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Suspense Romance Authors

Sme·ràl·do [Authors: Aysha Khan & Zohara Khan]

"You do know what your scent does to me?" Stefanos whispered, his voice brushing against Xenia’s skin like a dark promise. "W-what?" she stammered, heart pounding as the towering wolf closed in. "It drives me wild." —★— A cursed Alpha. A runaway Omega. A fate bound by an impossible bloom. Cast out by his own family, Alpha Stefanos dwells in a lonely tower, his only companion a fearsome dragon. To soothe his solitude, he cultivates a garden of rare flowers—until a bold little thief dares to steal them. Furious, Stefanos vows to punish the culprit. But when he discovers the thief is a fragile Omega with secrets of her own, something within him stirs. Her presence thaws the ice in his heart, awakening desires long buried. Yet destiny has bound them to an impossible task—to make a cursed flower bloom. Can he bloom a flower that can't be bloomed, in a dream that can't come true? ----- Inspired from the BTS song, The Truth Untold.

73 Chapters

Dangerous Attraction 2 : Love and Suspense

Book One Kelly Bradley didn’t need to worry about falling in love when she came up with her plan to marry Jack Sutton. She’d dated so many great guys over the years, but not fallen in love once. Not with any of them. It just wasn’t in the cards for her. So, when she approached powerful, sexy Jack Sutton and proposed a temporary marriage-of-convenience, she wasn’t one bit concerned that her heart would be on the line. But, when Jack agrees and she moves into his home, Kelly quickly discovers just how wrong she was. Before she knows it, not only is her heart on the line, but her life is, too. Book Two After a near-death experience, artist Ashley Price is compelled to paint visions of the dead. Then she paints a man buried alive and, recognizing the surroundings, she rushes to save him. Instead of being grateful to her for rescuing him, Detective Jack Sullivan accuses her of being in league with a serial killer. He swears he will put her behind bars. Except, the more time he spends with her, the more he falls under her spell. Can he trust her, or is he walking into another deadly trap?

67 Chapters

Our Romance

-WARNING 20+ ONLY CAN READ THIS!-If you are not a fan of MATURE ROMANCE DONT READ THIS! This story is completion of different types of romance, if you are interested you can read this!

9.4

26 Chapters

Ruthless Romance

His eyes locked on mine wide and wild, he moved towards me and put his hand on my shoulder, lessening the distance between us. I could feel the tension in my own body, the effort of not giving in at that moment, of not letting him pull me against him. Not letting myself take that one chance, however formidable and absurd and unwise, and kissing him the way I had thought, I would never in my life. I had never wanted like this before. I understood him, smiled a little when he smiled. I saw through the defenses he put up to what was underneath. There was no Eric James Winslet more real than the one I saw in his eyes when I looked up at him. "You can close your eyes," He whispered in my ear. My eyes fluttered shut, his mouth came down on mine. And that was it. All the self-control I had exerted over the weeks went by. My arms came up around his neck and he pulled me against him. His hands flattened against my back. I was up on the tips of my toes, kissing him as fiercely as I could. I didn't know what I should have done or said next if it would have been something I could never have pretended away or taken back, but I heard a soft hiss of laughter. ************* Eric James Winslet a ruthless businessman who has already completed 27 yrs of his life being the king of his territory. Scarlett Miller, a business administration student; with the spice of fashion designing. Want to know how their lives get entangled with hatred, possession, & love. A heartbreaking story that will keep you at the edge. Are you ready to be on this journey? Purva Narang (Your author)

9.8

114 Chapters

Scarlet Romance

**NOVEL ONLY FOR 18+ AGE** If you are not into Adult and Mature Romance/Hot Erotica then please don't open this book. You will read amazing stories that will keep your imaginations alive. It will make your heart race and toes curl and make you relive some guilty moments.From office romance to friendship. You can find love anywhere

