Poor Things Ebook

Poor Things Ebook is a digital version of the surreal and darkly comedic novel by Alasdair Gray, blending Gothic elements and satire to explore themes of identity, science, and societal norms through its eccentric protagonist Bella Baxter.
Things Slip Through
Things Slip Through
When a child mysteriously disappears from a small town and even his mother seems indifferent, it’s time for the new sheriff to step in. Meet Chris Baker, the new sheriff of the quiet Adirondack town of Clifton Heights. As one inexplicable case after another forces him to confront the townsfolk in The Skylark Diner, it’s the furtive Gavin Patchett that hands Chris a collection of not-so-fictional short stories that tumbles him into a world of monsters, ageless demons, and vengeful citizens. As Chris reads through the stories the veil starts to lift, and he soon questions what is real and what’s not, and whether he really wants to know. Nothing will ever be the same again. ©️ Crystal Lake Publishing
Belum ada penilaian
25 Bab
Things You Need
Things You Need
The things we want are so very rarely the things we need. Clifton Heights, a modest Adirondack town, offers many unique attractions. Arcane Delights sells both paperbacks and hard-to-find limited editions. The Skylark Diner serves the best home-cooked meals around, with friendly service and a smile. Every August, Mr. Jingo’s County Fair visits, to the delight of children and adults. In essence, Clifton Heights is the quintessential small American town. Everyone knows everyone else, and everyone is treated like family. It is quiet, simple, and peaceful. But shadows linger here. Flitting in dark corners, from the corner of the eye. If you walk down Main Street after dark, the slight scrape of shoes on asphalt whispers you're not alone, but when you look over your shoulder, no one is there. The moon shines high and bright in the night sky, but instead of throwing light, it only seems to make the shadows lengthen. Children disappear. Teens run away. Hunters get lost in the woods with frightening regularity. Husbands go mad, and wives vanish in the dead of night. And still, when the sun rises in the morning, you are greeted by townspeople with warm waves and friendly smiles, and the shivers pass as everything seems fresh and new... Until night falls once more. Handy's Pawn and Thrift sits several blocks down from Arcane Delights. Like any thrift store, its wares range from the mundane to the bizarre. By daylight, it seems just another slice of small town Americana. But in its window hangs a sign which reads: We Have Things You Need. And when a lonely traveling salesman comes looking for something he desperately wants, after normal visiting hours, after night has fallen, he will face a harsh truth among the shelves of Handy’s Pawn and Thrift: the things we want are rarely the things we need. ©️ Crystal Lake Publishing
10
19 Bab
All Things Lovely
All Things Lovely
Autumn Shade only wants one thing: to get away and live her own life. Tired of being forced by her father to take on the business, and follow in his steps, she leaves. She wanted to show her father that she was capable of making her own decisions and not screwing up. But just when she successfully leaves, she's caught up in another whirlwind which threatens to deem everything she'd known a lie.Justin Black and his friends see Autumn and they find that she was perfect for what they were planning, given that it was her father they wanted to take revenge on.Autumn learns a shocking truth about a scandal involving a murder and her father, and persistently denies it. But apparently they have proof.All Autumn wants to do is the right thing. If her father is innocent she gets to say 'I told you so' and if he's really a cheating murderer then she does what's right and gets out of this mess once and for all.But as usual, things get complicated. Actually, feelings get complicated, because the longer she stayed, the closer the broken boy held her.© 2020 by Everleigh Winters
10
65 Bab
Where Wild Things Roam
Where Wild Things Roam
"Darby.” My name comes out as a low snarl and I struggle to think. “I'm afraid you have me at a disadvantage, Alpha.”"That's how I like you.” This almost purrs. He shifts his weight to the thigh between mine, brushing against my clit and I tremble as agonizing pleasure spirals through me. His nostrils flare with his next breath and the purr is a low sensual growl. “The better to see to every pleasurable need you have.”Big bad devilishly sexy wolf. Oh shit.
10
54 Bab
His Poor Heiress
His Poor Heiress
In search of true love, Kathleen Sayers, a heiress disguises herself as poor and meets Devon Cross, but their marriage lasted just five years before Devon calls it quits, calling Kathleen a parasite and a burden, unaware of her true identity. Kathleen signs the divorce papers and appears a few months later, Devon boss, in her real identity. Devon sees her and regrets his action. He wants her back but there is someone there already. Kathleen's adopted brother, whom Kathleen is begining to develop feelings for. Who would Kathleen choose? The man that broke her heart, but is socially accepted or the man she is forbidden to love? Please, guys this book is under editing.
10
29 Bab
Good Things Fall Apart
Good Things Fall Apart
When a popular guy from another school named Eustone transferred to Shinrea SHS he encountered the toughest girl ever existed. The moment Sasha punched him in the face made him thought of something good. And from that punch on, he'd irritate her more. What he didn't know was behind that tough girl is someone who is trapped in a horrid past.
10
15 Bab

