A Fable

FABLE
FABLE
The lone survivor of a terrible tragedy, sixteen-year-old Ashling Shields is living like she’s already dead. But when a chance encounter with an irresistibly wicked teen rock star goes awry, she’s pulled into a world of fallen angels and seductive vampires. A world of dark pleasures, enchantments and secrets deep in the midnight forest. Ashling must unravel the mystery of her past before the dark force hunting her catches up. It's a second chance to follow her dreams... if her nightmares don't kill her first.
10
52 Bab
Lullaby (Fable Saga Book 2)
Lullaby (Fable Saga Book 2)
Sixteen-year-old Ashling Shields has had her whole life turned upside down for the second time in two years. As a freshman she was the sole survivor of a harrowing disaster. Now, in the summer before junior year, her life is once again spiralling out of control. The deadly force hunting her draws closer every day, and being entangled in the affairs of a world famous rock band doesn’t make life any easier - especially when there’s good reason to believe the band members are literally angels and demons. She’ll have to take control of her own destiny - before her destiny takes control of her. Don’t miss this riveting new instalment in the Fable Saga.
10
46 Bab
All Monsters Are Human
All Monsters Are Human
The next thing she knew was that she was slung on his muscular shoulder. She thrashed her legs, but he carried her as if she weighed no more than a bag of feathers. "Caelum please!" She begged him but he ignored her as he walked through the corridors and into the bedroom. And threw her on the bed. While she was busy recovering her breath, he threw his coat on the floor and started unbuttoning his shirt. "W-what are y-you doing?" she asked. Her face paler than paper. "Exactly what married couples do, love." He said dropping the shirt on the floor, His voice so full of viciousness that she almost choked on them. She dragged herself back on the bed sobbing, "no.." He grabbed her legs and pulled her towards himself. He crawled on top of her. He looked into her terrified eyes and whispered, "You make me do terrible things, my dear Rose." He wiped a stray tear from her chin before grabbing it. "I will bruise your lip and scar your knees and love you too hard.." he brushed his lips on hers, "I will destroy you. And when I leave, You will finally understand why storms are named after humans." ........................... Rosette never had an easy life, and after the death of her mother, when she thought things couldn't get worse, her life started going fully downhill. She was tortured beyond repair in her own house. She could only dream of being loved. She dreamed of getting married and finally breaking free from all these cages, but fate had other plans for her. Her life going totally downhill, turned upside down when she was married to the biggest business tycoon in the city. Will this marriage totally wreck her? Would she ever be able to break free?..
Belum ada penilaian
8 Bab
A Deal with the Devil
A Deal with the Devil
He smirked, knowing he was on the winning side. "So it's a done deal for three months?" He raised his eyebrows, putting his hand forth for a handshake. I looked at the long fingers and perfectly aligned nails and then at his patient face. Sighing to myself I my own hand into his and ignored the tingles that flowed through every nerve as his fingers curled around my hand and shook it lightly. "Yeah three months." "Goodnight then." He winked, removing his hand from mine and turned to walk away. "Hey wait!" I called out, suddenly remembering something. "You don't have my number." "What makes you think that? I have my ways Smith." And with one last wink I saw him take a turn and disappear from my sight. I let out a long breath, leaning on the nearby wall. Looks like I just made a deal with the Devil. * A sarcastic girl, a cocky guy. Throw in some mystery, murder, filthy jokes, wonderful friends, tons of kisses, secrets, surprises, eye-rolls and a killer on run. And you have got yourself a story never read before. ***So grab a cup of hot chocolate, some chips and a warm blanket and get ready to laugh, cry and bite your lip in anticipation. Enjoy!!
10
35 Bab
A Thousand Kisses
A Thousand Kisses
Tired of her marriage with her cheating husband, twenty-three years old Betty Von Rosey, relocates (as advised by her friend, Laura) to Gut’s Island, an island that is believed to be magical enough to relieve the pains of the broken hearted, by sparing them chances of falling in love the second time. On the Island, she falls in love with a billionaire in the disguise of a chauffeur, birthing a new wave of romance between the two. But things begin to chatter when her red room ex-husband, Braun, visits the Island, and she discovers the true image of her recent lover, Stan.
Belum ada penilaian
9 Bab
A Second Chance
A Second Chance
“Why can’t I hit you?” Thomas yells, smacking the belt close to her feet. “Why,” he smacks it on the door above her head. “Why, why” to the right and left sides of her body. Melina trembles against the door with her eyes closed and head tucked between her knees. She jumps, sniffing Thomas’ cologne, and tries to hide more. He’s probably bending down. “I want to hurt you, Melina, but I can’t. Tell me why I can’t. Tell me why,” she bites her lips to muffle her sobs as she fears they will exacerbate her situation. “ look at me when I am talking to you,” Thomas says, grabbing her hair and pulling her head up. “I am- so-r-r-r-y,” she says as she turns to face him with her tear-stained face and bloodshot eyes. ******** Melina Davis was born with the face and body of a goddess. Her heart was as beautiful as her, but it never did her any good. Melina was the most unlucky woman in this world when it came to love. Her first love was an abusive con artist who made sure to exploit Melina's kindness. The second one who Melina felt was genuinely worthy of owing her heart was far more dangerous than her first. His name is Thomas Costanzo. He is the second in command of the Costanzo mafia. He was highly feared in the mafia world. Some even feared him more than the don of the Costanzo mafia. Melina didn't know she shouldn't cross him, and she did. She broke the heart of one of the most feared men on this earth, and now, he is out searching for her. Once he finds her, Melina will wish she never crossed paths with him.
10
73 Bab