Not enough ratings

63 Chapters

Medical Romance

Alexander Sanchez is a Neurosurgeon that works at the National Hospital for Neurology and Neurosurgery, London. He is ranked among the best Neurosurgeon in the country. He is handsome, skilled ambitious and aims at being the World best Neurosurgeon. He has a mysterious past he is yet to understand and unknown to the world, Alex has a medical condition, essential tremor, a nervous system disorder that causes rythmic shaking of the hand, head, voice, arms or legs. Ryan Wilson is also a Neurosurgeon whose skills is also rated among the best in the country He works at the best Private Hospital in London owned by his family, he is as greedy as anyone can be. He comes from a family who has a long line of amazing doctors and his father expects him to make him proud by being the world best Neurosurgeon. Jasmine Wright is a simple but brilliant girl, she graduated as the best student from National University, London as a Surgical Technologist. She got hired as an assistant surgeon at the National Hospital for Neurology and Neurosurgery. What happens when Jasmine gets entangled in Alex and Ryan power tussle to become the world best Neurosurgeon? Please read on...

48 Chapters

Which Novels Use Lying In Wait As A Central Suspense Trope?

5 Answers2025-10-17 03:57:03

My late-night reading habit has an odd way of steering me straight into books where patience becomes a weapon — I’m talking classic lying-in-wait suspense, the kind where silence and shadow do half the killing. To me the trope works because it converts ordinary places (a country lane, a suburban kitchen, an empty platform) into theaters of dread; the predator isn’t dramatic, they’re patient, and that slow timing is what turns pages into pulses. I love how this mechanic crops up across styles: political thrillers, psychological stalker novels, and old-school noir all handle the wait differently, which makes hunting down examples kind of addictive.

If you want a textbook study in meticulous lying-in-wait, pick up 'The Day of the Jackal' — the assassin’s almost bureaucratic surveillance and rehearsals feel like a masterclass in ambush planning; Forsyth makes the waiting as nail-biting as the act itself. For intimate, unsettling stalking where the narrator’s obsession fuels the wait, 'You' by Caroline Kepnes is brutal and claustrophobic: the protagonist’s patient observations and manipulations are the whole engine of the book. Patricia Highsmith’s 'The Talented Mr. Ripley' leans into social stalking and patient substitution; Ripley watches, studies, and times his moves until the perfect moment arrives. On the gothic side, Arthur Conan Doyle’s 'The Hound of the Baskervilles' isn’t just about a monstrous dog — there’s a human set-up and calculated ambush that resurrects the lying-in-wait mood from an atmospheric angle.

Noir and true crime also make brilliant use of this trope. Raymond Chandler and Jim Thompson deliver scenes where a stranger’s shadow at an alleyway or a late-night knock is the slow build-up to violence. Truman Capote’s 'In Cold Blood', while nonfiction, chillingly documents premeditated waiting and the quiet planning of a home invasion; the realism makes the lying-in-wait elements feel unbearably close to life. If you’re into contemporary blends of domestic suspense and stalker vibes, 'The Girl on the Train' and 'The Silence of the Lambs' (for its predator/researcher psychological chess) scratch similar itches — different tones, same core: patience used as a weapon. Personally, I keep drifting back to books that let the quiet grow teeth, where an ordinary evening can be rehearsal for something terrible — it’s the slow-burn that hooks me more than any sudden explosion.

How Does The Marriage Plot Influence Contemporary Romance Films?

1 Answers2025-10-17 18:41:11

Lately I’ve been tracing how that old-school marriage plot — you know, the trajectory from courtship to domestic resolution — keeps sneaking into modern romance films, but now it’s wearing a lot of different outfits. The classic novel structure (think Jane Austen’s world in 'Pride and Prejudice') originally treated marriage as the narrative endgame because it meant social stability, economic survival, and identity. Contemporary filmmakers inherited that tidy architecture — meet, fall in love, face obstacles, choose commitment — but they’ve repurposed it. Instead of only validating marriage as an institution, many movies use the marriage plot to ask, challenge, or even dismantle what marriage means today. That makes it less of a fixed finish line and more of a dramatic lens to explore characters’ values, power dynamics, and personal growth.

