Which Romance Genre Books Have Bisexual Protagonists?

I’ve been scrolling through BookTok for a while now, and it’s clear that contemporary romance dominates the platform. Books like 'It Ends with Us' by Colleen Hoover and 'The Love Hypothesis' by Ali Hazelwood are everywhere. These stories resonate because they’re relatable, emotional, and often tackle real-life issues. The tropes—enemies to lovers, fake dating, and second-chance romance—are huge hits. People love how these books balance heartwarming moments with deeper themes. Plus, the aesthetics of these books, from their covers to the way they’re presented in videos, make them irresistible. BookTok has a way of turning these novels into must-reads, and it’s no surprise that contemporary romance is the star.

As someone who spends way too much time browsing bookstores and online shops for romance novels, I've noticed that coquette-style romance books are often published by imprints that specialize in lighthearted, flirty, or whimsical love stories. Harlequin's 'Carina Press' often publishes playful romantic comedies with coquette vibes, while 'Entangled Publishing' has titles like 'The Coquet' series that fit this aesthetic perfectly. Indie publishers like 'Montlake Romance' and 'Avon Books' also release coquette-themed romances, especially those with historical or Regency settings where the banter is sharp and the heroines are delightfully mischievous. 'St. Martin’s Griffin' has put out some modern coquette romances too, like 'How to Fake It in Hollywood'—books that balance charm with a bit of sass. If you're into manga-style coquette stories, 'J-Novel Club' and 'Seven Seas Entertainment' license light novels with similar themes.

Romance publishing is dominated by a few key players that consistently churn out bestsellers. Harlequin, now part of HarperCollins, is practically synonymous with the genre, especially for series romance. They’ve been delivering heartwarming and steamy stories for decades, with imprints like Harlequin Presents and Carina Press catering to diverse tastes. Penguin Random House also holds significant sway with imprints like Berkley and Avon, which publish everything from historical romances to contemporary love stories. Their authors include big names like Julia Quinn and Lisa Kleypas. Then there’s Macmillan’s St. Martin’s Press, known for breakout hits like 'The Hating Game' by Sally Thorne. These publishers understand the market deeply, blending traditional tropes with fresh twists to keep readers hooked.

Hunting for hidden romance gems is kind of my secret weekend hobby — I get a real kick out of finding a quietly brilliant book nobody's screaming about. I start with a very practical filter: look for books with strong niche tags and modest review counts. On Goodreads I’ll search a trope like ‘slow burn,’ then sort by number of ratings (low to high) and skim the top pages. That’s where underrated pleasures live: novels with dedicated readers but not viral reach. Another big move is following small presses, indie newsletters, and a couple of reliable bloggers. I subscribe to a handful of indie imprints and local bookstore newsletters so I see new backlist pushes and back-catalog sales. Libraries are gold too — browsing OverDrive/Libby New & Noteworthy for lower-profile acquisitions often surfaces translated romances, queer historicals, and experimental cross-genre stuff. I also peek at award shortlists from places like the Romantic Novelists’ Association or Lambda Literary: those lists flag quality that mainstream lists miss. When I find a title that looks promising, I read the first 20–30 pages and three reader reviews that mention pacing and characterization (avoid spoilers). If it’s indie or self-pub, I check the author’s socials to see if they’re consistent and if readers gush about later books — that’s usually a good sign. And finally, I share my finds in a tiny corner of Bookstagram and in a Discord club — recommending underrated romance gives me more joy than hoarding them, honestly. Try one tiny rule: give an underrated pick 50–60 pages before you bail. A surprising number of slow-burns only hit their groove after a careful start.

