Sons Of Ares

Ares, the Greek god of war, has a pretty wild family tree! His kids are as fierce and chaotic as you'd expect from the god of bloodshed. The most famous are probably Phobos and Deimos, the personifications of fear and panic—those two literally followed their dad into battle to mess with soldiers' minds. Then there's Harmonia, which is ironic since she became the goddess of harmony (maybe a rebellion against her dad's vibe?).

Other lesser-known but equally brutal children include the Amazon queens like Hippolyta and Penthesilea, who led warrior women tribes. There's also Diomedes of Thrace, who fed travelers to his man-eating horses—yikes. Honestly, Ares' offspring reflect his legacy: a mix of terror, strength, and a touch of unpredictability. Makes you wonder what family dinners were like on Olympus!

If you're into the 'Red Rising' universe, 'Sons of Ares' is a must-read comic series that dives deep into the backstory of Ares and the early days of the rebellion. I stumbled upon it while browsing ComiXology, which has all the issues available for purchase or through their unlimited subscription. The art style perfectly captures the gritty, brutal world Pierce Brown created, and the storytelling adds so much depth to characters we only glimpsed in the books.

Alternatively, if you prefer physical copies, checking local comic shops or online retailers like Amazon might yield some results. Sometimes libraries also carry graphic novels, so it’s worth a search there. Just be prepared—once you start, it’s hard to stop. I binge-read the whole thing in one sitting and immediately wanted more.

Yes, you have your mythology straight. The fierce and disputative Ares is indeed the son of Zeus, the king among gods for example in Greek myth. He is the son of Hera, wife to Zeus. "Although he is fierce, there are many sons of poor old governors," as one character in real life can only be called by his own words (though these real-life figures we know Zeus for his many amours). Anyhow, he is not an 'Aristos,' fighting lots or attracting much attention compared to other offspring of Zeus and so-called kings among gods such as Athena or Heracles (hereafter Spartacus made famous). The roller-coaster ride of relationships and power struggles that is Greek mythology is every bit as fascinating as any drama you will find on the pages of modern manga.

Man, I've been itching to talk about 'Sons of Ares'! The graphic novel spin-off from the 'Red Rising' universe was such a gritty, raw dive into Fitchner's backstory. Pierce Brown hasn't officially confirmed a sequel, but the way it ended left so much room for more—especially with how it ties into the broader rebellion. The fan forums are buzzing with theories, and some folks spotted hints in 'Dark Age' that could set up another volume. I’d kill to see more of Ares’ early days, maybe even crossing paths with young Darrow pre-Carving. Fingers crossed Brown’s next announcement is a surprise drop!

What really gets me is how the art style matched the brutality of the Golds’ world. If they do another, I hope Rik Hoskin returns as co-writer. That duo just gets the tone. Till then, I’m rereading the original trilogy and pretending my highlight tabs are clues.

The Sons of Ares are this underground rebel group in 'Red Rising' that totally fascinates me. They're like the shadowy backbone of the resistance against the Golds, fighting for the lowColors who are basically treated like dirt. What's cool is how they operate—clandestine meetings, secret symbols, and this whole mythos around their leader, Ares. I love how Pierce Brown wrote them as this mix of hope and terror; they do brutal stuff, but you kinda get why.

Their role in the series grows so much, especially with Mustang and Darrow's arcs. At first, they seem like just another faction, but by the later books, you realize how pivotal they are. The way they challenge the Society's hierarchy is both inspiring and terrifying—like, they’ve got this 'ends justify the means' vibe that makes you question who the real villains are.

In mythology, Ares’ dad is none other than Zeus, the king of the gods in ancient Greek lore. Zeus had quite the reputation for his numerous affairs, and Ares is one of the many children he fathered, specifically with Hera, his sister and wife. Ares, often associated with war and bloodshed, embodies the chaotic and tumultuous nature of battle. His characteristics are quite a contrast to some of his siblings, like Athena, who represents wisdom and strategy in warfare rather than just brute force.

Ares' tumultuous relationship with his father is fascinating. Though Zeus was powerful and authoritative, Ares often clashed with him because of his unpredictable temperament and the destructive nature of his violence. One can't help but imagine the dynamic at play in the household of the gods, where you'd have a father striving for order and control and a son who thrives in chaos. Their relationship is complicated, driven by Ares’ fierce battles and insecurities. He is not the quintessential hero seen in other characters; instead, Ares embodies the brutality of war without the romanticized notions that sometimes accompany it.