I love how movies riff on that framework. Some stick to a romantic-comedy template where the wedding or a proposal remains the emotional payoff — think echoes of 'When Harry Met Sally' — but lots of indie and mainstream pictures twist expectations. '500 Days of Summer' famously reframes the plot by denying the tidy resolution, making the decision to wed irrelevant and instead centering personal insight and moving-on. 'Marriage Story' flips the marriage plot inside out, treating separation as the central dramatic engine and showing how two people can grow apart without melodramatic villainy. Cross-cultural takes like 'The Big Sick' use the marriage plot to explore family, immigration, and illness, where cultural expectations and medical crises shape a couple’s choices. Meanwhile, films such as 'Monsoon Wedding' show arranged marriage as complex social choreography rather than simply outdated tradition. Even genre-benders like 'La La Land' use the marriage/commitment axis to stage a bittersweet choice between romantic partnership and artistic ambition.

On a thematic level, the marriage plot in contemporary film is incredibly useful because it ties the personal to the structural. Directors use weddings, divorces, proposals, and domestic scenes as shorthand to talk about gender roles, economic realities, and emotional labor. Modern rom-coms often depict negotiation — who gives up a job, who moves, who handles parenting — which reflects broader conversations about equality and career. At the same time, the rise of queer cinema and stories about non-traditional relationships have stretched the plot: legal recognition, family acceptance, and alternate forms of commitment become central stakes. Cinematically, weddings and domestic montages are such satisfying visual beats — big ensembles at weddings for spectacle and conflict, or quiet domestic sequences to show the erosion of intimacy — so the marriage plot keeps offering rich set-pieces. Personally, I find this persistent reinvention delightful; it shows that a narrative fossil from centuries ago can still spark fresh questions about love, duty, and what we’re willing to build together.

Can Authors Marry A Shameless Yet Sweet Man Into Plots?

2 Answers2025-10-17 18:57:16

There’s something delicious about the idea of slipping a shameless-yet-sweet man into a story — he’s loud, he’s bold, and he makes scenes crackle with heat and sincerity. I love that tension: someone who will openly flirt in the middle of a bookstore and then quietly fix a leaky faucet at midnight. When I picture this archetype, I think of playful confidence blended with genuine tenderness. He can be the comedic spark in a rom-com, the soft center in a darker drama, or the surprising ally in a mystery. The trick is not just dropping him in for giggles; it’s about wiring his behavior to real desires and fears so the shamelessness reads as charm rather than caricature. Think of scenes where his bravado bumps up against moments that demand vulnerability — those beats are gold.

To actually marry this character into plots, I focus on contrast and consequence. Start by defining what 'shameless' means for him: public teasing, boundary-pushing banter, or shameless confidence? Then pair that with a sweetness that has stakes — is it protective, reparative, or simply thoughtful? From there you can build arcs: in a slice-of-life, his antics prompt slow domestic intimacy; in a thriller, his shamelessness might be a cover for a haunting past; in a workplace romance, it creates tension with professional boundaries. Scenes that reveal layers are crucial: after a flirtatious public display, give readers a quiet moment where he’s nursing someone through sickness or admitting a small, embarrassing fear. Those juxtapositions sell the duality.

A few practical pitfalls I always watch for: don’t let shamelessness slide into disrespect — consent and power dynamics matter. Avoid flattening him into a perpetual flirt with no growth; readers want to see how sweetness is earned and expressed. Keep pacing in mind so his brazen moments land as character beats rather than gag repeats. Also, lean on supporting cast to mirror or challenge him — a blunt friend, a wary love interest, or an ex who exposes consequences — that contrast gives his sweetness weight. Honestly, when written with care, this kind of character can be one of the most comforting and electrifying parts of a story; he makes me grin during the rom-com banter and ache during the vulnerable scenes, and that mix keeps me turning pages.

Is Begging His Billionaire Ex Back A Bestselling Romance?