Romance as a genre has always had a place in literature, but its rise to global dominance feels like a relatively recent phenomenon, especially in the last few decades. I remember growing up surrounded by classics like 'Pride and Prejudice' and 'Jane Eyre,' which were celebrated but often seen as part of a broader literary tradition rather than standalone romance. The shift really began in the late 20th century when mass-market paperbacks made romance novels more accessible. Publishers like Harlequin capitalized on this, churning out formulaic yet addictive stories that catered to a hungry audience. The 1980s and 1990s saw romance novels explode in popularity, thanks in part to their affordability and the escapism they offered. Women, in particular, found solace in these stories, which often centered on their desires and fantasies in a way mainstream literature didn’t. What solidified romance as the best-selling genre globally, though, was its adaptability. Romance isn’t just one thing—it’s historical, contemporary, paranormal, erotic, and everything in between. The rise of subgenres like paranormal romance, fueled by series like 'Twilight,' brought in younger readers and expanded the audience. Then came the digital revolution. E-readers and self-publishing platforms like Amazon’s Kindle Direct Publishing allowed indie authors to thrive, creating a flood of diverse romance stories that traditional publishing had overlooked. Suddenly, romance wasn’t just about heteronormative love stories; it included LGBTQ+ romances, multicultural relationships, and narratives that challenged old tropes. The genre’s ability to evolve and reflect changing societal norms is what keeps it at the top today. Social media also played a huge role. Platforms like BookTok and Instagram turned romance novels into cultural phenomena. Books like 'The Love Hypothesis' and 'It Ends with Us' became viral sensations, proving that romance could be both commercially successful and critically respected. The global appeal of romance lies in its universality—every culture has love stories, and the genre’s flexibility allows it to resonate across borders. While other genres may have moments in the spotlight, romance’s consistent ability to reinvent itself ensures its place as the best genre of books globally.

I've been obsessed with romance novels like 'After' and always hunt for publishers that deliver that same emotional punch. Wattpad Books is a big one—they specialize in modern, angsty romances with intense relationships, much like Anna Todd's work. Then there's Bloom Books, an imprint of Sourcebooks, which publishes steamy new adult romances with flawed characters and dramatic twists. I also keep an eye on Forever Publishing because they often release books with similar themes of love, conflict, and personal growth. Their catalog feels like a treasure trove for fans of 'After,' with titles that dive deep into emotional rollercoasters and passionate connections.

Honestly, if you wander the romance shelves with me, you'll find a mix of household names and surprise indie stars that keep popping onto bestseller lists. Nora Roberts and Danielle Steel are almost synonymous with long-running bestseller status — both are insanely prolific, and Roberts’ mix of romantic suspense and contemporary love stories has kept her on the list for decades. Nicholas Sparks is the go-to for tearjerker contemporary romance; think 'The Notebook' and other titles that become movies and hook people who love dramatized love. On the modern front, Colleen Hoover has exploded thanks to passionate online communities and emotional contemporary novels like 'It Ends With Us'. Julia Quinn brought historical romance back into the mainstream with the 'Bridgerton' books, especially after the Netflix adaptation. E. L. James landed massive sales with the erotic romance 'Fifty Shades of Grey', and Taylor Jenkins Reid has crossed into mainstream bestseller status with books like 'The Seven Husbands of Evelyn Hugo'. If you like variety, check out Christina Lauren for rom-coms, Helen Hoang for emotionally sharp contemporary stories, and Sarah MacLean for historical spice. There's also a huge world of indie and self-published authors who top category bestseller lists—romance is a place where readers really influence who climbs the charts. Personally, I flip between a sob-inducing Sparks read and a cheeky Christina Lauren book depending on my mood; try picking a subgenre and binge a couple of different authors to see what sticks.

Romance books and YA romance novels might seem similar at a glance, but they cater to different audiences and explore love in distinct ways. Romance novels, like 'The Hating Game' by Sally Thorne or 'The Love Hypothesis' by Ali Hazelwood, typically focus on adult protagonists navigating mature relationships, often with steamy scenes and complex emotional dynamics. These stories dive deep into career conflicts, societal expectations, and personal growth, making them relatable to older readers. YA romance, on the other hand, such as 'To All the Boys I’ve Loved Before' by Jenny Han or 'The Fault in Our Stars' by John Green, centers on teenage characters experiencing first love, identity struggles, and school-life pressures. The tone is lighter, sweeter, and often more innocent, with themes like self-discovery and friendship taking center stage. While adult romance can get explicit, YA usually keeps things PG-13, focusing on emotional connection rather than physical intimacy. Both genres are fantastic, but they serve different emotional needs and life stages.