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9.7

10 Chapters

Her Facebook Friend.

Jacqueline has always been insecure about her looks because of her childhood experiences. However, it all changes when she accepts a friend request and makes a male best friend. And what's more important for her was that she was someone who never shared anything about her life with anyone, and gets the special one she can share her tears with. "it's the most achingly beautiful feeling when you pour your naked feelings in front of someone and it's the most intimate you could get." But then like every fairy tale they have conflicts and get separated to meet yet again. And The meeting turns into an obsession for Remo. Gambling with the matters of the heart follows the journey of Jacqueline and Romeo D' Souza and watch them fall in love with each other. ******* Book Cover designed by- Saii designs FB: @saidesigns

68 Chapters

My Naughty Facebook Lover

(CAUTION: MATURE CONTENT.) PLEASS DO NOT READ THIS BOOK IF YOU CAN'T HANDLE STEAMY CONTENT (IT CONTAINS MULTIPLE EROTIC SCENES). "Who thought I could find my lover on Facebook, of all places?" Joyce thought to herself with a brightened smile after just saying goodnight at 4:30 AM to her naughty Facebook lover in the early hours of Monday. Joyce is a 23-year old young woman and a student at Darlington University. Due to the stress and boring life that she faces on campus, she wanted a distraction from it all once in a while. Now she had gotten addicted to sex chatting with her Facebook lover every single day at any given time, and she didn't quite know how she got wet easily by the romantic words of Finn, whom she only had a picture of. Would they eventually meet up in person and take things from there? Would they leave things as they are on Facebook and continue sex chatting? Or would they break up sooner than we thought? Find out in this novel called My Naughty Facebook Lover. (Warning: Mature content)

17 Chapters

The Fake Girlfriend's Rulebook

Zoey Blake swore off athletes the day she caught her hockey player boyfriend cheating with a cheerleader. She's done with games, on and off the ice, and plans to keep her distance from that world for good. But when her new tutoring assignment lands her with four players from her ex’s rival team, staying away gets complicated. They're nothing like she expected, frustrating, funny, and unexpectedly kind. And when they ask her to help with a plan to get back at her ex, she agrees, even if it means pretending to be part of their world again. What starts as a simple favour slowly blurs the lines Zoey worked hard to draw. The more time she spends with them, the harder it becomes to remember why she built those walls in the first place. She promised herself she’d never fall for another hockey player. She never imagined four of them might change her mind.

Not enough ratings

16 Chapters

Likaya's Wolves: The Suha Marshes

---> if you are interested in my work, please check out my novel The Starving Vulture. Available on Amazon, $3.99 for the Ebook and $14.95 for the Paperback https://www.amazon.com/Starving-Vulture-Miguel-Monta%C3%B1a/dp/1951150899<--------- Aster Likaya is a Battle Mage of the Zeraph Republic. Raised in a military family, she was destined for a life on the front. As a Battle Mage she has mastered the art of Controlling. A simple but effective kind of magic that is necessary when one bonds and commands the essential robotic warmachines of her world. The Gearbanes. And now, she is a Captain. But much to her surprise, she is not handed a company but a unit of stoic and silent soldiers that call themselves DragonWolves. Her second in command, is Lieutenant Able Froster, young but grim faced soldier who has seen combat since he was barely a boy. For their first mission, they are given a simple task. Retrieve an agent of the Republic who is lost in the vast swampland known as the Suha Marshes. Little do they know, that they are not the only factions searching for the man. For in the Suha Marshes, hunt the cannibalistic Birchmen and the Kolysian pirates. All eager for the prize the agent carries. This is the world of Likaya and Froster. Dominated by machines powered by magic, weapons ignited by runes and wars fought over ancient relics forged by a forgotten past. Welcome to Likaya's Wolves.