1 Answers2025-10-17 23:56:47

Totally doable question—here's the scoop on 'Begging His Billionaire Ex Back' and whether it counts as a bestselling romance. I've seen this title show up a lot in romance circles, and while it might not be a household name like something that lands on the New York Times list, it has definitely enjoyed real popularity in the online romance ecosystem. On platforms like Amazon Kindle and other digital storefronts, books can become 'bestsellers' within very specific categories (think "Billionaire Romance" or "Second-Chance Romance"), and 'Begging His Billionaire Ex Back' has the hallmarks of one of those category bestsellers: a high number of reviews, frequent placements in reader-curated lists, and consistent sales spikes whenever it gets a push from BookTok or romance newsletter recommendations.

If you want to know technically whether it's a bestseller, the quick way is to look for the Amazon Best Seller badge on its product page or check the Kindle Store sales rank and category rankings — those are the clearest signals for digital-first romances. Goodreads will show you how many readers have shelved and rated it, and a solid collection of 4- and 5-star reviews usually accompanies books that perform strongly in the market. From what I've observed, 'Begging His Billionaire Ex Back' tends to do very well in its niche: it's frequently recommended in billionaire-romance playlists, and readers praise the emotional payoffs and the tension between the leads. That kind of grassroots momentum can push an indie or midlist romance into bestseller territory on specific platforms even if it never makes a mainstream bestseller list like the NYT.

What I love about watching titles like this is how a book can be simultaneously niche and huge — huge to the people who love it. 'Begging His Billionaire Ex Back' capitalizes on classic second-chance and billionaire tropes, which are endlessly clickable for romance readers: the enemies-to-lovers energy, the high stakes lifestyle contrast, and the emotional reconciliation beats. Those are the kinds of things that get readers hitting "buy now" late at night and then raving in comment threads the next morning. Personally, I've seen it recommended across multiple communities, and the buzz is real enough that it earns the best-seller label in the contexts that matter to romance fans.

So, in short: it may not be a New York Times bestseller, but it absolutely qualifies as a bestseller within romance categories and platforms where readers buy and talk about these kinds of stories. If you enjoy swoony, angsty billionaire-second-chance romances, it's exactly the kind of book that'll stick with you for the emotional scenes and the satisfying reconciliation — I found myself rooting for the couple, which is always the nicest kind of victory for a rom-com heart.

How Does The Snare Drum Create Suspense In Horror Film Scores?

5 Answers2025-10-17 17:16:21

A tight, sudden snare hit makes my spine tingle more reliably than jump scares in the best horror scenes. I love how a snare's sharp attack lives right on the edge between percussion and vocal threat — it cuts through silence and music alike, so when a composer places even a single, dry snap at the right second, it feels like someone just tapped you on the shoulder.

In practice, that effect comes from several tools: a hard stick attack or rimshot gives a piercing transient, damping removes unwanted sustain so the hit is abrupt, and close miking plus a dash of high-end EQ exaggerates that snap. Composers often use short rolls that speed up (accelerandi) to create rising tension, then chop to an isolated snare hit or a sudden silence. The brain hates uncertainty; a repeated soft snare rhythm that breaks unpredictably produces a tiny, continuous anxiety.

I also get a kick from how snares are layered with sound design — subtle body hits, breathing, or distant Foley under the snare can make it feel eerier. When I watch 'Psycho' or modern films that borrow its practice of precise punctuation, I find myself waiting for the next percussive cut, which is exactly the point. It still gives me goosebumps.

How Can Authors Write Believable Broken Promises In Novels?

3 Answers2025-10-17 12:16:12

Broken promises are tiny tragedies that can become the emotional gravity of a scene — if you let them feel human. I try to anchor a promise in a character's concrete want or fear early on, so the reader understands why the promise mattered. That means showing the promise as an action or object (a pinky-swear over a hospital bed, a scratched ring left on a shelf) before it breaks, and giving the promiser a believable chain of reasons for failing: exhaustion, cowardice, love that’s shifted, survival choices, or a slow erosion of belief. The key is to avoid turning the breaker into a cartoon villain; people break promises for messy, often small reasons, and that mess makes the scene sting.

Timing and perspective do heavy lifting. A promise that unravels through a series of tiny betrayals or omissions often feels truer than a single melodramatic reveal. I like to show the cognitive dissonance — the thought that justified the lie, the memory the character keeps repeating to themselves, and the private rituals that signal the failure before it's announced. Let other characters respond in varied ways: denial, gambling on reconciliation, cold withdrawal. Those ripple effects sell the stakes.