What Length Should Minibooks Have On Ebook Platforms?

1 Jawaban2025-09-04 14:53:31

If you're wondering where the sweet spot is for minibooks on ebook platforms, I've been tinkering with short formats for a while and have learned a few handy rules of thumb. Minibooks can mean different things—flash fiction, short stories, novelettes, or short nonfiction primers—so the ideal length depends on how you're positioning the book and who you're trying to reach. Platforms like the major stores technically accept very short works, but reader expectations and revenue mechanics (especially on subscription services) really shape what's practical.

In my experience, framing lengths into tiers helps: flash pieces under 1,500 words work best as freebies, mailing-list bait, or companion content. Short stories between 1,500 and 7,500 words can sell, but they need exceptional hooks, perfect editing, and the right price point—think promos or $0.99 specials. Novelettes/short novellas from about 7,500 to 20,000 words are the most comfortable place to call something a minibook if you want readers to feel they got value for money; these often price well at $0.99–$2.99 (or higher if part of a series). Anything above ~20,000 moves into novella territory and can command higher prices and more solid reader satisfaction. A useful metric is that Amazon counts roughly 300 words per KENP page, so 7,500 words is about 25 pages—something readers can mentally compare when deciding to buy or borrow.

Platform nuances matter. On subscription-based services that pay per page read, very short works might underperform because the per-page payout can be lower than what you'd get from a sale, so clustering short pieces into a bundle or releasing them as serials can be smarter. For stores with single-purchase models, the perception of value is king: a great cover, a clear blurb that mentions the length, and honest pricing will keep reviews kinder (people hate paying full price for something that feels like a sample). Also, metadata—genre tags, keywords, and category selection—can make or break discoverability for short works. I always test a couple of price points and keep an eye on read-through and reviews; selling a handful at $0.99 with strong conversion and then raising the price for a boxed set has worked better for me than trying to sell standalone micro-books at higher rates.

If you're releasing minibooks, think about purpose: giveaways, list-building, bridging between larger books, or experimenting with new ideas. Editing and polish can't be skimped on just because something is short—readers notice thin plots and sloppy prose even more in compact forms. Consider bundling several related minibooks into a single volume for readers who prefer heft, or release them serially so momentum builds. Personally, I treat minis as playgrounds for new concepts: short, sharp, and testable. Give a length a try that fits your goals, watch the metrics, and iterate—you'll learn fast which size resonates with your audience.

What Are Ethical Alternatives To Ebook Pirating?

2 Jawaban2025-09-05 03:14:08

One of the most satisfying things I've learned is that you can read almost anything you want without resorting to piracy—and often discover cooler ways to support creators in the process. Over the years I've built little rituals: hunting sales, using my library app, and keeping a wishlist full of books I watch for price drops. Public libraries are the backbone here—physical loans are obvious, but digital loans through services like Libby and Hoopla have been game-changers. I can borrow a new bestseller or a niche indie novel with the same ease as an ebook pirate would click download, but the difference is that creators and libraries still get acknowledged properly. If a title isn't in my library, interlibrary loan or asking my librarian to purchase it usually works; librarians love a good request, and it’s a concrete way to funnel money and attention to the books you enjoy.

