas 2019 in Auburn brought with it a chance for new beginnings. Complicated relationships started to mend and different recoveries were being made. As far as Whitney York and Hollis Bogard were concerned, they knew every hardship they'd face from that point on would be easier since they had each other for support.Fast forward to May, five months later. While making the last minute preparations for she and Whitney's Christmas gift to New York for a week, Hollis gets some disheartening news. If that weren't bad enough, patching things up with her parents was turning out to be a long, winding road. Dalton's prolonged, stressful testimonies to ensure he gets more than a cash settlement from the wealthy prick who put him in a wheelchair after driving drunk is the last straw. As Hollis starts wrestling with her inner demons again, slipping downward is inevitable. Will she confide in Whitney, or risk relapsing?Since disowning her, Whitney stopped hearing from her perfect family altogether. While the lovers are wrapping up in New York, she suddenly comes face to face with Hollywood's latest headliner;Theresa, her famous sister, has died. Urged to attend the funeral, Whitney makes it clear she won't go without Hollis, the very person her parents blame for staying in Maine.Buckle in! Disclaimer: Strong mature content, graphic scenes, drug usage. 18+, please. This novel won’t be for you if you’re not comfortable with any of the above topics.2020 All Rights Reserved (you know how it goes) Please don't attempt to steal any part of my work.

Lola Smith never expected her quiet job at a medical clinic to pull her into the orbit of Melvin Walker, a devoted husband caring for a dying wife. Their connection begins as compassion, but loneliness draws them into a secret affair neither of them fully intended nor can easily walk away from. As Emily’s health declines, Lola and Melvin cling to each other in stolen moments that blur the line between comfort and love. But after Emily’s passing, grief drives Melvin into silence, leaving Lola questioning everything, including her place in his life. When Lola discovers she is pregnant, she faces the most decisive choice of her life: hold on to a man still haunted by loss or walk away to protect the new life growing inside her. Their love is messy, forbidden, and transformative forcing both to confront what they truly deserve, even if it means choosing themselves over each other.

When 19-year-old waitress Millie takes a summer job as companion to wealthy Lady Vera Ashington at her Suffolk stately home, she has no idea that a mystery will unfold which puts her own life and her family's business at risk. Unexplained deaths will test her morality. Can the end justify the means? Lady Ashington (Vera) fears a breakdown due to personal regrets. She has one last go at seeking long-term happiness. Having taken Millie as a companion, the two women become friends and enjoy arguing about Vera's wealth and her inability to use it wisely. ‘ Too much cake', is the problem. Millie empowers Vera. She keeps a first person diary, and includes Vera's viewpoint. This diary is the novel. It tells how the talents of two very different women, when harnessed, move mountains. But, Vera's local influence means every good deed, leaves a loser. Millie had not appreciated this and conflicts mount. Things reach a head when a couple in the village, are murdered . The evidence isn't clear. Who would profit from their deaths? Is Vera implicated? Must Millie fear for her life?