Not enough ratings

27 Chapters

The Pacific-Capital: A Cyberpunk Story

---> if you are interested in my work, please check out my novel The Starving Vulture. Available on Amazon, $3.99 for the Ebook and $14.95 for the Paperback https://www.amazon.com/Starving-Vulture-Miguel-Monta%C3%B1a/dp/1951150899<---------The Pacific Capital. A product of an altered world, the legacy of the dead Philippine nation. A congested megacity holding 50 million people all huddled in what was once Metro Manila. It is the center for Pacific Maritime Trade, the world's largest Tax Haven and one of the few places in the world free from the Draconian but necessary environmental laws that saved the world since Cometfall. Ruled by Megacorporations, Corrupt Politicians, Invested Nobility and Criminals. It is one of the world's most important agricultural and pharmaceutical centers. H-6 is an Arbiter of the Court. As Judge Jury and Executioner, they maintain the essential Power Plant Canals and Massive weather controlled Dome Districts. Two elements that even the all powerful Megacorps need maximize their profits. Making Arbiter's Court the true rulers of the city. But even an all powerful Arbiter of the Court like H-6 knows, that Ambition and Greed will always find ways to ignore the rule of Law. Solus Valentine is a Security Consultant, plying her trade to anyone in need. She is a gun for hire who has the street smarts for the city's underworld. Whether in the gilded halls or the most flooded streets, she's ready for your contract. But while completing a contract, she stumbles into a vast conspiracy that just might threaten the city's fragile power balance, if not the world. She just might need an Arbiter's help for this one. One who might be someone from her past.

21 Chapters

What Length Should Minibooks Have On Ebook Platforms?

1 Answers2025-09-04 14:53:31

If you're wondering where the sweet spot is for minibooks on ebook platforms, I've been tinkering with short formats for a while and have learned a few handy rules of thumb. Minibooks can mean different things—flash fiction, short stories, novelettes, or short nonfiction primers—so the ideal length depends on how you're positioning the book and who you're trying to reach. Platforms like the major stores technically accept very short works, but reader expectations and revenue mechanics (especially on subscription services) really shape what's practical.

In my experience, framing lengths into tiers helps: flash pieces under 1,500 words work best as freebies, mailing-list bait, or companion content. Short stories between 1,500 and 7,500 words can sell, but they need exceptional hooks, perfect editing, and the right price point—think promos or $0.99 specials. Novelettes/short novellas from about 7,500 to 20,000 words are the most comfortable place to call something a minibook if you want readers to feel they got value for money; these often price well at $0.99–$2.99 (or higher if part of a series). Anything above ~20,000 moves into novella territory and can command higher prices and more solid reader satisfaction. A useful metric is that Amazon counts roughly 300 words per KENP page, so 7,500 words is about 25 pages—something readers can mentally compare when deciding to buy or borrow.

Platform nuances matter. On subscription-based services that pay per page read, very short works might underperform because the per-page payout can be lower than what you'd get from a sale, so clustering short pieces into a bundle or releasing them as serials can be smarter. For stores with single-purchase models, the perception of value is king: a great cover, a clear blurb that mentions the length, and honest pricing will keep reviews kinder (people hate paying full price for something that feels like a sample). Also, metadata—genre tags, keywords, and category selection—can make or break discoverability for short works. I always test a couple of price points and keep an eye on read-through and reviews; selling a handful at $0.99 with strong conversion and then raising the price for a boxed set has worked better for me than trying to sell standalone micro-books at higher rates.

If you're releasing minibooks, think about purpose: giveaways, list-building, bridging between larger books, or experimenting with new ideas. Editing and polish can't be skimped on just because something is short—readers notice thin plots and sloppy prose even more in compact forms. Consider bundling several related minibooks into a single volume for readers who prefer heft, or release them serially so momentum builds. Personally, I treat minis as playgrounds for new concepts: short, sharp, and testable. Give a length a try that fits your goals, watch the metrics, and iterate—you'll learn fast which size resonates with your audience.

What Are Ethical Alternatives To Ebook Pirating?

2 Answers2025-09-05 03:14:08

One of the most satisfying things I've learned is that you can read almost anything you want without resorting to piracy—and often discover cooler ways to support creators in the process. Over the years I've built little rituals: hunting sales, using my library app, and keeping a wishlist full of books I watch for price drops. Public libraries are the backbone here—physical loans are obvious, but digital loans through services like Libby and Hoopla have been game-changers. I can borrow a new bestseller or a niche indie novel with the same ease as an ebook pirate would click download, but the difference is that creators and libraries still get acknowledged properly. If a title isn't in my library, interlibrary loan or asking my librarian to purchase it usually works; librarians love a good request, and it’s a concrete way to funnel money and attention to the books you enjoy.