I also love the indie-author ecosystem. Small presses and self-published writers often sell directly on their websites or through DRM-free stores like Smashwords or Bundle services like Humble Bundle. Buying direct or via DRM-free platforms means more of the money goes to the person who made the book, and often you get nicer file formats and bonus content. When I want to try new authors without committing, sampler bundles, free first-in-series promos, and author newsletters that hand out short stories or novellas are perfect. For non-fiction and textbooks, OpenStax and other open educational resources are life-savers: high-quality, legal, and free. If a textbook is out of reach, look for older editions, used copies, or institutional access—professors and student groups sometimes share legal ways to access materials.

There are also creative ways to support creators without paying the full retail price: book swaps, thrift stores, used bookstores, and library sales are sustainable and cheap. For audiobooks, consider Libro.fm instead of monopolized platforms—your purchase supports a local bookstore. Patreon, Ko-fi, and direct donations let you support authors whose work you love in bite-sized amounts, and many creators reward patrons with exclusive stories, early releases, or discounts. Finally, simple actions—writing a heartfelt review, sharing a book on social media, attending local author events, or requesting a title at your library—carry real value. Piracy might feel immediate, but these legal alternatives build a healthier ecosystem for readers and creators alike; for me, knowing an author got paid for the hours that made my favorite scenes makes those scenes sweeter.

Can Ebook Pirating Impact Book Bestseller Lists?

2 Jawaban2025-09-05 03:10:08

I get animated talking about this because it's one of those messy, real-world things where economics, fandom, and tech all collide. From my experience hanging around indie bookstores, online forums, and a tiny self-pub experiment I ran, pirated ebooks absolutely can shift bestseller lists — but how and by how much depends on the list and the context. Amazon's sales rank reacts instantly to purchase velocity, so a swarm of paid downloads moves that rank; pirated downloads don't count as sales, but they can reduce the pool of potential buyers and slow momentum. For a debut author who needs a spike in legitimate buys to get featured, every lost sale matters. For well-established titles like 'Harry Potter' or 'The Hunger Games', piracy might nibble at margin but won't topple a bestseller crown on its own.

There’s also the weird flip side where piracy acts like a colossal sampler. I’ve seen threads where people say they grabbed a pirated copy, loved it, and bought the official ebook or hardcover to support the author — or to get the extras like bonus chapters, author notes, or signed editions. That happens, but it’s not a reliable marketing strategy; it’s more of an accidental discovery engine. Bestseller lists vary in methodology: the 'New York Times' uses curated store reporting and sometimes excludes certain bulk or suspicious sales, which makes them resilient to simple piracy effects; Amazon's charts, by contrast, are dynamic and more easily influenced by sudden surges or drops in legitimate purchases. Some bad actors even try to manipulate charts with bulk purchases and returns or fake reviews — different problem but it shows how fragile ranking systems can be.

So what do creators do? From my indie-author days I learned that fighting piracy with takedowns and DRM is only part of the story. Building a newsletter, offering exclusive extras, engaging with readers on community platforms, and running targeted price promos often convert would-be pirates into paying superfans. Publishers use legal channels and tech to remove files, but there’s also value in making the legal product compelling: quality typesetting, quick releases, and audiobook editions are hard to replicate in pirated copies. In short: yes, piracy can dent bestseller momentum — especially for newcomers and niche genres — but it's not a single, simple cause. It’s part of a broader ecosystem where visibility, pricing, and reader relationships ultimately decide whether a title climbs or falls, and that’s exactly what keeps me arguing with friends about marketing strategies over coffee and midnight forum lurks.

