Goodbye To All That

Goodbye to You All
Goodbye to You All
Everyone knew—Jessica Conway had always adored Jack Murray. They were high school lovers, and everyone just assumed they would get married eventually and live happily ever after. But then, there was Abby Conway, Jessica's elder sister who was "gravely ill." On the eve of Jessica and Jack's wedding, he said, "Jess, your sister's really really sick. Let's give her a chance to be the bride for now, alright? You know you're the one I love." Abby echoed, "Jess, promise me you'll come to the wedding, okay?" Jessica clutched the stomach cancer diagnosis in her hands and said nothing. On the wedding day, she never showed up. Jack, realizing her absence, abandoned the ceremony and rushed home—only to find the house empty. The only thing left behind was a single sheet of paper: her final diagnosis. For three days and three nights, Jack knelt before Jessica, begging for a second chance. But she never forgave him. Not even in death.
26 บท
Goodbye to You
Goodbye to You
Carl Larson's intern is about to die, and her only wish is for him to sleep with her once. I disagree, and he says I'm petty. "It's just a one-time thing. She's about to die! Why do you have to assume I'm up to something dirty?" Is that so? I've seen them together more than once, though. I later agree, and he's relieved… until he sees me lying on his operation table for an abortion. He widens his eyes in disbelief. "What are you doing here?" I smile. I want him to murder his child. I want him to regret this for life.
10 บท
Not All That Glitters
Not All That Glitters
*Hollis Bogard isn’t known for her commitment. In fact, she’s content leading a single, flirtatious life. That might change after meeting Whitney York, a free spirited artist thirsting for adventure.Having been cursed out, chased, and scorned by every broken hearted woman twenty eight year old heroin addict Hollis Bogard has slept around with, she’s not fazed at all by any of it. Always preferring to look for the next best set of kissable lips. Life as an emotionally unavailable bachelorette has served her well, and after all...everyone was warned before anything happened. Feelings were a big no. Hollis had seen what love did to her parents, and wanted nothing to do with the white picket-fenced lie. So long as her bed was warm when she needed it to be, that’s what mattered.Californian Whitney York is ready for a new start. While spontaneity wasn’t a strong suit of her’s, packing up everything she owned into her little black 2008 Toyota Prius and driving cross country to Auburn, Maine was the best idea she’d had all year. No more nagging mother, to hell with her father always comparing Whitney to her successful sister, Theresa. The one with the prestigious acting career, doting husband, and two all American poster children. She wanted to be free to figure out her own destiny. When elusive Hollis bumps into electrifying Whitney at a local bar on the outskirts of town, sparks fly between the unlikely pair.Disclaimer: Strong sexual content, graphic sex scenes, drug usage. 18+, please. This novel won’t be for you if you’re not comfortable with any of the above topics.2019 All Rights Reserved (you know how it goes) Please don’t attempt to steal any part of my work.
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42 บท
Say Goodbye to Love
Say Goodbye to Love
At our seventh wedding anniversary party, Caleb Thorne shares a drink with his childhood sweetheart. My face darkens, and he publicly snaps at me in front of everyone. "It's just playful fun between friends—why are you so uptight? If I really had something going on with Emma, do you think you'd ever have become my wife?" He storms off in anger. That same night, his childhood sweetheart updates her social media banner to a photo of her holding hands with Caleb. In the past, I would've rushed to her house without a second thought, dragged Caleb out, and demanded to know if he ever truly loved me. But this time, I don't care anymore.
8 บท
Goodbye, Twilight
Goodbye, Twilight
I had been in a relationship with Harry Chalamet for ten years. He stood up for me and even ended up in the hospital after a fight. He financially supported me in my education by laboring on construction sites. Even my friends could tell that he was madly in love with me, and I believed it too. Just when we were about to get married, I noticed he often secretly stared blankly at a photo. But the person in that photo wasn’t me…
14 บท
Goodbye, Mom
Goodbye, Mom
My mother is hospitalized due to a terminal illness. She's in urgent need of a kidney transplant to save her life. I'm the only one who can perform the surgery, but I give the kidney to a stranger. My father and husband get on their knees before me on the day of the surgery. They beg me to save my mother. However, I shrug and say, "I can't do anything about this. A life is a life, regardless of who the person is. This is what she gets for coming late—death is waiting for her."
9 บท

How Does 'Goodbye To All That' End?

3 คำตอบ2025-06-20 17:35:20

The ending of 'Goodbye to All That' hits like a gut punch. Robert Graves finally breaks free from the toxic grip of war and England, packing his bags for Majorca. After years of suffocating under societal expectations and the trauma of WWI, he makes the ultimate escape. The memoir closes with this symbolic rebirth—leaving behind everything familiar to start fresh. His wife Nancy stays behind, marking the end of their marriage too. What sticks with me is how raw the finale feels. No grand speeches, just quiet defiance. Graves doesn’t just say goodbye to England; he rejects the very idea of belonging to any place that demands conformity. The last pages read like someone tearing off shackles.

Who Is The Protagonist In 'Goodbye To All That'?

3 คำตอบ2025-06-20 17:30:48

The protagonist in 'Goodbye to All That' is Robert Graves, a British poet and writer who recounts his experiences during World War I and the years following. Graves gives a raw, unfiltered look at his life, from his time at school to the trenches of France. His narrative is deeply personal, blending humor with brutal honesty. He doesn’t shy away from criticizing the war or the society that glorified it. The book feels like sitting down with an old friend who’s seen too much but still has a sharp wit. Graves’ voice is distinctive—cynical yet lyrical, making his memoir stand out in war literature.

Where Is 'Goodbye To All That' Set?

