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Dragon Prince Book

Book one of the Magnus series. A Fantasy Novel that brings Rex Magnus's struggle to life. After he was left by his birth parents, given to his grandmother, Iris who tries her best to shield Rex and bring him up to be the best he can be, he is constantly getting beaten down during his 17 years, soon he will be 18 and before he knows it, will unlock secrets he didn’t think could exist, he was part of a royal family of people who had mastered the skill of fusing their souls with dragons! This brings certain perks and power and he soon finds out, brings just as many negatives with it. He will meet new friends on his journey to claiming his birthright, some helpful and some with their own agendas and he hopefully can form a normal family after 18 years of separation. It isn’t long before he is challenged by creatures of shadow, beasts of legend and races of people that possess great power who want his for their own. Using his new found abilities and friends he will carve a path that will be remembered for centuries, being next in line for emperor over the land of Dracoterrum possessing the power of dragon should make it an easy task, right?

9.4

153 Chapters

ERAGON THE DRAGON PRINCE

ERAGON And Allan have one thing in common. A goal to get back the stolen heart of magic to revive lukedonia city of dragons that was turned to stone. The 200year old Eragon the shapeshifting dragon prince who was banished when he causes a rebellion to get back his stolen throne from his younger brother king Phil who cheated in a monarch battle for the throne. deceived by his beloved and his mother killed herself before his eye to regain his honor. Loss on what to do. he embarks on a quest to regain his stolen throne and honor. Eragon made a contract with humans dark magician to help him however he was deceived and the heart of magic stolen and the dragon kingdom turned to stone. Eragon embarks on a journey to reclaim his lost honor, correct his mistakes and take back the stolen heart of magic to revive his people however he will have to fight his way to bring it back. ALLAN whose on a revenge mission to kill Eragon who kills his mother. The essence heart of magic was stolen by a dark human magician. in pursuit of the heart of magic and training Allan meets the curse of misfortune princess Felicia of Roland. In a romance and adventure with Felicia, Allan discovers the true story about Eragon

9.5

73 Chapters

Sacrificed to the Dragon Prince

This is the story of Millicent Walker, a mysterious orphan who arrives in the small coastal town of Crimson, mute, nameless, and with no memory of her life before. Hired out by the orphanage to pay for her room and board, her strange appearance and mannerisms lead her to be seen as a freak. To many, she was seen as having less value than the rags she used to clean the floors. When a blight comes to Crimson, the dragon demands a virgin "of marriageable age" as a sacrifice in exchange for his assistance. Seen as strange, even cursed, Millicent was an easy choice for the sacrifice. Loved and wanted by no one, there was nobody to fight for her when they chained her to the cart and left her at the base of the hill to be defiled or devoured. Little did they know, her sacrifice would be their biggest mistake.

9.8

111 Chapters

Mate to the Dragon Prince

(18+) CONTAINS MATURE CONTENT “A HUMAN. . .” he mused, scanning every feature of my face, carving them into his memory. "Jisoo." He breathed my name, making me resist the urge to shiver. I raised my eyebrows at the undeniably handsome man in front of me and crossed my arms, then shook my head, "I was supposed to make 10 million today!" I whined at the loss of my company. "Humans and their greed!" He grunted, walking away. JISOO KWON, a strong and independent twenty-seven-year-old woman, who was the CEO and founder of her company, lived her life confidently as she expanded her company; her empire. Little did she know her life would take an unexpected turn, forcing her to run away from home; from the company she built with her every breath, only to run into a creature, one that was believed to be a myth at that. While she always fancied dragons, treasuring them as her favorite mythology creature, she never imagined actually meeting one, let alone being one’s mate. But there’s no way that's possible, right? However, she's proved wrong, by her mate nonetheless. TRISTEN SLADE is a determined, yet surprisingly kind dragon prince-- but only to his kind. He was always harsh towards humans, it was their very existence that forced dragons to run and hide within the shadows and caves, the once powerful and majestic creatures, now long forgotten. His only mission was to find the Heart of Magic, a gem that would return his kind to their original glory, but when a certain little human practically runs into his arms, scared, terrified and lost, he's brought into something anew...and beautiful. Will this forbidden toxic love save both kinds? Or will it destroy them both? After all, it was one impossible love.. Cover by @.SeashelI on quotev.

