What Is Ruth Gordon: An Open Book About?

2025-12-12 05:36:08 330

4 Respostas

Olivia
Olivia
2025-12-15 02:27:22
'An Open Book' is Ruth Gordon’s whirlwind memoir—a mix of sharp Hollywood tales and hard-won wisdom. She writes like she’s leaning in to share secrets: how she navigated Broadway’s egos, why she adored playing 'weird little ladies,' and the quiet thrill of typing scripts in pajamas. Her late-career bloom gives hope to anyone fearing their best days are behind them. The book’s a toast to staying curious, with a side of vintage showbiz spice.
Leila
Leila
2025-12-15 19:37:02
Ruth Gordon's autobiography 'An open book' is this fascinating, unfiltered dive into her life that feels like chatting with an eccentric aunt over tea. She was such a force—oscillating between Broadway, Hollywood, and writing with this infectious zest. The book doesn’t just chronicle her Oscar-winning late-career resurgence (hello, 'Rosemary’s Baby') but also her early scrappy days, like getting blacklisted briefly during the McCarthy era. Her voice is witty, self-deprecating, and oddly modern—she’s candid about failures, like plays that flopped or marriages that didn’t stick.

What stood out to me was how she framed her career as this series of reinventions. At 72, she won an Academy Award, proving creativity doesn’t expire. She dishes on collaborators like Garson Kanin (her writing partner and husband) and Katharine Hepburn, but it’s never gossipy—just warm, observational storytelling. If you love old Hollywood or tales of perseverance, this memoir’s a gem. It left me itching to rewatch 'Harold and Maude,' where she basically became the patron saint of unconventional joy.
Uma
Uma
2025-12-16 20:30:40
I picked up 'An Open Book' after falling hard for Ruth Gordon in 'Rosemary’s Baby.' Her memoir’s like her acting—no pretension, all personality. She recounts flops (a play closed in a week) and triumphs (that Oscar speech where she cackled, 'I can’t tell you how encouraging a thing like this is!') with equal relish. The chapters about writing with Garson Kanin crackle—their partnership was as creative as it was romantic. She also drops nuggets like how 'Harold and Maude' almost didn’t cast her because she wasn’t 'kooky enough'—laughable now. Her life was a masterclass in tenacity; she kept working because she loved it, not for fame. By the end, I wanted to frame her motto: 'Dare, and dare again.'
Ruby
Ruby
2025-12-18 02:54:04
Reading 'An Open Book' feels like stumbling into a time capsule of 20th-century entertainment. Ruth Gordon’s career spanned vaudeville to 'Taxi Driver,' and her memoir mirrors that range—part backstage drama, part love letter to resilience. She writes about losing roles for being 'too odd-looking' (imagine saying that to Maude!), then pivoting to screenwriting with 'Adam’s Rib.' Her anecdotes about Spencer Tracy’s grumpy genius or young Brando’s antics are gold. But what stuck with me was her refusal to retire; she treated aging as a creative blank slate.
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