Henry Wadsworth Longfellow

Love's Eternal Way Sixteen-year-old Serenity Palmer's biggest problem should be avoiding her father's arranged marriage contract with Thomas Blake, the arrogant senior who's made her life miserable for three years. But when a school trip to a French château triggers vivid dreams of a past life, Serenity discovers she and Thomas were once lovers—murdered on the eve of their 1722 wedding. As memories of their tragic death resurface, Serenity realizes their history teacher, Mrs. Hargrove, is the reincarnation of the obsessed servant who killed them. Worse, she's orchestrated this entire trip to finish what she started three centuries ago. With Thomas's best friend Louis—who harbors secrets of his own past-life memories—and Serenity's friend Ava, they uncover a conspiracy spanning five lifetimes. Mrs. Hargrove isn't working alone. The real mastermind is someone much closer to home: Thomas's best friend Axel, the reincarnation of a spurned nobleman who has spent centuries manipulating their relationship from the shadows. Every cruel word Thomas ever spoke, every moment of distance between them, was carefully orchestrated to keep them apart. Now, trapped in the same château where they once died, Serenity and Thomas must break a cycle of obsession and revenge that has followed them through multiple lifetimes. But breaking free will require the ultimate sacrifice—and a love powerful enough to rewrite the rules of life and death itself. A supernatural romance about soulmates who refuse to let death have the final word, Love's Eternal Way explores how true love transcends time, memory, and even the grave. Some bonds are eternal—but so is the hatred of those who would destroy them. Perfect for fans of reincarnation, romance, and paranormal suspense.

The Lighthouse at Black Hollow The storm came in without warning. One moment the sea beyond Black Hollow was silver and calm, and the next it was a heaving wall of iron-gray waves crashing against the cliffs. Wind screamed through the narrow streets, slamming shutters and rattling doors like impatient fists. Sixteen-year-old Mara Ellison stood at her bedroom window, heart pounding—not from the thunder, but from the light. It had flashed three times. Not lightning. The lighthouse. The old lighthouse had been dark for years.

A wolf howls. The forest stills… for a moment. Then, all wildlife burst into motion. Every living thing, from the smallest lizards and toads to the great brown bears and powerful mountain lions, flee. Spiders scurry to the top of their webs. Birds take flight. Squirrels leap from branch to branch. Wide-eyed deer and elk jump over brush and fallen logs. A lone wolf pauses, but tucks his tail and turns to join the escape. The wind whips through the forest, causing leaves to fall and tall pines to groan. Thundering hooves and paws make the forest floor shake. Finally, the forest stills. The wind gusts slow to a gentle and warm breeze. The wildlife seem calm once more and return to their foraging, napping, or grazing. The wolf howls again. ++++++++++++++++++++++++ Amerie moved to a small town in Montana for a fresh start and to follow her dreams. Things are starting to look up and feel right again. Then, the town seems to turn upside down when someone goes missing in the forest. Some locals fear the legend of the Wolf Man may be real and claim the beast is to blame, claiming it wants revenge for mistreatment of the forest. Amerie rolls her eyes and joins the search parties, but an unfortunate fall leads her to discover more than she signed up for as she comes face to face with a large, white wolf. The secrets of the forest have been waiting to reveal themselves to her.

The Weight of Gold is a trilogy about what happens after the meet-cute — not the falling, but the building. It follows Eleanor across seven years as she trades inherited splendor for a chosen life: a small house, a workshop full of sawdust and linseed oil, a diner owner who becomes her true north, and a town that becomes her home. But it is also the story of the people pulled into the orbit of a life genuinely lived. A cousin who arrives hollowed-out by the wrong marriage and finds her footing in native plants and honest argument. A mother who mistakes the form of a life for the life itself, and slowly, carefully, begins to dismantle that mistake. A sculptor who needs wood that speaks. A town that goes better for being attended to. At its heart, this is a story about craft — the craft of furniture, of restoration, of building institutions and relationships and selves. About the difference between the shape a life is supposed to take and the shape it wants to take. About a word Daniel uses for bleached wood: ghost — not white, not absent, but elsewhere, waiting for the right conditions to return. Eleanor spends seven years learning that ghost is not an ending. It is the beginning of something better.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

After the car accident, one of the Johnson sons was dead and the other gravely injured. When my devout, devoted husband woke up in the hospital, he called out, "Dorothy." He claimed that his body then held the soul of his brother, Elias Johnson. I went mad, calling doctors, priests, anyone I could, desperate to bring my husband back. It was not until that night that I overheard his conversation with our son: "Father, you've loved aunt for years. You even kept yourself chaste in your private prayer room, waiting. Now, finally, you can be with her openly." The man in the bed reached out to stroke our son's hair. "If it weren't to stop your mother from destroying her relationship, I wouldn't have married her." I hid in the shadows, still reeling from their words, when I saw what happened after our son left. The husband I had always known, icy, composed, and ascetic to maintain his devout faith for seven years, was then holding his sister-in-law close on that tiny hospital bed, sharing a warmth meant for lovers. The next day, I applied for Jim Johnson's death certificate and burned our marriage certificate. At his grand wedding, I climbed aboard the helicopter sent to fetch me. However, my once-cold husband went mad, chasing after us down several streets, desperate and unhinged.