Who Sings The Key Fairy Tail Opening Theme Song?

Man, the 'Fairy Tail' movies always hit different with their hype openings! The first film, 'Fairy Tail: Phoenix Priestess,' has this absolute banger of a theme song called "Mōhitotsu no Mahō" (Another Magic) performed by the iconic J-rock band, FUNKIST. These guys just *get* the series' energy—their sound is this perfect mix of adventure and nostalgia, like a musical embodiment of Natsu’s fist-pumping spirit. I still get chills remembering how the track kicks in during the movie’s opening sequence, all fiery and triumphant. FUNKIST also did other 'Fairy Tail' OPs, so their connection to the franchise feels like fate. For the second movie, 'Fairy Tail: Dragon Cry,' the theme shifts to a more cinematic vibe with "What You Are" by Polka Dot Stingray. It’s edgier, almost haunting in places, which fits the darker tone of the plot. The contrast between the two films’ themes is wild—FUNKIST’s track feels like a guild celebration, while Polka Dot Stingray’s song carries this weight of Zeref-level drama. Both slap in their own ways, though. I’ve lost count of how many times I’ve looped these songs while sketching fanart of Erza mid-battle.

The iconic opening theme of 'Soul Eater', titled 'Resonance', is performed by T.M.Revolution. I first stumbled upon this track years ago when I was binge-watching the series, and it instantly became one of those anime OPs that I couldn't skip—ever. The energy of the song perfectly matches the show's wild, gothic vibe, with its fast-paced guitar riffs and Takanori Nishikawa's powerful vocals. It's the kind of opener that gets you hyped for every episode, especially when paired with those stylized animations of Maka and Soul dancing around. Funny enough, T.M.Revolution's work isn't just limited to 'Soul Eater'. They've also done themes for other anime like 'Gundam SEED', which has a similar punchy, anthemic quality. But 'Resonance' stands out because it feels like it was tailor-made for the show's quirky, dark humor and action-packed scenes. Even now, hearing the first few notes takes me right back to the excitement of discovering 'Soul Eater' for the first time.

Ever since I first heard that iconic opening for 'Fullmetal Alchemist: Brotherhood,' I couldn't get it out of my head. The energy, the lyrics—everything about it just fit the show's vibe perfectly. It turns out the first opening, 'again,' is performed by YUI, a singer-songwriter who absolutely nailed the emotional intensity of the series. Her voice has this raw, heartfelt quality that makes the song unforgettable. I later found out she also wrote the lyrics, which adds another layer of depth. It's one of those openings that makes you stop skipping intros after a while. Funny thing is, I went down a rabbit hole listening to her other tracks after discovering this. Songs like 'Rolling Star' (from 'Bleach') have a similar punch, but 'again' stands out because of how it mirrors Ed and Al's journey. The way the music swells during the chorus still gives me chills. YUI might not be as active now, but her work on this OP cemented her as a legend in anime music for me.

The first opening of 'Fullmetal Alchemist: Brotherhood' is 'again' by YUI, and it absolutely slaps! I stumbled upon this anime years ago, and that song instantly became my morning hype anthem. YUI's raw, emotional vocals paired with the guitar riffs just hit different—like a perfect blend of melancholy and determination. It matches the show's themes so well, especially Ed and Al's relentless pursuit of their goals. Funny story—I once tried learning the guitar intro and gave up after a week because my fingers couldn’t handle the speed. Still, every time I hear that opening sequence with the brothers running toward the horizon, I get goosebumps. The second OP, 'Hologram' by NICO Touches the Walls, is also a banger, but 'again' will always be iconic to me.

The opening song for 'Ultraman Nexus,' titled 'Eiyū,' is performed by the Japanese band DOA. I first stumbled upon this track while binge-watching the series last summer, and it instantly became one of those anime themes I couldn't get out of my head. DOA's rock-heavy style perfectly matches the show's darker, more mature tone compared to other Ultraman series. Their energy in the song feels like a rallying cry, especially during the show's intense fight scenes. What's cool is how 'Eiyū' contrasts with typical tokusatsu themes—it's less about flashy heroics and more about the weight of being a protector. I ended up deep-diving into DOA's discography after this and found they've done other anime tracks too, but 'Eiyū' remains their standout work for me. The way the guitar riff kicks in still gives me goosebumps.

Honestly, I feel like a lot of the fics really drill down into the found family theme, but they twist it. It's not just 'we're a guild, we're family' in a general sense. The best stories focus on Lucy integrating into Natsu's specific, weird, chaotic version of family after hers failed her so completely. He doesn't just offer her a new home; he offers a messy, loud, explosive one that's the polar opposite of her cold upbringing. That contrast drives so much of the emotional tension early on—her learning to accept that love can be this loud and destructive and still be safe. Another big one is the fear of instability. Lucy's terrified of losing her new home, and Natsu's terrified of being abandoned again. A ton of fics play with Lucy worrying that if she gets too close to Natsu romantically and it goes wrong, she'll lose the guild, her whole world. His fear is subtler but often shows in him being overly protective or getting weirdly panicked if she's out of sight for too long. They're both clinging to this new stability they've built together, and the romance isn't just an addition; it feels like a potential threat to it. That underlying anxiety gives the fluff so much more weight. I also see a lot of exploration of different kinds of strength. Lucy's intellectual, strategic strength versus Natsu's raw power, and how they learn to see value in the other's type. It's rarely just him protecting her; it's her saving him with a clever plan or a timely Celestial Spirit summon, and him having to be vulnerable enough to accept that help. The emotional payoff is in him admitting he needs her, not just as a partner, but as the brains of the operation sometimes. That mutual reliance feels more earned than a lot of other pairings.

The infectious 'Lucky Star' opening theme, 'Motteke! Sailor Fuku,' is performed by the seiyuu unit Aya Hirano, Emiri Katō, Kaori Fukuhara, and Aya Endō—who voiced Konata, Kagami, Tsukasa, and Miyuki in the anime. It's this bubbly, hyper-catchy J-pop track that instantly teleports me back to 2007 anime forums where fans obsessively debated Konata’s gaming habits. The song’s energy mirrors the show’s playful vibe, with lyrics about schoolgirl antics and choreography that spawned countless cosplay dance covers. I still hum it while rearranging my manga shelves—it’s pure nostalgia fuel. What’s wild is how the track leans into moe culture while sneakily parodying it. The singers’ real-life personas blur with their characters during live concerts, where they’d perform in sailor uniforms. It’s meta in the best way, much like how 'Lucky Star' itself deconstructs otaku tropes. I once spent hours learning the dance from a grainy Nico Nico Douga tutorial—zero regrets, though my coordination remains questionable.

I get a little giddy whenever someone asks about the cast of 'Fairy Tail' — those voices are half the soul of the show for me. If you want the core lineup that most fans think of first, here are the big ones I always hum along to: Natsu Dragneel — Tetsuya Kakihara (Japanese); Todd Haberkorn (English) Lucy Heartfilia — Aya Hirano (Japanese); Cherami Leigh (English) Gray Fullbuster — Yuichi Nakamura (Japanese); Newton Pittman (English) Erza Scarlet — Sayaka Ohara (Japanese); Colleen Clinkenbeard (English) Happy — Rie Kugimiya (Japanese); Tia Ballard (English) Those five are the heart of the series for me: Natsu’s explosive energy, Lucy’s warm but spunky delivery, Gray’s deadpan with hidden fire, Erza’s iron-clad tone, and Happy’s ridiculous little chirps. I like to go back and watch a few episodes every year to appreciate small performance choices — a glance, a breath, a tiny laugh — and it makes the rewatch feel fresh every time.