What Is The Moral Of The Wind And The Sun Fable?

3 Jawaban2025-08-24 18:27:35

There's something quietly brilliant about 'The Wind and the Sun' that keeps me coming back to it whenever I need a reminder about how people actually change. In the fable, the wind tries to blow a traveler's cloak off with brute force and fails, while the sun simply warms him until he gladly takes it off. To me the moral is crystal: persuasion, warmth, and gentle encouragement win where intimidation and force fail. It's not just that softer tactics are kinder — they're more effective because they let people make the choice themselves.

I see this play out all the time in small, noisy ways. When I nudged my roommate to try a healthier routine, yelling about calories didn't help; bringing over a warm breakfast and going for a relaxed walk did. In leadership, coaching, relationships, even customer service, the sun's method — patience, empathy, offering a compelling alternative — beats bluster. That doesn't mean force never has a place; boundaries and rules are necessary. But if your goal is to change hearts and habits, warmth often unlocks doors that strength bangs against. It's a little philosophy I try to live by, and honestly, it makes asking for favors and giving feedback feel less like a battle and more like a conversation.

What Are Famous Adaptations Of The Wind And The Sun Fable?

4 Jawaban2025-08-24 14:18:49

Growing up with a battered copy of 'Aesop\'s Fables', the story that stuck with me the longest was 'The North Wind and the Sun'. It shows up in every kid\'s anthology, but what surprised me later was how many different forms it takes: classic picture-book retellings that swap the chilly wind for a blustery storm and the Sun for a warm mother figure; simple classroom plays where kids act out persuasion versus force; and little animated shorts that compress the whole moral into two minutes with exaggerated facial expressions.

Beyond kidlit, the exact wording of 'The North Wind and the Sun' has been adopted in speech science. Linguists use that opening line as a standard passage to test voice transmission and intelligibility — you may have unknowingly heard it in audio codec demos or phonetics labs. It also crops up as a neat metaphor in op-eds, comics, and even occasional indie songs: people love the image of warmth winning over bluster. I still reach for this fable when I want a gentle reminder that coaxing often beats coercion — it\'s like a tiny parable I carry in my pocket.

