Which Songs Feature References To A Wicked Witch In Soundtracks?

2025-08-29 18:35:23 255

4 Answers

Simon
Simon
2025-09-01 10:19:13
When I'm in the mood for spooky-sounding soundtracks, I always end up humming a few classic tracks that shout out witches by name or by vibe. The most obvious is 'Ding Dong! The Witch Is Dead' from 'The Wizard of Oz' — it’s pure musical-theatre cheer that actually celebrates the death of a witch (the Munchkins make it a party). That song lives in film-history territory and shows how soundtracks can turn a villain into a public moment.

If you want modern musical theatre that treats the so-called wicked witch as a full character, listen to the cast recording of 'Wicked' — especially 'No One Mourns the Wicked', which literally frames public opinion about Elphaba. In a different tonal lane, 'I Put a Spell on You' (the Bette Midler performance in 'Hocus Pocus') and 'Come Little Children' (also in 'Hocus Pocus') give you witchcraft through pop and lullaby lenses; one’s theatrical showmanship, the other’s creepy enchantment.

For ambivalence and complexity, the Witch tracks in 'Into the Woods' — like 'Stay With Me' and the Witch’s big moment 'Last Midnight' — show a witch who’s more than a cartoon villain. Between these, you get celebration, satire, seduction, and sorrow: witches in soundtracks can be all those things, depending on the scene and the composer.
Knox
Knox
2025-09-02 18:44:27
Okay, here’s a tidy playlist-style list I reach for when I want songs that reference a wicked witch in soundtracks: 'Ding Dong! The Witch Is Dead' from 'The Wizard of Oz'; 'No One Mourns the Wicked' from 'Wicked' (the musical cast album); 'I Put a Spell on You' as performed in 'Hocus Pocus' (Bette Midler’s version is iconic in the film); and 'Come Little Children' from 'Hocus Pocus' — which functions as an eerie, witchy lullaby.

If you like darker, more complicated takes on witches, the tracks sung by the Witch in 'Into the Woods' — especially 'Stay With Me' and 'Last Midnight' — are powerful. I also keep an ear out for classic tracks like 'Witchcraft' or 'Witchy Woman' when they pop up in films, because even when not written for a specific witch, they get repurposed to underline that wicked vibe. These songs cover celebration, satire, seduction, and tragedy in how soundtracks treat witch characters.
Xander
Xander
2025-09-03 10:59:15
I tend to listen to soundtrack albums like storybooks, and a handful of tracks consistently flag 'witch' moments for me. The immediate, almost celebratory example is 'Ding Dong! The Witch Is Dead' from 'The Wizard of Oz' — it’s historically tied to the film’s witch-related plot beats and still carries that bright, ironic tone. On the flip side, 'No One Mourns the Wicked' from 'Wicked' (the stage musical) is deliberately meta: the title alone reframes who the audience is meant to judge.

'Into the Woods' gives me a more ambivalent portrayal through the Witch’s numbers — 'Stay With Me' is tender in a twisted way, while 'Last Midnight' brings wrath and moral complexity. 'Hocus Pocus' supplies two essentials: 'I Put a Spell on You' (a theatrical, campy highlight) and 'Come Little Children' (a genuinely creepy lullaby moment). For completeness I also nod to popular songs like 'Witchy Woman' or 'Witchcraft' when they’re used in soundtracks, because filmmakers often lean on those to signal the presence of a seductive or sinister witch even without explicit lyrical storytelling. All told, soundtrack witch-mentions run the gamut from mocking celebration to sympathetic lament, and I love how that range gives composers room to play.
Henry
Henry
2025-09-04 17:36:46
I’m the sort of person who queues up soundtrack songs when I want witchy vibes, and some clear go-tos are: 'Ding Dong! The Witch Is Dead' from 'The Wizard of Oz', 'No One Mourns the Wicked' from 'Wicked', plus 'I Put a Spell on You' and 'Come Little Children' from 'Hocus Pocus'.

If you want emotional depth rather than camp, check the Witch’s songs in 'Into the Woods' — they show how soundtracks can make a witch sympathetic or terrifying depending on arrangement and context. Those tracks are my quick markers for a witch-related scene, and they work great on a themed playlist.
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