How Do Readers Justify Ebook Pirating Ethically?

2 Jawaban2025-09-05 21:51:23

Honestly, when I talk with friends over ramen or between chapters of 'The Name of the Wind', the explanations for pirating ebooks sound almost like life-hacks rather than ethical positions. A lot of readers frame it around access: if a book isn't available in their country, or it's out of print and the only copy is a collector's-price hardcover, they treat a scan or a download as the only realistic way to read. Others lean on discovery — they’ll download a book they’re unsure about so they can sample it, and if they love it they'll buy the physical copy or throw money at the author later. I've heard the bandwidth excuse too: subscription fatigue, prices that don't match local incomes, and the sheer economic squeeze of students and young readers. People who care about DRM (I fall in this camp sometimes) argue that restrictive DRM turns paid purchases into rented files that may vanish, so a one-time pirate copy feels like reclaiming ownership.

But I don't swallow those rationales wholesale. There’s a spectrum: a pirated copy of a blockbuster bestselling series might hurt less in perceived harm to the author than stealing from a tiny press that lives on book sales. I've accidentally discovered small authors via free uploads and then gone on to buy two novels and a zine — that personal guilt nudged me toward supporting them later. Also, there's a moral difference between using a pirated academic text because your university access is nil and habitually grabbing each new bestseller instead of paying. I try to weigh intent and consequence: is the person pirating because they genuinely cannot access the work, or because they want to circumvent paying? Are there legal, free alternatives like libraries, interlibrary loan, or publisher promos?

Practically, my rule of thumb tends to be: pirate only as a last resort and with plans to compensate if the work becomes meaningful to me. Support can come in many forms — buying the book later, ordering directly from the author, subscribing to a small-press newsletter, or even buying a cup of coffee for them via tip jars on social platforms. It's messy and context-dependent. If a book is literally banned, out of print, or priced beyond any reasonable local income, my conscience eases; if it's a current release I can afford, I try to pay. I like when communities share alternatives — public domain sources like 'Project Gutenberg', library apps, or legal samplers — so piracy feels less like the only option. At the end of the day, I want creators to make more stories I adore, so my default is to err toward sustaining them when I can.

Which Platforms Sell Done Books In Print And Ebook?

2 Jawaban2025-09-05 08:24:39

I get a kick out of helping authors figure this stuff out — there are more places to sell finished books in both print and ebook than most people realize, and each one has its own flavor and trade-offs. For pure reach and convenience, I usually point folks to Amazon KDP first. KDP handles both Kindle ebooks and print-on-demand paperbacks (and now hardcovers in some regions). The upload process is pretty streamlined: EPUB or KPF for ebooks, print-ready PDF for interiors, and a cover file sized to the trim. KDP is great for speed and visibility on Amazon, but the trade-offs are Amazon-centric royalties and the option of KDP Select exclusivity if you want Kindle promotions — that’s useful if you plan price promotions or free days, but it means you can’t sell the ebook elsewhere while enrolled.

If I’m aiming for real bookstore availability or want library distribution, I usually add IngramSpark into the mix. Ingram runs a massive distribution network (bookstores, libraries, independent sellers globally) and their print quality and retailer acceptance are top-notch. The upload is a little more meticulous — you’ll want clean PDFs, correct spine calculations, and a properly formatted ISBN. In my experience, mixing KDP for Amazon retail presence with IngramSpark for everything else is the most pragmatic setup. For authors who prefer a single aggregator to handle multiple ebook retailers (Apple Books, Kobo, Barnes & Noble, Google Play), Draft2Digital and PublishDrive are excellent: they distribute ebooks widely with a simple dashboard, and Draft2Digital now offers paperback print distribution options too. Kobo Writing Life, Barnes & Noble Press, Apple Books, and Google Play Books are worth uploading to directly if you care about niche audiences — Kobo is great internationally, B&N helps with the US bookstore market, and Apple is essential for iOS-focused readers.

