How To Save And Quit Vim When Editing A Novel Manuscript?

"I had a conversation with Death and he wants you back." --- At the New Year's Eve party, Reniella De Vega finds the dead body of Deshawn Cervantes, the resident golden boy and incredibly rich student from Zobel College for Boys, his death was no accident. By morning, Rei sees him again - seemingly alive and sitting in the corner of her bedroom. However, only she can see him. Haunted by the ghost of Deshawn Cervantes, Rei is approached by Death himself with a dangerous proposition. If she can solve the mystery of his murder, she'll be granted a single wish - to wish someone back to life. With the help of meandering rumors, his suspicious rich friends, and the help of the victim himself, can Rei uncover the truth? Or will Deshawn Cervantes remain as a wandering soul? How can Reniella De Vega save his life?

Keaton Rourke and I get in a car accident. My liver ruptures, and I'm drenched in my blood. Teresa Bellamy, my wife, leaves me to die and runs off to save Keaton, who only has a scratch on his forehead. I'm unconscious and clinging to life in the emergency room, but Teresa fusses over how to keep Keaton's forehead from getting a scar. I wake up feeling nothing but disappointment and toss the divorce papers right in her face. She rips the divorce papers to pieces like a lunatic and makes it clear that divorce will only happen over her dead body. I used to bend over backward to make her happy. Now I'm ready to divorce her, no matter what it takes.

Arabella worked hard and was killed now in order to come back she must live lives to save other realms

Rhea Ravelle, heiress of a powerful and influential family, goes against her family's wishes and cuts ties with them. She chooses to marry Carter Jamison, a man with a failing career and two children born out of wedlock. For six years, she raises his children as if they were her own and helps Carter rebuild his crumbling business. Under her care, the kids grow into kind, well-mannered little stars, and Carter's company finally makes it big and goes public. But right at the celebration marking his entry into high society, the biological mother of his two children suddenly shows up. And Carter, who is usually so calm, completely loses it. He begs the woman to stay, making Rhea the laughingstock of the entire city. That night, he doesn't come home. Instead, he takes the children and runs straight back to his old flame, playing house as a happy family. Soon after, Carter files for divorce. "Thanks for everything, Rhea. But the kids need their birth mother." The children's mother also says, "Thank you for taking care of them all these years. But a stepmother will never compare to a birth mother." So blood beats love? If that's how it is, then she's done playing stepmother. However, the children reject their birth mother flat-out, and they don't want Carter either. They declare, "Rhea is our only mom! If you're getting divorced, then we're going wherever she goes!"

For five years, Mira poured her obsession into The Reckoning of Caelen Mors—a dark fantasy about a ruthless duke and the woman he becomes dangerously fixated on. At 2:47 AM, exhausted and alone, she died at her laptop. Her final words still glowed on the screen: "Duke Caelen finally showed her his true face. It was nothing like she imagined." She woke as Isadora Vess—the secondary character from her manuscript—in a silk bed, in a monster's house, with servants calling her by a name she'd invented. The problem: Mira remembers writing this world. She knows every dark secret. She knows how the story should end. Except her memories are fractured. The manuscript was never finished. And the characters have evolved without her input, making choices she never wrote, saying things she never scripted. Worse—Duke Caelen knows she's different. He's been waiting for her. Across seventeen timelines, he's seen her arrive at this exact moment. And in three of them, everything burned. Now Isadora must navigate a world she created but no longer controls, surrounded by men who each want to use her—a charming prince offering escape, a dark count offering power, and a villain offering the only thing that might be true: the answer to why she's here, and what happens when an author gets trapped in her own story. Because in every version where Isadora arrives, the empire falls. And Caelen has been waiting a very long time to see which ending she'll choose this time.

My executive boyfriend's newly hired assistant caused trouble again. All because a client mentioned he was afraid of snakes, she sent him a king cobra as "exposure therapy." The client was bitten and nearly died. Because of that, the company lost a multimillion-dollar project and had to pay two million in medical compensation. Following the board's decision, I fired her on the spot. My boyfriend did not object. In fact, he cooperated with me throughout the paperwork. One year later, at the celebration party for Grant Hale's promotion to CEO, I saw that same assistant again, dressed head to toe in luxury, standing beside him. Before I could react, Grant threw a termination agreement at me and announced in front of everyone that Chloe Vance would be taking over my position. His eyes were full of hatred as he gritted out, "Natalie, I have waited countless nights for this day. Didn't you love firing people? "How does it feel to be fired in public?" Everyone thought I would make a scene. Instead, I laughed, calmly removed my employee badge, and walked out. What Grant did not know was that the only reason he had been able to sit in the CEO's chair was because I had guaranteed him. The moment I left, every ounce of power in his hands would be revoked. His good days were officially over.