What Role Do Curses And Moral Lessons Play In Old Witch Books?

Soleil Summer is a rather ordinary 17 year old School girl, a bit shy and unassuming … at least until her world is turned upside down. First she meets the very handsome Luca, the New boy in school … and she also can’t help but notice the alluring King of the vampire goths. And then of course there is the fact that on her 18th birthday a coven of witches comes to knock on her door. Soleil is a witch, fated to kill the werewolves, what she doesn’t know is that her beloved Luca is a wolf and her mate, a mate she has to kill to break the ancient curse. And in the background the dark one, an immense evil power lurks, and he has his eyes on Soleil. This is a full series of 3 books in one … each New book starts with a chapter marked 1. Warning: Every chapter starting with *The vampire* may contain violent murders and kinky sex

Seven Classic Faery Tales are given a very adult makeover. You are entering a world of myth, magic, and Immortals. Throw in the humans for the added spice of erotica and violence. Mix together and you have dark adult faery tales ........ Do not read if easily offended!

Sinopse Ingles Kataleya is a witch who was born on Titiana Island. A beautiful woman, who was hurt as a child by cruel men who abused her body. Angry, hurt and vengeful, Kataleya killed them all using her supernatural powers. Even after revenge, her heart remained wounded, becoming a dark witch, promising that she would never be touched again. With these hands, I cursed you, I condemn you, every man who dares to touch me. With my anger, my sorrow I condemn you to the most painful death.   Those were the witch's words, if untouchable and anyone who touched her would die in the most painful way. Years later he meets Igor, the captain of the 7 seas who fears no one. He needs to travel to certain islands in search of treasure, but only witches can find it. They are cursed islands, but they hide the most valuable objects. Igor will take Katelya with him and the two will set off on this new adventure, the problem is when the two feel attracted to each other. They fall madly in love with each other, but Katelaya is untouchable. Kataleya finds herself lost because she will have to resist or else her love will die in the most painful way. Will she be able to resist! Love will be able to undo the spell.  

The Good Witch was born unlike her family. She wants to help people and she finds a few friends that help her along the way. Each adventure is a new challenge. She hopes to one day free her family from the curse they placed on themselves. For these are the stories of the Good Witch.

Ten years ago, my daughter died in Healing Grove after the poison spread through her body. I held her cold, lifeless body in my arms, and the grief seeped so deep it settled into my bones. Her Alpha father had personally taken the only vial of antidote in the entire Healing Grove. He did it to save the daughter of his childhood sweetheart. But the girl had only scraped her knee after a fall. That day, I severed my mate bond without looking back and threw myself into the Herbalist Guild. Ten years later, I became the only witch on the entire continent capable of curing the rare wolfsbane poison. One day, the Elder Council summoned me for an emergency. A little girl had been poisoned, and they offered a reward of a million gold coins if I could save her. I accepted. But the instant I saw the patient's portrait, everything inside me went cold. I ripped the healer's badge from my chest and tore the medical file into pieces. "I refuse to treat her."

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.