Literary Devices Pdf

She was never meant to want him. He was never meant to need her. But some shadows are too enticing to ignore… For as long as Isla Montgomery can remember, Liam Sinclair has been more than just her father's best friend—he's been a whispered name in the hallways, a powerful presence in their family conversations, and a haunting figure in her daydreams. Charismatic, cold, and irresistibly out of reach, Liam built an empire from the ashes of betrayal. And now, he's back—richer, harder, and more broken than ever. Isla is no longer the wide-eyed girl he once brushed aside. She’s grown, bold, and dangerously drawn to the man who was always forbidden. But when her father's past begins to unravel, Isla finds herself tangled in a web of secrets, lies, and a truth that could shatter everything. As her world crumbles and Liam’s enemies close in, Isla must decide: Is she chasing the man... or the shadow of who he used to be? Because loving Liam Sinclair could be her greatest rebellion—or her final downfall.

Pregnant and humiliated: this is how her husband, the successful businessman Maximilian Phillips, left her. Left to her own devices, Mariana struggles to overcome the tragedy and be a good mother. She did not expect, however, that the father of her child would be deeply sorry and willing to fight to win her back. Will she ever forgive him?

Enamored with her professor, freshman college student Alex, couldn't deny the shift in the air when she finally saw the renowned professor Zane Orion in the flesh. This illicit attraction had a history, as she was already familiar with his literary works, him being the object of her fantasies and before being accepted into NYU. Secretly, she had chosen NYU over her hometown of Boston, leaving behind her family and all that was familiar, just to attend his class in New York. Fifteen years, her senior, Zane, was a divorced father and also her professor and mentor. Despite the college's strict rules against student-teacher relationships, their forbidden connection could not be ignored, not in his class and when they were alone in a room. His dark, piercing gaze would make her heart race and her legs tremble, drenched and desperate for his touch, his mouth on her, to teach her more than just in class. Oh. There's something about Alex that snap something within professor Zane, the way his body reacts furiously at the sight of her, his possessive and feral nature about to be exposed, the moment Alex had walked into his class, Professor Zane knew she's going to be more than just his student, he would break down her already well crafted wall the moment he finds himself buried deeply in between her legs.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

Saga of Pandora Interrupted continues with this story that follows her daughter Madeline. Madeline finds love in the most profound men. Being a vampire princess has never stopped her from exploring her sexuality but when one relationship gets foul she moves on to another. She never quite finds what she truly needs and desires. Travel through the life of a vampire princess as she matures and grows into the stunning queen she was destined to become alongside the man that she would also die for if it came to having to make that choice. (We hope it doesn't for literary sake) Sexual Content, foul language and some violence.

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.