3 คำตอบ2025-06-20 21:57:04

I just finished rereading 'Goodbye to All That', and the setting is absolutely crucial to understanding Joan Didion's memoir. The book primarily takes place in New York City during the 1950s and 1960s, capturing the electric energy of Manhattan during that transformative era. Didion paints vivid pictures of Greenwich Village's bohemian scene, the sleek corporate offices of midtown, and the gritty streets that never sleep. California serves as a contrasting backdrop when she writes about returning to her home state, highlighting the cultural differences between coasts. The locations aren't just places - they become characters that shape Didion's coming-of-age story as a young writer navigating love, career, and identity.

Why Is 'Goodbye To All That' Considered A Classic?

3 คำตอบ2025-06-20 21:15:15

As someone who's reread 'Goodbye to All That' at least five times, I can confirm it's a classic because it captures the raw, unfiltered transition from youthful idealism to disillusionment. Robert Graves writes with such brutal honesty about his World War I experiences and postwar struggles that it feels like reading a diary rather than a memoir. The way he describes losing faith in England's institutions—the military, academia, even marriage—resonates with anyone who's faced harsh realities. His prose isn't flowery; it's direct and occasionally savage, which makes the emotional moments hit harder. The book became a blueprint for modern memoirs by rejecting Victorian-era restraint and showing how personal trauma shapes worldview.

What Is The Ending Of 'The Irish Goodbye'?

3 คำตอบ2025-06-28 05:09:31

The ending of 'The Irish Goodbye' hits hard with its raw emotional honesty. After a lifetime of misunderstandings and missed connections, the protagonist finally confronts his estranged brother during a wake. Their reconciliation isn't some grand speech-filled moment—it's quiet, messy, and real. They share a bottle of whiskey stolen from the funeral reception, trading stories about their dead father that reveal how differently they each knew him. The final scene shows them walking away from the cemetery together, not with some perfect resolution, but with an unspoken agreement to try harder. The last line about the older brother lighting two cigarettes—one for himself and one he places on their dad's grave—destroyed me.

Who Is The Author Of 'Goodbye Eri'?

5 คำตอบ2025-06-30 13:30:17

The manga 'Goodbye Eri' was created by Tatsuki Fujimoto, the same genius behind 'Chainsaw Man'. Fujimoto has a knack for blending raw emotion with chaotic storytelling, and 'Goodbye Eri' is no exception—it’s a rollercoaster of grief, reality-bending twists, and meta-commentary on storytelling itself. His works often explore human fragility through unconventional narratives, making him one of the most distinctive voices in modern manga.

What’s fascinating about Fujimoto is how he subverts expectations. While 'Chainsaw Man' is all about frenetic action, 'Goodbye Eri' leans into psychological depth, blurring lines between fiction and the protagonist’s trauma. The author’s signature rough yet expressive art style amplifies the story’s visceral impact. If you’ve read his other one-shots like 'Look Back', you’ll recognize his obsession with creators and their struggles. Fujimoto doesn’t just write stories; he dissects the act of storytelling.

What Year Was 'Goodbye To All That' Published?

3 คำตอบ2025-06-20 06:26:13

I remember reading 'Goodbye to All That' a while back and checking its publication details. Robert Graves dropped this iconic autobiography in 1929, right in that turbulent interwar period. What makes this date interesting is how it captures Graves' disillusionment right after World War I, when everyone was still reeling from the aftermath. The book hit shelves when modernist literature was exploding, alongside works like 'A Farewell to Arms'. Its timing was perfect – people craved raw, honest accounts of the war, and Graves delivered exactly that. The 1929 publication also predates his famous historical novels, showing his transition from poet to prose writer.

Who Is The Protagonist In 'Goodbye, Columbus'?

3 คำตอบ2025-06-20 22:21:46

The protagonist in 'Goodbye, Columbus' is Neil Klugman, a working-class Jewish guy who falls for Brenda Patimkin, a wealthy Radcliffe student, during a summer romance. Neil's sharp observations about class differences and his self-deprecating humor make him relatable. He works at a library, which reflects his intellectual curiosity, but he's also painfully aware of how out of place he feels in Brenda's privileged world. The story follows his emotional rollercoaster as he navigates love, social expectations, and his own insecurities. Neil's voice is so authentic—you can practically hear him grumbling about the Patimkins' excesses while secretly longing to belong.

Who Dies In 'Goodbye My Love'?

3 คำตอบ2025-06-14 21:00:06

I just finished 'Goodbye My Love' last night, and the deaths hit hard. The main character's best friend, Li Wei, sacrifices himself in a car crash to save the female lead, Chen Xia. It's brutal because he had just confessed his unrequited love to her. Then there's the twist—Chen Xia's father, who seemed like a background character, dies off-screen from illness, leaving her with unresolved guilt. The most shocking was the antagonist, Zhang Jun. After his redemption arc, he gets stabbed protecting Chen Xia from his own gang. The deaths aren't just tragic; they redefine the surviving characters' motivations.

Why Is 'The Irish Goodbye' So Popular?

3 คำตอบ2025-06-28 17:59:52

The popularity of 'The Irish Goodbye' lies in its raw authenticity and emotional depth. It captures the bittersweet reality of leaving without fanfare, which resonates with anyone who's ever felt overwhelmed by drawn-out goodbyes. The film's minimalist approach creates a powerful contrast between silence and emotion, making every glance and unspoken word hit harder. Its relatability crosses cultures—we've all had moments where slipping away felt easier than facing the pain of departure. The cinematography amplifies this with intimate shots that make you feel like you're intruding on private moments. What sticks with me is how it turns something as simple as walking out into a profound statement about human connection.

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