What Are Simple Proportions To Start A Drawing Of Face?

2025-11-24 09:51:17 49

4 คำตอบ

Roman
Roman
2025-11-27 07:44:46
My favorite starter is ridiculously basic: draw an oval, add a vertical center to show direction, then a horizontal line halfway for the eyes. Use that eye line as your anchor—put two eyes with one eye-width between them and keep the ears between the eye and nose levels. The bottom of the nose sits about halfway from the eye line to the chin, and the mouth about one third below the nose. Hairline goes roughly a third from the top.

I find that measuring with the eye as a unit makes mistakes obvious fast, and adjusting jaws, chin, and brow changes age and gender without redoing the whole thing. I like to rough these marks in pencil, step back, then commit. It's quick, forgiving, and gets a face on the page before I mess with details—works every time and keeps me excited to finish the sketch.
Yolanda
Yolanda
2025-11-27 20:51:47
My sketching brain loves a quick step sequence that gets me to a believable face fast. First, I block an oval and drop a vertical center; that immediately tells me direction. Second, place the eye line right at the halfway mark—this single move solves a ton of proportion headaches. Third, use the eye-as-unit trick: five eyes across the face, one eye between the eyes. Fourth, find the nose bottom halfway between the eyes and chin, then put the mouth about a third below the nose; ears sit between eye and nose lines.

From here I refine: soften the jaw for a feminine vibe, square it for a macho feel, or shorten the lower third for a childlike look. For three-quarter or profile faces, I compress the distances—eyes still follow the one-eye rule but perspective shifts the spacing. I like to test expressions early by plotting tiny lines for brows and mouth; if those read, the whole face reads. Simple scaffolding like this keeps my drawings consistent while leaving room for dramatic stylization—it's my favorite way to iterate quickly and have fun with poses.
Eva
Eva
2025-11-28 19:13:56
My drawing habit started with basic rules that I still lean on: oval head, centerline, eye line halfway, nose halfway between eye line and chin, and mouth a little lower. Once you accept those as a starting kit, you can bend them for style—kids get larger eyes and shorter chins, adults get more defined jawlines, and older faces move features slightly lower as the skull appears longer.

I often use the eye-width rule to pace everything horizontally: five eye-widths across the face. For vertical pacing, think thirds: hairline to brow, brow to nose, nose to chin, and then tweak. If the face tilts, rotate the centerline and redraw the eye line at an angle. I also keep landmarks like the ear level with the eye and nose lines, and the mouth corners roughly under each pupil. Those basics make sketching faces feel reliable, like following a friendly map, and they keep my sketches looking alive rather than stiff.
Weston
Weston
2025-11-29 16:37:11
My go-to approach for laying out a face is gloriously simple and forgiving—think of the head as an egg or an upside-down pear, and use that as your first little scaffold.

Start by drawing an oval and then lightly sketch a vertical center line to mark the face direction. Next draw a horizontal eye line halfway down the oval; that’s your most important ruler. Divide the width of the head into five equal eye-widths: place two eyes, leave one eye-width between them, and keep one eye-width at each side to the edge of the skull. For nose placement, find the midpoint between the eye line and the chin; that’s where the bottom of the nose sits. The mouth usually rests about a third of the way down from the nose to the chin—soft and adjustable depending on expression. Ears tuck between the eye line and the nose line. Hairline often sits about one third down from the top of the skull.

I like to block-in these proportions with light strokes and then tweak—wider Jaws for masculine looks, rounder cheeks for children, longer necks for elegance. Using the eye-width as your unit keeps everything readable. It’s quick, flexible, and still leaves loads of room for personality; that simple grid always sparks ideas for me when a blank page feels intimidating.
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