Are There Any Sequels To Vivia?

“Damn it, Viola! Do you even hear yourself? You’re miserable, and you’re pretending it’s normal!” Logan says, clenching his fists beside him. I drag in a shaky breath. “What do you want me to do, Logan? Just leave my marriage?” “Yes!” I freeze. He steps closer. “Leave. And let me love you the way you deserve.” *** She thought heartbreak was the worst thing he could do to her. Then he came back. Three years ago, Logan Reynolds chose ambition over love, leaving Viola McCoy behind—and breaking her heart in the process. Determined to move on, she made a choice—one that led her into the arms of Julian Cruz, a man who vowed to love her but only saw her as a means to an end. Now, trapped in a loveless marriage, Viola endures the whispers, the neglect, and the bruises she hides beneath designer sleeves. But when Logan returns as the new CEO of Reynolds Publishing—her boss—Viola’s carefully constructed world begins to crack. He sees through her forced smiles and polite lies. He soon realizes the woman he left behind is still fighting to be heard. Logan is determined to save her. Viola? She’s certain she can’t be saved. But in the middle of stolen glances, midnight confessions, and the words they can’t say out loud, one question remains: Can love be rewritten, or are some stories doomed to end the same way twice?

Via suffers from the disease of a visual hallucination; unable to distinguish the difference between the reality and hallucination whenever she was on its period. On the positive side, she was able to perform artistic talent on the stage and created a number of masterpieces based on what she sees in her hallucination period. Struggling with her disease, she became an ambitious painter since her childhood, has developed an extreme obsession with her talent in creating lifelike paintings as her only source of recovery. She had won numerous art competitions in various places enough to land her on a list of respected artists in her country of origin and popularity among her peers. However, this was not supported by her parents who lacked the proper knowledge in mental illness. She had been socially isolated for the twenty years of her life, as commanded by her helicopter parents. Determined to escape from the forced solitude and to treat her disease, she joined a prestigious art competition to achieve financial and emotional independence.

Vivianne Cora Araanov Devali is the cruel, ruthless, and heartless second daughter of a mafia boss, Vladimir Devali. Her own father taught her that love is a useless emotion-something that only weakens a person. But one day, Vivianne visited a church out of curiosity, wondering why people were so devoted to a religion that seemed pointless to her. There, she saw Mattias Theodore, a seminarian-and that was the moment her obsession with the church began.

Seven years ago, Vivienne Vane sacrificed her elite standing, her breathtaking beauty, and her health to save her daughter, Maya, through a secret, high-risk bone marrow transplant that left her chronically fatigued and physically altered. To protect her family from a ruthless shadow syndicate, she went undercover as a plain, submissive housewife, while secretly operating as "V"—the genius quantitative architect who single-handedly built her husband Julian Vance’s startup into a multi-billion-dollar empire. Julian, blinded by historical prejudice and convinced Vivienne drugged him to steal him from her beautiful older sister Cynthia, treats her with freezing disdain. The breaking point arrives when an active gunman storms a high-end restaurant. Julian uses his own body to shield Cynthia, leaving Vivienne directly in the line of fire. Hours later, brainwashed by Cynthia, their six-year-old daughter Maya tells Vivienne she wishes Cynthia was her real mother and leaves her alone in the hospital. Having paid her debt of love, Vivienne cuts the ties. She unleashes the Vane Financial Kill-Switch, strips Julian of his automated algorithmic edge, and walks out. As she enters a premium medical sanctuary to reclaim her health, she collides with Damian Thorne—the dangerous, sharp-witted titan of the city’s shipping cartels and Julian’s most lethal rival. While Julian and Cynthia realize their empire is hollow without "V," Vivienne undergoes a ruthless physical and social rebirth, ascending the ladders of global shadow power alongside a man who craves her mind as much as her body.

We all know a Viola, we've all met a Viola, we might even be one. Viola is a woman in her early twenties with absolutely no reason to keep living. She wants to die, so she tries to, sadly for her, she doesn't. Now, she is standing in the ashes of who she used to be with no idea who she should be. Viola will break your heart, but only the best stories do. She is consumed by a loss that is as deep as the ocean, pain that knows no bound, extreme anxiety and chronic paranoia, trauma that is skin deep, sadness that always return, depression that never leaves and how agonizing a friendship-breakup can be. This is a book about Love, the love that lives between you, love that is hard to find, harder to understand, the love we were born with, waiting patiently between our ribcages, waiting to be recognized, to be seen, the love we should have for ourselves, the love that does not fade.

(book 1) Taika was a little different from other transmigration, she didn't wanted vengeance neither or wealth, she wasn't betrayed by her close ones neither did she get killed by anyone. In fact Taika had a normal peaceful life, a lovely parents and doting siblings and great friends who supported her when she was facing hardship or trouble. Like a bad dream her prefect life shattered one very night, her life took a double turn when she woke up only to find out she is dead and was bond to a transmigration cycle without her consent. She became a life puppet to the system cycle, due to her pure character she had to take twisted classes in order to be a villainess. And it was killing her...no matter how hard she struggled... she could never escape this suffering or tortured it was a cycle which she had to pass through and eventually became them.