I also love the indie-author ecosystem. Small presses and self-published writers often sell directly on their websites or through DRM-free stores like Smashwords or Bundle services like Humble Bundle. Buying direct or via DRM-free platforms means more of the money goes to the person who made the book, and often you get nicer file formats and bonus content. When I want to try new authors without committing, sampler bundles, free first-in-series promos, and author newsletters that hand out short stories or novellas are perfect. For non-fiction and textbooks, OpenStax and other open educational resources are life-savers: high-quality, legal, and free. If a textbook is out of reach, look for older editions, used copies, or institutional access—professors and student groups sometimes share legal ways to access materials.

There are also creative ways to support creators without paying the full retail price: book swaps, thrift stores, used bookstores, and library sales are sustainable and cheap. For audiobooks, consider Libro.fm instead of monopolized platforms—your purchase supports a local bookstore. Patreon, Ko-fi, and direct donations let you support authors whose work you love in bite-sized amounts, and many creators reward patrons with exclusive stories, early releases, or discounts. Finally, simple actions—writing a heartfelt review, sharing a book on social media, attending local author events, or requesting a title at your library—carry real value. Piracy might feel immediate, but these legal alternatives build a healthier ecosystem for readers and creators alike; for me, knowing an author got paid for the hours that made my favorite scenes makes those scenes sweeter.

Can Ebook Pirating Impact Book Bestseller Lists?

2 Answers2025-09-05 03:10:08

I get animated talking about this because it's one of those messy, real-world things where economics, fandom, and tech all collide. From my experience hanging around indie bookstores, online forums, and a tiny self-pub experiment I ran, pirated ebooks absolutely can shift bestseller lists — but how and by how much depends on the list and the context. Amazon's sales rank reacts instantly to purchase velocity, so a swarm of paid downloads moves that rank; pirated downloads don't count as sales, but they can reduce the pool of potential buyers and slow momentum. For a debut author who needs a spike in legitimate buys to get featured, every lost sale matters. For well-established titles like 'Harry Potter' or 'The Hunger Games', piracy might nibble at margin but won't topple a bestseller crown on its own.

There’s also the weird flip side where piracy acts like a colossal sampler. I’ve seen threads where people say they grabbed a pirated copy, loved it, and bought the official ebook or hardcover to support the author — or to get the extras like bonus chapters, author notes, or signed editions. That happens, but it’s not a reliable marketing strategy; it’s more of an accidental discovery engine. Bestseller lists vary in methodology: the 'New York Times' uses curated store reporting and sometimes excludes certain bulk or suspicious sales, which makes them resilient to simple piracy effects; Amazon's charts, by contrast, are dynamic and more easily influenced by sudden surges or drops in legitimate purchases. Some bad actors even try to manipulate charts with bulk purchases and returns or fake reviews — different problem but it shows how fragile ranking systems can be.

So what do creators do? From my indie-author days I learned that fighting piracy with takedowns and DRM is only part of the story. Building a newsletter, offering exclusive extras, engaging with readers on community platforms, and running targeted price promos often convert would-be pirates into paying superfans. Publishers use legal channels and tech to remove files, but there’s also value in making the legal product compelling: quality typesetting, quick releases, and audiobook editions are hard to replicate in pirated copies. In short: yes, piracy can dent bestseller momentum — especially for newcomers and niche genres — but it's not a single, simple cause. It’s part of a broader ecosystem where visibility, pricing, and reader relationships ultimately decide whether a title climbs or falls, and that’s exactly what keeps me arguing with friends about marketing strategies over coffee and midnight forum lurks.

How Do Readers Justify Ebook Pirating Ethically?