37 Chapters

Draco (The Last Dragon Prince)

"How dare you to run away from me?” he said in his cold dark tone, his voice seemed very angry, his hand kept tightening around Jasmine neck that she could hardly breath.She struggled and begged "Plee.. Please let me go… yo.. you are mistaken wit.. With me, I.. I.. am not who you think” "Is that so, huh? Are you trying to tell me that you don’t know me?” he said in dangerous tone"Nooo.. Noooo.. I don’t know you, please leave me” Jasmine lied and her dragon wing rune on her wrist started burning."Then let me remind you who I am…” He said and in smashed his lips on her and before jasmine could struggle or push him away he released her neck and pulled her both hands above her head.His kiss was full on anger and dominance, he bit hard on Jasmine lower lip which made her open her mouth a little, taking that as opportunity he slid his warm tongue inside and started exploiting her mouth in every way possible.Couple of minutes later when he felt jasmine fainting because of lack of oxygen he pulled back "Now do you remember me?” He questioned her breathing hot air on her swollen lips. "Wh..o.. who are you?” Jasmine questioned him in her low voice trembling voice.He kept fanning hot breaths on her lips until “Draco” he said in his deep magnetic voice.-CONTAINS MATURE CONTENT (18+), STRONG ABUSE AND WHOLE LOT OF TORTURE ACTS. KINDLY READ AT YOUR OWN RISK.

8.6

112 Chapters

Sold to the Dragon Prince

"Are you afraid of me, Celina?" The Prince asked huskily, and she shivered at the intense look in his eyes. She didn't answer, making him take a step forward in her direction.He reached over and ran his thumb across her cheekbones, watching her breathing pause as she dared not move beneath the touch of this strange, imposing man. "Well, you should be." *** Celina Roman is a wallflower, shy, reserved but loved by people around her. She cares for her parents and two sisters above all, a fact that's led the eighteen-year-old to do anything for them. What she wasn't expecting was for her family to sell her to the Prince so that they could have money. Prince Javier DeRose is a name better suited for a myth than a man. Like that of the devil, people either whisper it in fear or worship the ground he walks. He is rich, cold, demanding and likes to be all alone in a Dark Palace, protecting his secret. When Celina steps on his doorstep his life changes forever. Filled with secrets and scars, these two individuals are thrown together to live under the same roof. Will they find a way together or forever stay apart? ***

9.1

78 Chapters

How Does After We Fell Fit Into The After Book Series Order?

4 Answers2025-10-17 16:05:56

Count me in: 'After We Fell' is the third main novel in the 'After' sequence, coming after 'After We Collided' and right before 'After Ever Happy'. If you read the series straight through, it's basically book three of the core four-book arc that tracks Tessa and Hardin through their most turbulent, revealing years. This book leans hard into family secrets, betrayals, and more adult consequences than the earlier installments, so its placement feels like the turning point where fallout from earlier choices becomes unavoidable.

There are a couple of supplementary pieces like 'Before' (a prequel) that explore backstory, and fans often debate when to slot those into their reading. I personally like reading the four core novels in release order—'After', 'After We Collided', 'After We Fell', then 'After Ever Happy'—and treating 'Before' as optional background if I want extra context on Hardin’s past. 'After We Fell' changes the stakes in a way that makes the final book hit harder, so for maximum emotional punch, keep it third. It still leaves me shook every time I flip the last few pages.

How Does More Than Enough Rank On Bestseller Book Lists?

5 Answers2025-10-17 04:00:12

Wildly excited by the buzz, I followed 'More Than Enough' through its launch week like a hawk. It landed on major bestseller charts — showing up on the New York Times bestseller list and popping up in Amazon’s nonfiction best-seller categories as preorders converted to real sales. That kind of visibility isn’t just vanity; it reflects a mix of strong marketing, a compelling platform, and readers actually connecting with the book.

From my perspective as a habitual reader who watches lists for recs, the book didn’t just debut and vanish. It tended to stick around on several lists for multiple weeks, and also showed up on regional indie lists and curated retailer charts. Media spots, podcast interviews, and book club picks boosted its presence. If you track bestseller movement, you’ll notice the patterns: big push at launch, sustained interest if word-of-mouth is good, and occasional resurgences when the author appears on a talk show or a major publication features an excerpt. Personally, I loved seeing it hold momentum — felt like the book earned attention the way a great soundtrack takes over a scene.

Is The Family Fang Book Different From The Movie?