What Is The Moral Lesson Of 'A Fable'?

5 Jawaban2025-06-14 07:13:36

'A Fable' by William Faulkner is a profound exploration of human nature and the futility of war. The story revolves around a corporal who sacrifices himself to stop a war, only for humanity to repeat the cycle. The moral lesson here is stark—even the noblest acts can be undone by human stubbornness and greed. War isn’t just battles; it’s a system upheld by those who profit from it, and true change requires more than one hero’s sacrifice.

The novel also critiques blind obedience to authority. The soldiers follow orders without question, revealing how easily people surrender morality for structure. The corporal’s defiance, though brief, exposes the fragility of power when confronted with conscience. Yet, the ending shows how quickly society forgets. The lesson isn’t hopeless, though—it’s a call to vigilance. Progress isn’t linear, and justice demands constant effort, not just grand gestures.

How Does 'A Fable' End?

5 Jawaban2025-06-14 03:06:47

In 'A Fable', the ending is a profound meditation on war and humanity. The story culminates with the execution of the Corporal, a Christ-like figure who leads a mutiny against the senseless brutality of war. His death is portrayed with haunting symbolism—reflecting sacrifice and the cyclical nature of violence. The generals, representing institutional power, remain unchanged, underscoring the novel’s bleak view of authority.

The final scenes shift to a chaotic battlefield where soldiers, oblivious to the Corporal’s martyrdom, continue fighting. Faulkner juxtaposes their mindless carnage with fleeting moments of individual humanity, like a soldier sharing cigarettes with the enemy. The last paragraph lingers on a donkey, a recurring symbol of suffering, trudging through the mud—a silent testament to war’s futility. It’s a masterstroke of ambiguity: neither hopeful nor entirely despairing, leaving readers to wrestle with its meaning.

Does 'Fable' Have A Sequel Or Spin-Off?

2 Jawaban2025-06-29 06:19:11

I've been following the 'Fable' series for years, and the question of sequels and spin-offs is always buzzing among fans. The main 'Fable' trilogy consists of 'Fable', 'Fable II', and 'Fable III', each building on the last with richer storytelling and deeper gameplay mechanics. What's really exciting is the spin-offs that expanded the universe. 'Fable: The Journey' took a different route with Kinect motion controls, focusing on a new protagonist and a more linear narrative. Then there's 'Fable Heroes', a quirky, family-friendly beat 'em up that let players control doll-like versions of classic 'Fable' characters.

Beyond games, the 'Fable' lore stretches into novels like 'Fable: The Balverine Order', which dives into the darker corners of Albion's mythology. There's even a cancelled spin-off, 'Fable Legends', which was meant to be a 4v1 multiplayer experience before its unfortunate axing. The recent announcement of a reboot by Playground Games has fans speculating about how it might tie into or reimagine the existing universe. Whether you're into the core RPG experience or the experimental side projects, 'Fable' has a surprisingly diverse ecosystem of sequels and spin-offs that keep the world alive.

What Is The Main Conflict In 'Fable'?

2 Jawaban2025-06-29 16:15:35

The main conflict in 'Fable' revolves around the protagonist's struggle to balance personal freedom with the heavy responsibilities of being a hero in a morally gray world. Albion is a land where every action has consequences, and the game brilliantly forces you to confront the ethical dilemmas of power. The central tension comes from the Hero's Guild pushing you to become a legendary figure while the world constantly tests your morality. Will you be a noble protector who helps villagers and rejects dark magic, or a feared warlord who exploits your gifts for personal gain? The deeper conflict lies in how Albion reacts to your choices - townsfolk will cheer or flee based on your reputation, shops change prices accordingly, and even your appearance transforms to reflect your alignment. What makes 'Fable' special is how it frames heroism not as a binary good vs evil struggle, but as an ongoing negotiation between power, temptation, and the kind of legacy you want to leave.