2 Answers2025-09-05 21:51:23

Honestly, when I talk with friends over ramen or between chapters of 'The Name of the Wind', the explanations for pirating ebooks sound almost like life-hacks rather than ethical positions. A lot of readers frame it around access: if a book isn't available in their country, or it's out of print and the only copy is a collector's-price hardcover, they treat a scan or a download as the only realistic way to read. Others lean on discovery — they’ll download a book they’re unsure about so they can sample it, and if they love it they'll buy the physical copy or throw money at the author later. I've heard the bandwidth excuse too: subscription fatigue, prices that don't match local incomes, and the sheer economic squeeze of students and young readers. People who care about DRM (I fall in this camp sometimes) argue that restrictive DRM turns paid purchases into rented files that may vanish, so a one-time pirate copy feels like reclaiming ownership.

But I don't swallow those rationales wholesale. There’s a spectrum: a pirated copy of a blockbuster bestselling series might hurt less in perceived harm to the author than stealing from a tiny press that lives on book sales. I've accidentally discovered small authors via free uploads and then gone on to buy two novels and a zine — that personal guilt nudged me toward supporting them later. Also, there's a moral difference between using a pirated academic text because your university access is nil and habitually grabbing each new bestseller instead of paying. I try to weigh intent and consequence: is the person pirating because they genuinely cannot access the work, or because they want to circumvent paying? Are there legal, free alternatives like libraries, interlibrary loan, or publisher promos?

Practically, my rule of thumb tends to be: pirate only as a last resort and with plans to compensate if the work becomes meaningful to me. Support can come in many forms — buying the book later, ordering directly from the author, subscribing to a small-press newsletter, or even buying a cup of coffee for them via tip jars on social platforms. It's messy and context-dependent. If a book is literally banned, out of print, or priced beyond any reasonable local income, my conscience eases; if it's a current release I can afford, I try to pay. I like when communities share alternatives — public domain sources like 'Project Gutenberg', library apps, or legal samplers — so piracy feels less like the only option. At the end of the day, I want creators to make more stories I adore, so my default is to err toward sustaining them when I can.

Which Platforms Sell Done Books In Print And Ebook?

2 Answers2025-09-05 08:24:39

I get a kick out of helping authors figure this stuff out — there are more places to sell finished books in both print and ebook than most people realize, and each one has its own flavor and trade-offs. For pure reach and convenience, I usually point folks to Amazon KDP first. KDP handles both Kindle ebooks and print-on-demand paperbacks (and now hardcovers in some regions). The upload process is pretty streamlined: EPUB or KPF for ebooks, print-ready PDF for interiors, and a cover file sized to the trim. KDP is great for speed and visibility on Amazon, but the trade-offs are Amazon-centric royalties and the option of KDP Select exclusivity if you want Kindle promotions — that’s useful if you plan price promotions or free days, but it means you can’t sell the ebook elsewhere while enrolled.

If I’m aiming for real bookstore availability or want library distribution, I usually add IngramSpark into the mix. Ingram runs a massive distribution network (bookstores, libraries, independent sellers globally) and their print quality and retailer acceptance are top-notch. The upload is a little more meticulous — you’ll want clean PDFs, correct spine calculations, and a properly formatted ISBN. In my experience, mixing KDP for Amazon retail presence with IngramSpark for everything else is the most pragmatic setup. For authors who prefer a single aggregator to handle multiple ebook retailers (Apple Books, Kobo, Barnes & Noble, Google Play), Draft2Digital and PublishDrive are excellent: they distribute ebooks widely with a simple dashboard, and Draft2Digital now offers paperback print distribution options too. Kobo Writing Life, Barnes & Noble Press, Apple Books, and Google Play Books are worth uploading to directly if you care about niche audiences — Kobo is great internationally, B&N helps with the US bookstore market, and Apple is essential for iOS-focused readers.

A few other practical notes I always tell friends: Lulu and BookBaby are solid if you want author services (editing, design) plus distribution; they do both print and ebook. Smashwords is older and focused on ebooks to smaller retailers, while services like BookFunnel and Prolific Works handle direct ebook delivery for promos. Don’t forget library channels — OverDrive/Bibliotheca access often comes through distributors like Ingram or specialized services. Also, plan for ISBNs, proof copies, print cost math (royalties are after printing), and file specs — investing time in a good interior and cover pays off. If you want, I can walk through a recommended step-by-step checklist for a single book launch based on your priorities (maximum reach, bookstore presence, or indie-only control).