5 Answers2025-10-17 19:44:27

Plunging into both the pages of 'The Family Fang' and the film felt like talking to two cousins who share memories but remember them in very different colors. In my copy of the book I sank into long, weird sentences that luxuriate in detail: the way the kids' childhood was choreographed into performances, the small violences disguised as art, and the complicated tangle of love and resentment that grows from that. The novel takes its time to unspool backstory, giving space to interior thoughts and moral confusion. That extra interiority makes the parents feel less like cartoon provocateurs and more like people who’ve made choices that ripple outward in unexpected, often ugly ways. The humor in the book is darker and more satirical; Kevin Wilson seems interested in the ethics of art and how theatricality warps family life.

The film, by contrast, feels like a careful condensation: it keeps the core premise — fame-seeking performance-artist parents, kids who become actors, public stunts that cross lines — but it streamlines scenes and collapses timelines so the emotional beats land more clearly in a two-hour arc. I noticed certain subplots and explanatory digressions from the book were either shortened or omitted, which makes the movie cleaner but also less morally messy. Where the novel luxuriates in ambiguity and long-term consequences, the movie chooses visual cues, actor chemistry, and a more conventional rhythm to guide your sympathy. Performances—especially the oddball energy from the older generation and the quieter, conflicted tones of the siblings—change how some moments read emotionally. Also, the ending in the film feels tailored to cinematic closure in ways the book resists; the novel leaves more rhetorical wiggle-room and keeps you thinking about what counts as art and what counts as cruelty.

So yes, they're different, but complementary. Read the book if you want to linger in psychological nuance and dark laughs; watch the movie if you want a concentrated, character-driven portrait with strong performances. I enjoyed both for different reasons and kept catching myself mentally switching between the novel's layers and the film's visual shorthand—like replaying the same strange family vignette in two distinct styles, which I found oddly satisfying.

How Does The Good Father Movie Differ From The Book?

5 Answers2025-10-17 03:12:23

Reading the novel then watching the film felt like stepping into a thinner, brighter world. The book spends so much time inside the protagonist's head — the insecurities about fatherhood, the legal and emotional tangle of custody, the petty resentments that build into something heartbreaking. Those internal monologues, the slow accumulation of small humiliations and self-justifications, are what make the book feel heavy and deeply human. The film collapses many of those interior moments into a few pointed scenes, relying on the actor's expressions and a handful of visual motifs instead of pages of reflection.

Where the book luxuriates in secondary characters and long, awkward conversations at kitchen tables, the movie trims or merges them to keep the runtime tidy. A subplot about a sibling or a longtime friend that gives the book its moral texture gets either excised or converted into a single, telling exchange. The ending is another big shift: the novel's conclusion is ambiguous and chilly, a slow unpeeling of consequences, while the film opts for something slightly more resolved — not exactly hopeful, but cleaner. Watching it, I felt less burdened and oddly lighter; both versions work, just for different reasons and moods I bring to them.

How Does The Anime Adaptation Of The Cartel Differ From The Book?

5 Answers2025-10-17 13:07:24

Holding the paperback after a long anime binge, I kept replaying scenes in my head and comparing how each medium chose to tell the same brutal story. The book 'The Cartel' breathes in a slow, dense way: long paragraphs of police reports, internal monologues, and legalese that let you crawl inside characters' heads and the bureaucracy that surrounds them. The anime, by contrast, has to externalize everything. So what feels like ten pages of moral grumbling and background in the novel becomes a single, tightly directed montage with a swelling score and a close-up on an aging cop's hands. That compression changes the rhythm — tension gets condensed into spikes instead of the book's grinding, sleep-deprived march. I felt that keenly in the middle episodes where the anime omits entire side investigations from the book and instead focuses on two or three central confrontations for visual payoff.

Visually, the adaptation adds a layer the novel can only suggest. The anime uses a muted palette and long camera pans to make violence feel cold and almost documentary-like, whereas the prose can linger on a character's memory of a childhood smell while violence happens elsewhere. This means some secondary characters who are richly sketched in the novel become archetypes on screen — the trusted lieutenant, the morally compromised mayor, the lost kid — because the medium favors silhouette over interiority. On the flip side, animation gives certain symbolic beats more power: a recurring shot of a rusting trailer, a bird flying over a demolished town, or the way rain keeps washing traces away. Those motifs were present subtextually in the book but they sing in the anime because sound design and imagery can hammer them home repeatedly.

