Are There Any Sequels To 'Un Gigolo'?

2026-06-05 10:42:45 166
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5 Answers

Wyatt
Wyatt
2026-06-06 05:37:15
Zero sequels, but the film’s influence pops up in odd places—like the melancholic gigolo in 'American Gigolo' (1980) or the recent 'Gigolo' series. It’s fascinating how one title can echo through time without needing a direct continuation. Maybe some stories are better left untied.
Flynn
Flynn
2026-06-07 07:14:22
I wish there was a sequel! The film’s ending leaves so much room for Michel Piccoli’s character to spiral further. Instead, I recommend diving into Deray’s 'Borsalino' films for that slick, dangerous vibe. Or try 'The Gigolo' (1926), a silent-era take on the trope—it’s wild how themes repeat across decades. Sometimes the absence of a sequel makes the original feel more special, like a rare vinyl you keep replaying.
Jordan
Jordan
2026-06-10 10:33:27
Nope, no sequels—just a cult classic that stands alone. But if you want more French erotic thrillers, 'Les Valseuses' or 'La Femme Nikita' hit similar notes. 'Un gigolo’s' legacy is its singularity.
Zoe
Zoe
2026-06-11 06:54:50
As a French cinema buff, I’ve scoured databases and asked film historians—no official sequel exists. But here’s a fun rabbit hole: 'Un gigolo’s' screenwriter, Jean-Claude Carrière, later worked on 'The Unbearable Lightness of Being', which shares that existential eroticism. Deray’s filmography also has 'Flic Story', another crime drama with Alain Delon, if you’re into morally ambiguous protagonists. The ’70s were full of standalone gems that didn’t need follow-ups, honestly.
Ian
Ian
2026-06-11 17:20:17
Oh, 'Un gigolo'! That 1978 French film with its bold themes and Michel Piccoli's unforgettable performance still lingers in my mind. From what I've dug up over the years, there isn't a direct sequel—no 'Un gigolo 2' lurking in cinema archives. But the director, Jacques Deray, did explore similar gritty, character-driven dramas like 'Le marginal' and 'Les hommes'. If you loved the tone, those might scratch the itch.

Interestingly, the film's open-ended ambiguity almost feels like a tease for a sequel that never came. There’s a 1980 Italian film called 'Il gigolo' with Marcello Mastroianni, but it’s more of a spiritual cousin—no narrative ties. Sometimes the lack of closure makes the original even more haunting, though. I’ve rewatched it twice this year, and each time I spot new nuances in Piccoli’s smirk.
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