Which Swtor Races Have The Best Starting Planets?

Man, I could talk about Middle-earth all day! Both 'The Hobbit' and 'Lord of the Rings' feature some iconic races that make Tolkien's world feel so rich. Obviously, you've got humans—though they're more prominent in LOTR with characters like Aragorn and Boromir. Then there are dwarves, with Thorin's Company taking center stage in 'The Hobbit' and Gimli bringing the axe-swinging charm in LOTR. Elves are everywhere too, from Legolas’s sharpshooting to Thranduil’s drama in Mirkwood. Hobbits are the heart of both stories, though Bilbo’s more of a reluctant adventurer compared to Frodo’s burdened heroism. And let’s not forget the villains! Orcs and goblins (which are pretty much the same thing in Tolkien’s lore) pop up in both, whether it’s the Battle of Five Armies or the mines of Moria. Oh, and trolls—those dimwitted brutes appear in both, though they’re way scarier in LOTR. Honestly, revisiting these races makes me wanna rewatch the movies tonight!

In 'Off to the Races', the main antagonist is a character named Lord Vexis, and he's one of those villains you love to hate. What makes him stand out is his chilling blend of charm and cruelty. He's not just some brute with power; he's a master manipulator who plays the long game, weaving schemes within schemes. Vexis comes from an ancient aristocratic family that's been pulling the strings behind the scenes for generations, and his ambition is to control the entire racing world, turning it into his personal playground. The way he exploits the protagonist's vulnerabilities is downright diabolical—he doesn't just want to win; he wants to break spirits. What's fascinating about Vexis is how he contrasts with the high-speed, adrenaline-fueled world of the story. While everyone else is focused on the thrill of the race, he's cold, calculating, and always several steps ahead. His influence extends beyond the track, corrupting officials, sabotaging rivals, and even dabbling in forbidden technology to ensure his dominance. The author does a great job showing how his presence looms over every major conflict, making the stakes feel personal. By the final showdown, you realize Vexis isn't just opposing the hero—he represents everything the racing world should fear: greed, tyranny, and the loss of the sport's soul.

I've been diving deep into 'Off to the Races' and its universe, and while there isn't a direct sequel or spin-off announced yet, the story's rich world leaves so much potential for expansion. The author crafted such vibrant characters and intricate relationships that fans constantly speculate about where things could go next. The protagonist's journey feels complete, but secondary characters like the cunning rival jockey or the mysterious benefactor have backstories begging to be explored. The racing world itself is packed with untold stories—other competitions, underground racing circuits, or even prequels about legendary horses. What's fascinating is how the book's themes of ambition and redemption could translate into different formats. A spin-off focusing on the training side of horse racing, with its own set of dramas and triumphs, would feel fresh yet familiar. The original novel's blend of high-stakes competition and personal growth sets a perfect foundation for more stories. Until anything official comes out, fan discussions and theories keep the excitement alive, with many hoping the author revisits this universe someday.

The main antagonists in 'I Thanks to My Unlimited Investment Am Admired by Every Races' are a ruthless coalition of corporate warlords known as the Eclipse Syndicate. These guys don't play fair – they manipulate entire economies, deploy private armies, and sabotage rival investments with zero remorse. Their leader, Kuroda Shigen, is especially vicious. He's got this eerie ability to predict market crashes before they happen, using it to bankrupt anyone standing in his way. The Syndicate's enforcers are just as bad, like the twins Rin and Lin who specialize in corporate espionage and assassination. What makes them terrifying is how they blur the line between business and warfare, treating entire nations like stocks to be shorted.

I just checked my usual web novel platforms, and yes, 'I Thanks to My Unlimited Investment Am Admired by Every Races' is available as a web novel. You can find it on sites like WebNovel or NovelUpdates, where it's been gaining traction among fantasy fans. The story follows a protagonist who uses an unlimited investment system to become overpowered, earning admiration from various races in a richly built world. The chapters are regularly updated, and the translation quality seems decent if you're reading the English version. It's got that addictive progression fantasy vibe with plenty of strategic battles and political intrigue between races.

