What Song Is 'I Got A Feeling That I Just Can'T Erase' From?

2026-04-24 15:34:22 158

4 Answers

Lydia
Lydia
2026-04-27 04:15:11
It’s from 'Feeling Good'! The Muse cover slapped me awake during a late-night study session. That guitar riff + ‘can’t erase’ line felt like my thesis deadline screaming at me. Now it’s my alarm tone—aggressive, but effective. The Tropical House remixes on SoundCloud are weirdly chill for such a powerful song though. Like, why does it work as poolside music too? Magic.
Yolanda
Yolanda
2026-04-27 04:54:50
Man, that line instantly takes me back to the summer of 2012—windows down, volume up. It's from 'Feeling Good' by Nina Simone, but the version that lives rent-free in my head is the Muse cover. Matt Bellamy’s falsetto turns it into this cosmic, stadium-shaking anthem. I stumbled on it while deep-diving live performances on YouTube, and now it’s my go-to hype song before big meetings. There’s something about the way the piano crashes in that makes my spine tingle every time.

Funny enough, the original’s jazz vibe is totally different—Nina’s voice is like smoky velvet. I love comparing how artists reinterpret classics. The lyrics hit harder now too; that ‘can’t erase’ line feels like it’s about nostalgia clawing at you. My playlist’s basically a time machine at this point.
Kendrick
Kendrick
2026-04-27 13:19:32
'Feeling Good'—classic Nina Simone, baby! My vinyl copy of 'I Put a Spell on You' skips right at that line, which is weirdly poetic. The song’s actually from a 1965 musical called 'The Roar of the Greasepaint,' but Nina made it hers. That woman could sing the phone book and give you chills. I’ve got a soft spot for the P!nk live version too; she belts it like she’s exorcising demons.

Fun trivia: The ‘can’t erase’ feeling? Simone reportedly sang it as a civil rights anthem. Changes how you hear it, right? Now I’m down a rabbit hole of protest music covers...
Nora
Nora
2026-04-30 04:13:49
Ugh, that lyric’s been stuck in my head all week! It’s from 'Feeling Good,' but the Bassnectar remix is what my college roommate blasted nonstop. We’d choreograph ridiculous dance moves to it at 2AM. The electronic drops make it chaotic in the best way—like confetti exploding in your eardrums. I prefer it over the original because it’s less ‘sultry jazz club’ and more ‘neon rave.’

Side note: The song’s been covered to death (even Michael Bublé did a vanilla version), but the sheer range of interpretations proves how timeless the melody is. My hot take? The Avicii bootleg mashup with 'Levels' should’ve been official.
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