Adaptation choices also change moral tone. The novel luxuriates in ambiguity, letting you stew in conflicting loyalties; the anime edges toward clearer heroes and villains at times, probably to help audiences keep track. And then there are the practical shifts: characters combined, timelines tightened, and endings slightly altered to land emotionally within an episode structure. I appreciated both versions for different reasons — the book for its patient, poisonous detail and the anime for its brutal, poetic compression. Watching the animated credits roll, I still found myself thinking about a paragraph from the book that the series couldn't quite match, which is both frustrating and oddly satisfying.

Who Wrote The Book Titled Ruin Me And Why Is It Popular?

5 Answers2025-10-17 04:19:26

Spotted 'Ruin Me' on a shelf and couldn't help but dive into why that blunt, emotional title keeps popping up. There isn't a single definitive author tied to the name—'Ruin Me' is a title that's been used by several writers across genres, from indie romance to psychological thrillers. What unites these different books is the promise of high stakes: love that risks everything, a character bent on self-destruction, or a revenge plot that upends lives. Those themes hit hard because they compress drama into two simple words that feel personal and immediate.

From a reader's perspective, popularity often comes from a mix of storytelling and modern discovery channels. Strong protagonists, intense chemistry, push-pull dynamics, and cliffhanger chapters make the pages turn; then social platforms, passionate review communities, and striking covers amplify word-of-mouth. Audiobooks with compelling narrators and serialized promotions from indie presses also boost visibility. Personally, I love how the title itself acts like a dare—it's intimate, dangerous, and irresistible, which explains why multiple books with that name can each find their own devoted audience.

Where Can I Buy Illustrated Editions Of The Book Of Healing?

4 Answers2025-10-17 05:52:08

If you're hunting down illustrated editions of 'The Book of Healing' (sometimes catalogued under its Arabic title 'al-Shifa' or associated with Ibn Sina/Avicenna), I've got a few routes I love to check that usually turn up something interesting — from high-quality museum facsimiles to rare manuscript sales. Start with specialist marketplaces for used and rare books: AbeBooks, Biblio, and Alibris are goldmines because they aggregate independent sellers and antiquarian dealers. Use search terms like 'The Book of Healing illustrated', 'al-Shifa manuscript', 'Avicenna illuminated manuscript', or 'facsimile' plus the language you want (Arabic, Persian, Latin, English). Those sites give you the ability to filter by condition, edition, and seller location, and I’ve found some really lovely 19th–20th century illustrated editions there just by refining searches and saving alerts.

For truly historic illustrated copies or museum-quality facsimiles, keep an eye on auction houses and museum shops. Major auction houses such as Sotheby’s and Christie’s sometimes list Islamic manuscripts and Persian codices that include illustrations and illuminations; the catalogues usually have high-resolution photos and provenance details. Museums with strong manuscript collections — the British Library, the Bibliothèque nationale de France, the Metropolitan Museum, or university libraries — either sell facsimiles in their stores or can point you toward licensed reproductions. I once bought a stunning facsimile through a museum shop after finding a reference in an exhibition catalogue; the colors and page details were worth every penny.

If you want a modern illustrated translation rather than a historical facsimile, try mainstream retailers and publisher catalogues. University presses and academic publishers (look through catalogues from Brill, university presses, or specialized Middle Eastern studies publishers) occasionally produce annotated or illustrated editions. Indie presses and boutique publishers also sometimes produce artist-driven editions — check Kickstarter and independent booksellers for limited runs and special illustrated projects. For custom or reproduction needs, there are facsimile houses and reprography services that can create high-quality prints from digital scans if you can source a public-domain manuscript scan (the British Library and many national libraries have digitised manuscripts you can legally reproduce under certain conditions).

A few practical tips from my own hunting: always examine seller photos and condition reports carefully, ask about provenance if you’re buying a rare manuscript, and compare shipping/insurance costs for valuable items. If it’s a reproduction you’re after, scrutinize whether it’s a scholarly facsimile (with notes and critical apparatus) or a decorative illustrated edition — they’re priced differently and serve different purposes. Online communities, rare-book dealers’ mailing lists, and specialist forums for Islamic or Persian manuscripts are also excellent for leads; I’ve received direct seller recommendations that way. Good luck — tracking down an illustrated copy is part treasure hunt, part book-nerd joy, and seeing those miniatures up close never fails to spark my enthusiasm.

Which Loveboat Taipei Scenes Differ From The Original Book?