A few other practical notes I always tell friends: Lulu and BookBaby are solid if you want author services (editing, design) plus distribution; they do both print and ebook. Smashwords is older and focused on ebooks to smaller retailers, while services like BookFunnel and Prolific Works handle direct ebook delivery for promos. Don’t forget library channels — OverDrive/Bibliotheca access often comes through distributors like Ingram or specialized services. Also, plan for ISBNs, proof copies, print cost math (royalties are after printing), and file specs — investing time in a good interior and cover pays off. If you want, I can walk through a recommended step-by-step checklist for a single book launch based on your priorities (maximum reach, bookstore presence, or indie-only control).

How Does Internet Of Things And Cloud Computing Improve Healthcare?

3 Jawaban2025-09-06 13:58:46

Honestly, the combo of the internet of things and cloud computing feels a bit like giving healthcare a jetpack. From where I stand, the most visible win is continuous, real-world data: wearables, implantables, smart inhalers, connected scales — all those little devices feed patient vitals and behaviours into the cloud, which means clinicians and AI models can spot trends way earlier than periodic clinic visits ever could.

My cousin's smartwatch once flagged an irregular heartbeat and that quick alert led to a proper ECG and treatment; stories like that are becoming common. On a systems level, cloud platforms let hospitals centralize data, run analytics at scale, and deploy updates without shuffling physical servers. That enables population health insights (who's at risk for worsening diabetes in a city block?), real-time telemedicine sessions, and decision support that nurses and doctors can access on their phones.

That said, it's not magic. I worry about privacy and patchwork standards — devices need secure provisioning, encrypted data flows, and clear consent. Edge computing helps by pre-filtering sensitive data on-device, reducing latency for life-critical alerts. When done thoughtfully, IoT + cloud reduces hospital stays, catches problems earlier, and makes chronic care far more manageable. It makes me excited (and a little cautious) about where medicine will go next.

What Risks Does Internet Of Things And Cloud Computing Create?

3 Jawaban2025-09-06 03:47:38

Okay, this is one of those topics that makes me both excited and a little paranoid. On the surface, hooking your thermostat, camera, and toaster into the cloud feels like living in a sci-fi apartment. Under the hood, though, it creates a sprawling attack surface: every device is a potential entry point. Weak default passwords, unencrypted telemetry, and sloppy API design mean attackers can pivot from a compromised smart bulb to a home's router, then to more sensitive devices. I've read about Mirai-style botnets that enlisted thousands of poorly secured gadgets; that kind of scale turns a private convenience into a public menace.

Beyond brute force breaches, privacy leakage is huge. Cloud services aggregate telemetry from many devices — activity patterns, voice snippets, geolocation — and that data can be used to profile people in ways we don't expect. Even anonymized logs can be re-identified when combined with other datasets. Then there are systemic risks: cloud misconfigurations, expired certificates, insider threats at service providers, or outages that take down the control planes for millions of devices. The more we rely on centralized clouds for real-time control, the more we risk cascading failures.

I try to balance my tech-love with caution: keep firmware updated, change defaults, enable encryption and MFA, and prefer services with transparent privacy policies and clear SLAs. But honestly, it's also about asking vendors hard questions — about patch policies, data retention, and third-party code — before I plug anything in. If you like stories with uncomfortable truths, 'Black Mirror' kind of vibes are real here, and that keeps me mindful every time I click "connect".

How Do Books Rich Dad Poor Dad Compare To Classics?

3 Jawaban2025-09-07 13:41:42

I love how books can sit on opposite ends of the same bookshelf and still feel like they came from different planets. When I read 'Rich Dad Poor Dad' I get a brisk, conversational coach who’s impatient with excuses and obsessed with frameworks—cashflow, assets versus liabilities, and a mindset that nudges you into thinking about money like a game. Compare that to picking up 'Pride and Prejudice' or 'The Great Gatsby', which are more like slow dances: language crafted for atmosphere, subtext thick as fog, and characters whose inner lives unfold by implication rather than bullet points. The classics usually reward patience and re-reading; Kiyosaki's pages reward action and quick mental re-frames.