Which Mktg Ebook Helps Indie Authors Sell Novels?

2 Answers2025-09-03 10:56:11

Okay, if you’re hunting for one ebook that actually moves the needle for indie novel sales, my top pick would be 'Your First 1000 Copies' by Tim Grahl. I dove into it during a scrappy launch season a few years back and what I loved was how tactical it is — it treats book marketing like project management rather than mystical voodoo. Tim’s framework centers on building a launch team, using email like a relationship (not spam), and creating a launch plan that amplifies the things that already work: reviews, preorders, and consistent outreach. That single shift — treating your list as people, not a numbers game — bumped my preorders and gave me useful momentum instead of a flat tumble after release.

If you want something more focused on the self-publishing nuts-and-bolts, pair that with David Gaughran’s work: 'Let's Get Digital' and its spiritual sequel 'Let's Get Visible'. Gaughran is ruthless about Amazon mechanics, metadata, categories, KDP Select pros/cons, and discoverability. I combined Tim’s launch psychology with David’s Amazon optimization and suddenly my keywords and categories weren’t guesses — they were chosen. From cover tweaks to blurb rewrites, you can see measurable differences in clicks and conversion when you apply both kinds of advice.

Beyond those two, I keep a small stack of free/cheap companion resources: Kindlepreneur’s guides (Dave Chesson) for keyword and AMS ad fundamentals, Joanna Penn’s guides on longer-term author platform building in 'How to Market a Book', and Mark Dawson’s practical notes on paid ads (search for his 'Facebook Ads for Authors' materials). My practical tip: pick one ad channel to test, invest tiny daily budgets, and obsess over conversion (clicks ➜ page reads ➜ sales). Also, build a simple ARC/review team early — nothing boosts visibility like early, genuine reviews. If you only buy one ebook, start with 'Your First 1000 Copies' and then get Gaughran’s work for the platform stuff; the combination taught me how to stop launching and start selling, and it made my next series feel a lot less like shouting into the void.

What Mktg Ebook Teaches Building An Author Mailing List?

2 Answers2025-09-03 15:39:41

Oh man, if you want a clear, practical primer that actually teaches how to build an author mailing list, I keep coming back to a few classics and a couple of modern tool-focused guides that make the whole process feel doable. One book that really lays out the mindset and tactics is 'Let's Get Digital' by David Gaughran — it’s full of real-world indie author experience, including how and why to capture reader emails, how to use reader magnets (free short stories or first-in-series books) effectively, and how to structure a welcome sequence that doesn’t sound like a robot. I learned a ton about pricing experiments and page-one optimization from this kind of source, and it pairs nicely with the follow-up reading I list below.

If you want something that reads more like a playbook, check out 'Your First 1000 Readers' by Tim Grahl. The step-by-step approach he advocates — building connection first, then converting loyal readers into newsletter subscribers — is practical and tactical. It covers things like where to put signup forms (blog sidebars, end-of-book callouts, social bios), what to give away as a lead magnet, and how to plan a simple automated welcome sequence. For modern implementation details, I often flip between that and ConvertKit’s free materials (their creator-focused guides are super hands-on about automations and tagging), plus StoryOrigin or BookFunnel tutorials about delivering reader magnets and running ARC swaps.

Beyond specific titles, there are a few rock-solid tactics these resources agree on: create a low-friction reader magnet, use a dedicated landing page (no clutter), set up a 3-5 email welcome sequence that introduces you and your work, tag subscribers by interest, and treat the list like a relationship — not an ad channel. For growth channels, try a mix: reader groups, cross-promos with other authors, Facebook/Instagram ads funneling to the magnet, and giveaways (but only the ones that actually attract readers, not bargain hunters). Track open rates, click-throughs, conversions to sales, and prune dead addresses every few months.

If you want something bite-sized, ConvertKit’s 'Email Marketing for Creators' (their free guide) plus Joanna Penn’s 'How to Market a Book' are excellent supplements — Joanna’s writing is friendly and author-centric. Honestly, the best path for me was reading one of the books to get strategy, then following a tool guide to execute — pick one platform, build a simple funnel, and refine from there. If you want, I can sketch a 4-email welcome sequence next — I’ve got versions for romance, SFF, and thrillers that actually convert for me.