What’s intriguing is how Ares was depicted in various stories. When Greek heroes like Achilles encountered him, there was often a sense of intimidation and fear. Not many deities wanted to cross him due to his fierce combat nature. Unlike many of the other Olympians, Ares didn't have a grand city or temple dedicated to him, which speaks to the more nuanced views on war and battle in mythology.

Plus, Ares had a few notable companions, the most infamous being Aphrodite, the goddess of love. Together, they created a mix of passion and conflict that echoes throughout mythology, influencing countless tales and artistic interpretations. Their relationship adds more layers to his character; a warrior god caught in the complexities of love and desire, contrasting with his violent endeavors.

Exploring Ares' background sheds light on his motivations and struggles, how he fits into the grand tapestry of mythology, and perhaps shows a side of gods that resembles the human condition, filled with conflict, love, and family dynamics.

In Greek mythology, Ares is known as the god of war. His character is often portrayed as fierce, strong, and aggressive, embodying the brutality and chaos of battle. Unlike other gods who are also associated with war, such as Athena, who represents strategic warfare, Ares represents the violent and tumultuous sides of conflict. He’s often depicted wearing armor and accompanied by symbols like a spear or a helmet, showing his readiness for combat.

One of the most interesting aspects of Ares is his relationship with other gods and mortals. He is famously known for his affair with Aphrodite, the goddess of love and beauty. This relationship sparks numerous stories that illustrate the tension between love and war, portraying how even the fiercest of gods can be swayed by romance. Their union produced several children, including Phobos and Deimos, who personify fear and terror, respectively. This connection emphasizes the intertwined nature of love and conflict in mythology.

Ares was not as widely revered as other Olympian gods, often seen as more of a symbol of the negative aspects of war. He had a somewhat unpopular reputation among both gods and mortals. Many tales depict him as a somewhat cowardly figure, often fleeing the battlefield when faced with defeat. This complexity makes him a fascinating character because it highlights the duality of war—bravery and cowardice, honor and shame.
Despite his lack of popularity, Ares has appeared in various forms of media throughout history.

In contemporary pop culture, he often pops up in books, comics, movies, and video games, representing the eternal fascination and complex feelings we have about war and combat. For example, in the 'Wonder Woman' comics and films, Ares serves as a formidable antagonist, embodying chaos and destruction.

Exploring Ares in literature and pop culture can reveal much about humanity's complex relationship with war and violence, making him a relevant figure even thousands of years after his mythos was first crafted. While he may not be the lovable hero, his stories serve as a reminder of the darker sides of our nature, as well as the eternal struggles we face within ourselves.

The way 'Sons of Ares' ties into 'Red Rising' is like peeling back layers of a brutal, gold-plated onion. It's a prequel comic series that dives into the origins of the rebellion's shadowy backbone—Ares, the mythic figurehead. But here's the kicker: it doesn't just fill gaps; it recontextualizes the main series. Characters like Fitchner au Barca get heartbreaking depth, showing how his double life as a Gold and a rebel shapes the Rising's early days. The comic's gritty art style mirrors the raw, unpolished anger of the LowColors, making the later victories in 'Red Rising' feel earned.

What fascinates me is how it redefines 'Red Rising' as not just Darrow's story, but a mosaic of sacrifices. That bombastic scene in 'Golden Son' where Ares' identity is revealed? Hits ten times harder after seeing the blood-soaked chess moves in 'Sons of Ares'. It's essential reading for anyone who thinks Sevro just popped into existence as a snarky gremlin—his dad's legacy is wilder than a Core drill.

Ares, the Greek god of war, was often depicted as a mature, bearded warrior dressed in battle attire. His figure is strong and commanding, reflecting his role as a symbol of brute force and prowess in battle. Helmet often topped his head, shadowing the cold, grim expression that usually adorned his face. You'll often see him wielding a spear or sword, his constant companions in numerous pieces of ancient artwork.

The artwork for 'Sons of Ares,' the comic prequel to the 'Red Rising' series, was brought to life by Romesh Thavanathan. His style really nails the gritty, visceral feel of the Red Rising universe—rough edges, intense expressions, and this almost cinematic framing that makes every panel feel like a scene from a high-stakes drama. I stumbled onto the comic after binging the books, and Thavanathan’s visuals hooked me instantly. The way he captures the brutality of the Golds and the desperation of the Reds adds so much depth to Pierce Brown’s world.

What’s cool is how Thavanathan balances detail with motion. Fight scenes aren’t just chaotic; they’re choreographed, with this raw energy that makes you feel every punch. And the quieter moments? Loaded with tension. If you’re into comics that feel like they’re pulsing with life, this one’s a must. It’s rare to find an adaptation that enhances the source material, but this duo nails it.