The secondary conflict involves the looming threat of Jack of Blades, a masked antagonist manipulating events from the shadows. His presence creates this delicious tension between immediate personal struggles and larger supernatural dangers. The game constantly makes you weigh short-term rewards against long-term consequences - that bandit camp you slaughtered for quick gold might leave a village unprotected, while that expensive donation to the temple could unlock divine favors later. 'Fable' masterfully blends internal conflicts about morality with external threats, making every decision feel impactful.

What Lessons Can We Learn From The Frog King Fable?

4 Jawaban2025-09-18 14:08:46

The 'Frog King' fable offers some really interesting lessons that resonate in various aspects of life. One of the most significant takeaways is the idea of keeping promises. When the princess reluctantly agrees to accept the frog's help, it's a promise that, while initially made out of desperation, leads to crucial consequences. This dynamic illustrates the importance of honoring our commitments, even when they might seem trivial. Life is all about choices, and how we uphold our promises can define the relationships we build and our personal integrity.

Moreover, the transformation of the frog into a prince symbolizes the potential within everyone, which sometimes requires a leap of faith or overcoming prejudice. Initially, the princess judges the frog based on his appearance, but as the story unfolds, she learns that true value lies beneath the surface. This teaches us to look beyond first impressions. It speaks volumes about accepting others, embracing their differences, and understanding the depth that people may contain below their exterior. The story ultimately encourages us to reflect on how compassion can spark change, both in ourselves and in others.

Lastly, let’s not forget the element of personal growth through challenges. The princess's journey with the frog isn't just about their relationship; it's also about her evolving perspective. Young folks today can relate to the idea of stepping out of their comfort zones, something that’s vital in developing resilience and understanding in real-world situations. These lessons intertwine beautifully, making the fable a timeless classic for people of all ages.

What Is The Fable App Used For?

3 Jawaban2025-10-07 21:29:29

Fable is a social reading app that helps users discover, read, and discuss books with others. It combines book tracking, discussion circles, and curated recommendations to create an engaging reading community.

What Literary Tradition Immediately Preceded The Novel Tradition? Short Story Romance Fable

4 Jawaban2025-06-10 00:47:45

As someone deeply immersed in literary history, I find the transition from earlier forms to the novel fascinating. Before novels took center stage, the romance tradition was dominant, particularly in medieval Europe. These romances were long, elaborate tales of chivalry, adventure, and courtly love, like 'Le Morte d'Arthur' by Thomas Malory. They laid the groundwork for the novel by experimenting with narrative structure and character development.

Short stories and fables existed alongside romances but didn't have the same influence. Fables, like Aesop's, were brief moral tales, while short stories lacked the depth and length that novels would later embrace. The novel tradition borrowed the romance's expansive storytelling but added realism and psychological depth, marking a significant evolution in literature. Without the romance tradition, novels as we know them might never have developed.

Is 'The Fox And The Stork' A Fable Or A Fairy Tale?

4 Jawaban2025-09-09 07:57:51

Ever since I was a kid flipping through my grandmother's old storybooks, 'The Fox and the Stork' stood out because of its clever twist. It's definitely a fable—Aesop’s, to be exact—with that classic moral lesson about reciprocity. The fox serves soup in a shallow dish, mocking the stork’s long beak, only to get repaid when the stork offers a meal in a narrow jar. What I love is how timeless it feels; even now, I catch myself thinking about it when someone’s being petty. The simplicity of animal characters driving home such a human truth is pure Aesop.

Fairy tales, though? They’re more about magic or transformations, like 'Cinderella' or 'Sleeping Beauty.' 'The Fox and the Stork' lacks those elements entirely. It’s short, punchy, and practical—no enchanted pumpkins here. Rewatching Studio Ghibli’s 'The Tale of the Princess Kaguya' recently made me appreciate how fables cut straight to the point, while fairy tales linger in wonder. This one’s a fable through and through.

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