Which Mktg Ebook Reveals Pricing Tactics For Ebook Launches?

3 Answers2025-09-03 12:04:20

If you’re looking for a single book that actually digs into pricing tactics for product launches (including ebooks), my go-to is Jeff Walker’s 'Launch'. I’ve used parts of his framework when I’ve dropped my own short guides and the way he lays out tiered offers, scarcity windows, and price anchoring is refreshingly tactical. He explains how to structure an early-bird price, a main price, and a higher-priced bundle so people feel like they’re choosing value rather than being nickel-and-dimed. Plenty of marketers riff on his ideas, but the original still packs the clearest playbook for timing and messaging around price.

To fill gaps, I pair 'Launch' with books focused solely on pricing psychology — for example, 'The Psychology of Price' by Leigh Caldwell and 'The Art of Pricing' by Rafi Mohammed. Those teach why anchoring and decoys work, how to set thresholds that feel “right,” and when to use free trials or samples. If you want product-side thinking about capturing value earlier, 'Monetizing Innovation' is great. Combine those reads with split-testing (I usually run A/Bs on price pages for at least a week) and a good checkout flow, and you’ll be miles ahead of someone guessing at a sticker price.

What Mktg Ebook Outlines Email Funnel Examples For Authors?

3 Answers2025-09-03 00:49:21

Oh man, this is my wheelhouse — I obsessed over building mailing lists for my own novels, so I’ve read a bunch of practical ebooks and guides that actually show email funnel examples tailored to authors.

A few standouts I constantly recommend: Nick Stephenson’s 'Your First 10,000 Readers' is basically the blueprint a lot of indie authors swear by — it walks through lead magnets, welcome sequences, and launch funnels with concrete examples. David Gaughran’s 'Let's Get Digital' covers broader book marketing but has solid sections on why email funnels matter and how to structure them. For hands-on templates and step-by-step automations, Kindlepreneur (Dave Chesson) has clear guides and swipe files that show sample subject lines and sequences, and ConvertKit’s free creator guides give practical funnel examples for authors who want to automate welcome/nurture/launch flows.

If you want a quick, practical funnel from those kinds of ebooks: start with a lead magnet (short story or first 3 chapters) → automated 5-email welcome/nurture series that introduces your voice and lead magnet → long-term weekly/biweekly value emails (updates, behind-the-scenes, micro-content) → pre-launch sequence (build hype, give ARC/preorder options, social proof) → launch + post-launch followups (discount/bonus for buyers) → evergreen funnel (ads or promos that funnel people to lead magnet). The ebooks and guides above include templates, subject-line ideas, and examples of timing and split-testing. If you want, I can sketch a ready-to-copy 7-email sequence tailored to your genre next.

How Do Authors Promote Books On Ebook Reddit Forums?

4 Answers2025-09-03 20:17:09

Lately I've been watching how authors thread their way through ebook forums and it feels like watching a careful social dance. I try to treat those spaces like bookish living rooms: show up, notice who's already talking, and add something real instead of shouting about my own release. That means participating in discussions, recommending books I genuinely loved, and using the occasional flair or pinned thread for self-promo when rules allow.

When I do promote, I lead with a hook — a concise one-line pitch — and a clear call-to-action: free sample chapter, sale price, or an upcoming AMA. I include a short blurb about why readers might care (tone, pacing, comparable titles like 'The Martian' or 'Wool'), and paste a short excerpt or first-page teaser. Visuals and formatting matter: a clean cover image, a tidy excerpt, and a link that goes directly to the store or newsletter sign-up. I always respect the subreddit rules: if promos are restricted to a weekly thread, I use that thread and add value in the comments rather than reposting.

Finally, engagement beats one-off posts. I reply to comments, thank people who download or review, and occasionally offer exclusive content — a deleted scene or a discount code — to people from the thread. Over time that builds trust, not just sales, and that's what keeps me coming back to those forums.