4 Answers2025-10-17 14:05:25

I dove into both the book and the screen version of 'Loveboat, Taipei' back-to-back and ended up noticing a bunch of scene-level shifts that change the pacing and emotional focus.

In the novel, Ever's inner world is front-and-center: long stretches of rumination, self-doubt, and cultural friction are unpacked slowly. That means several quieter scenes—like the late-night conversations in the dorm hallway, the little family flashbacks, and the poetry workshop critiques—get space to breathe. On screen, those moments are trimmed or turned into montages, so the emotional beats feel sharper but less layered. For instance, the workshops and the rooftop gatherings feel condensed; the book gives a slow build to certain confessions, while the adaptation sutures a few scenes together to keep the visual momentum.

Side characters also get streamlined. The novel spends more time on friend-group dynamics and secondary arcs that show how the summer program reshapes relationships, but the adaptation pares those down to focus on Ever and her romantic tension. A few subplots—especially ones that deepen family expectations or explore cultural identity in layered ways—are shortened or implied rather than shown fully. I missed some of those softer, awkward scenes that made the book feel lived-in, though I have to admit the film’s tighter emotional throughline makes it easier to watch in one sitting. Overall, the core beats remain, but the texture shifts from introspective to cinematic, which left me nostalgic for the book’s quieter moments while appreciating the adaptation’s energy.

Who Discovered The New Power In The Book Series Timeline?

5 Answers2025-10-17 20:45:32

I was totally hooked the moment that revelation landed in the middle of the timeline — it felt like the floor pulled out from under the whole plot. In the internal chronology of 'The Shifting Epoch', the new power is formally credited to Lord Elias Verne because his public demonstration during the Sundering Era is the first event most scholars and characters recorded. Elias gets the statue, the ceremony, and the official plaques in the capital. That’s what the timeline shows on paper.

But reading carefully, and loving the messy bits, I saw the hints that the power was actually discovered earlier by a lower-profile figure: Mira Tal, a ledger-keeper from the Outward Markets. Her journal entries, tucked into a footnote in the middle books, describe the experiments and accidental rituals that produced the phenomenon Elias later polished into spectacle. So in my head the thrilling truth is that the timeline separates discovery from discovery's fame — Mira found it, Elias made it history, and the books delight in that messy, human gap. It still makes me grin whenever the credits roll in my head.

Who Are The Main Characters In The Perfect Daughter Book?

5 Answers2025-10-17 02:29:57

If you pick up 'The Perfect Daughter', the whole thing orbits around one person who looks flawless on paper but is a mess in private: Claire Bennett. She’s the titular daughter—smart, polite, high-achieving—and the story opens by showing how intensely she’s been performing that role for years. Claire’s outward life is neat: top grades, a stable job, and a community that adores her family. Under the surface, though, she’s carrying a secret that drives the plot: a fracture in her relationship with her mother and an event from her teenage years that hasn’t stayed buried. I loved how Claire isn’t a cartoon-perfect heroine; she’s stubborn, a little defensive, and shockingly human when the mask slips.

The other central players are the people who shape Claire’s world. Evelyn Bennett, her mother, is written as a complex force—both protector and pressure cooker. Evelyn’s expectations and controlling instincts are what created Claire’s polish, but they also catalyze the novel’s emotional explosions. Thomas Bennett, the father, drifts between the two, well-meaning but emotionally distant; he’s the quiet hub of guilt and nostalgia. There’s a younger sister, Lucy, who represents a life Claire could’ve had if things had gone differently—more spontaneous, less performative. Then the plot brings in Detective Marcus Hale (or a similarly relentless investigator character): he’s not just a procedural device but a mirror, forcing Claire to face truths. A love interest, Noah Reyes, appears as someone who sees Claire’s cracks and doesn’t run, offering both temptation and comfort. Secondary characters like Aunt Rosa, a pragmatic neighbor, and Claire’s therapist add texture and viewpoints that keep the story moving and human.

What I really appreciated is how these characters aren’t static types; the novel uses them to explore themes of identity, truth, and the cost of perfection. The tension comes less from high-octane action and more from conversations that unwrap old lies and small betrayals. The ending won’t tie everything into a neat bow, but that’s the point—it’s about messy reconciliation rather than cinematic redemption. After finishing it, I felt oddly relieved, like having watched a long, honest conversation; Claire stayed with me for nights because she felt real, flawed, and painfully relatable.