I've been following 'I Thanks to My Unlimited Investment Am Admired by Every Races' since its novel debut, and as far as I know, there isn't a manga adaptation yet. The novel's unique blend of fantasy economics and interracial politics would make for an incredible visual experience though. The protagonist's ability to manipulate entire economies through strategic investments could be stunningly depicted in manga form. While waiting for an adaptation, I recommend checking out 'The Genius Prince's Guide to Raising a Nation Out of Debt' for similar themes of financial warfare in a fantasy setting. The novel's intricate world-building and power dynamics would translate beautifully to panels, especially the scenes where the MC outsmarts entire kingdoms with his investments.

After sinking a bunch of hours into 'Star Wars: The Old Republic', I can say this cleanly: your character's species does not unlock special companion romances. The romance system in 'Star Wars: The Old Republic' is driven almost entirely by your class story, your faction (Republic vs. Imperial), and the gender choices tied to particular companion relationships. In short, picking Mirialan, Chiss, Human, Twi'lek, or whatever you want is primarily about aesthetics and roleplay flavor rather than opening hidden romance paths that only certain races can access. What matters most for who you can romance are the companions tied to your class and the decisions you make during your interactions with them. The game steers romance through scripted story beats, influence or affection mechanics, and key dialogue choices, not through race tags. There are also faction and class exclusives — some companions are exclusive to the Jedi Knight storyline, others to the Sith Warrior, the Smuggler, the Bounty Hunter, and so on — but again, that exclusivity is about class/faction, not species. You might notice small flavor bits where NPCs comment on your species (and companions may have banter lines that react if you share a species or background), but those are cosmetic and atmosphere-building rather than gatekeepers to a romance arc. Because race doesn't gate romances, the best way to make sure you can pursue a romance you like is to choose the class and gender that align with that companion’s programming. Some companions are gender-locked (originally many romances were written as heterosexual pairings), and over time there have been updates and additional companion options, but none of those updates made specific species a requirement for romance. So if you want a particular companion romance, pick the class that gets that companion and play through their companion questlines making the choices that build intimacy. If you want to roleplay a specific species romance vibe, you can always create a character of the species you love and play the romance-compatible class — visuals first, mechanics second. Personally, I always pick my race for vibes and story roleplay: the way a Chiss looks against Imperial architecture, or a Togruta's montrals flashing in a Republic cantina, sells the story more to me than mechanical bonuses ever could. Romance-wise, I focus on the companion’s personality and their arc, not my character’s species. That way I get the visual fantasy I want and the relationship arc I’m chasing — a win-win that makes exploration and replayability feel fresh every time.

Flip open either country’s copy of 'The Scorpio Races' and the story inside is the same stubborn, beautiful beast — but the shells they come in can feel like different animals. On a practical level, US and UK editions usually differ in cover art, trim size, and paper quality. I’ve owned a US hardcover and a UK paperback, and the US jacket was bolder and more saturated, while the UK paperback felt lighter and more intimate in hand. Publishers in each market choose visuals that appeal to local tastes; sometimes the UK goes for moodiness and subtlety, while the US edition favors striking, immediate imagery. Textually the differences are almost invisible unless you’re looking for them. Spelling and punctuation are the main tweaks: expect American spellings in the US printing and British spellings in the UK one, and small things like single vs double quote usage can shift. Copy edits might alter a handful of words to read more naturally for local audiences, but Maggie Stiefvater’s voice carries through either way. The back-cover copy and blurbs are a nicer place to spot differences — the UK jacket might feature praise from writers who are particularly well-known across the pond, while the US flap highlights different endorsements. For collectors, variant ISBNs, release dates, and special editions matter. The UK might release a paperback first or a different special-run with alternative endpapers, while the US could have a school/library edition or exclusive retailer tie-ins. I like to keep both versions on my shelf; they feel like cousins — same DNA, different personalities — and each reading offers a slightly different atmosphere that’s fun to compare.