Stylistically they're almost opposite. Classics often lean on stylistic flourishes, complex sentence rhythms, and historical or philosophical scaffolding—think of the moral weight in 'War and Peace' or the reflective clarity in 'Meditations'. 'Rich Dad Poor Dad' is unapologetically modern and pragmatic; it trades nuanced literary technique for direct speech and memorable metaphors. That makes it accessible and useful for people who want to change habits quickly, but it also means it can feel thin if you're looking for literary beauty or rigorous academic sourcing.

At the end of the day I don't pit them as rivals but as tools in different toolboxes. If I want to sharpen my financial instincts or get a motivational shove before tackling taxes, I grab 'Rich Dad Poor Dad'. If I want to expand emotional intelligence, taste language, or be humbled by human complexity, I reach for a classic. Both have value; it just depends whether I'm in workshop mode or museum mode that day.

Will Books Rich Dad Poor Dad Help With Personal Budgeting?

3 Jawaban2025-09-07 22:45:03

Honestly, 'Rich Dad Poor Dad' won't hand you a ready-made monthly spreadsheet, but it did change how I categorize my money in a way that made budgeting feel less like punishment and more like strategy. I read it sprawled on my messy couch between episodes of 'One Piece', and that juxtaposition stuck with me — the book is a series of mindset checkpoints rather than a how-to manual. It pushed me to ask: is this spending creating an asset or a liability? That question alone quietly reshapes how I decide what to buy, which is already half the budgeting battle.

Practically speaking, the book teaches concepts I folded into my budgeting: pay yourself first, prioritize investments, and treat savings like a recurring bill. But it’s light on details — no envelopes, no categories, no step-by-step for cutting Netflix tiers or trimming groceries. So I combined its philosophy with concrete tools: a simple spreadsheet I update weekly, an automatic transfer that feels like rent I pay to my future self, and a couple of apps that track subscriptions. If you like a manga-style panel of idea then action, think of 'Rich Dad Poor Dad' as the story panel and your spreadsheet as the mission log.

If you want a personal tip: use its mental model to decide your budget categories, then pick one tactical system to follow for three months — 50/30/20, envelope, or zero-based — and iterate. The book lights the torch; you still need to map the cave. I found that mix made budgeting less dry and more like leveling up a character in a game, which kept me consistent.

Do Books Rich Dad Poor Dad Contain Practical Investment Steps?

3 Jawaban2025-09-07 20:55:37

Totally honest take: 'Rich Dad Poor Dad' is more of a mindset bootcamp than a step-by-step investing manual. I loved how it shook up the idea that school teaches us to be employees rather than owners — that simple pivot in thinking changed how I prioritize income and spending. The book gives clear recurring lessons: buy assets, minimize liabilities, know the difference between earned income and passive income, and learn to make money work for you.

Practically speaking, it offers broad actions (look for cash-flowing assets, use leverage, build financial literacy) and a handful of real-world examples, especially about real estate and small businesses. What it doesn't do is hand you an exact, foolproof checklist with numbers, contracts, or templates: there are no detailed spreadsheets for deal analysis, no legal clauses to copy, and little guidance on risk management or tax strategies. For someone starting out, I’d pair it with specific how-to resources — a basic accounting primer, a rental property calculator, and a mentor or local investment club — before jumping into big loans.

In short, 'Rich Dad Poor Dad' planted the seed and rewired some thinking for me, but I treated it like a launchpad. After reading, I started learning to read balance sheets, calculating cash-on-cash returns, and following practical guides on negotiation and due diligence. If you want inspiration and a change in money language, it’s fantastic; if you want transactional, stepwise investing instructions, you’ll need follow-up reading and hands-on practice.

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