On a sentence level, trade proclamations for details: the way a voice catches when the promiser says, "I’ll be there," the unanswered message still glowing on a phone, the chair kept warm for weeks. Use callbacks: echo the original promise in a place where its absence hurts most. When I write these scenes, I aim for that quiet, humiliating honesty — the kind that lingers after the page turns, and I often feel a chill when those quiet betrayals stick with me.

How Do Authors Use Be Water My Friend As A Novel Theme?

4 Answers2025-10-17 17:18:59

I love how a single aphorism like 'be water my friend' can become the spine of an entire novel — it’s such a flexible metaphor that authors can bend it to fit mood, plot, or character. In my reading, I’ve seen writers layer it into character arcs so that their protagonists literally learn to flow: someone starts rigid, fails spectacularly when confronted with change, and then, through losses and small victories, becomes adaptable. That arc works whether the setting is a flooded coastal city, a corporate maze, or an inner landscape of grief.

Beyond character, authors often use water as structural inspiration. Chapters ripple and eddy, scenes bleed into one another like tides, and pacing mimics currents — sometimes a slow, wide river of introspection, sometimes a whitewater sprint. Even sentence-level choices get in on it: long, flowing sentences to evoke calm, choppy staccato lines for storms. Symbolism multiplies, too: doors, boats, rain, condensation, sinks and cups become shorthand for change, containment, release, and erosion.

I also notice thematic permutations: some books treat 'be water' as moral advice — soften to survive, adapt to thrive — while others flip it, warning against losing self in the stream. Writers who borrow from martial arts or Taoist thinking often add a spiritual layer, making flexibility not just a tactic but an ethic. Personally, I adore when an author uses that balance — letting a character stay true yet move with the world — it feels like watching someone learn a graceful way to live, and it sticks with me.

Who Are Influential Authors On Palestine To Read Now?

4 Answers2025-10-17 21:52:51

If you're looking to build a balanced, thoughtful bookshelf on Palestine, I’ve got a mix of poets, novelists, historians, and memoirists I keep recommending to friends. Start with voices that humanize the experience: Mahmoud Darwish’s poems are a must — collections like 'Unfortunately, It Was Paradise' or his selected poems give you the ache and lyrical memory of exile. Ghassan Kanafani’s fiction, especially 'Men in the Sun' and 'Return to Haifa', hits with a blunt, political tenderness that lingers. Mourid Barghouti’s memoir 'I Saw Ramallah' reads like a quiet, powerful elegy for home. These writers help you feel the human stories before you dive into dense historical or political analysis, and I always find myself pausing to underline lines that resonate weeks later.

For historical and analytical frameworks, Edward Said and Rashid Khalidi are indispensable. Said’s 'Orientalism' and 'The Question of Palestine' reshape how you think about narrative, representation, and colonial power. Khalidi’s 'The Iron Cage: The Story of the Palestinian Struggle for Statehood' and 'The Hundred Years' War on Palestine' are both readable and rigorous overviews of political developments; I often hand Khalidi’s shorter essays to people who want clarity without academic overload. Ilan Pappé’s 'The Ethnic Cleansing of Palestine' and Nur Masalha’s work on dispossession provide crucial perspectives on settler-colonial interpretations of history. I mention Benny Morris too, not because his later politics are uncontroversial, but because reading his 'new historian' work alongside Pappé and Khalidi teaches you how archives, evidence, and interpretation can diverge dramatically — and why critical reading matters.

Don’t skip memoirs and contemporary voices: Sari Nusseibeh’s 'Once Upon a Country' is a lucid memoir from a Palestinian thinker, while Raja Shehadeh’s 'Palestinian Walks' combines law, landscape, and reflection in a way that changed how I visualize the terrain. For accessible fiction that introduces readers to larger political realities, Susan Abulhawa’s 'Mornings in Jenin' packs an emotional punch. If you want legal, rights-based reading, look into works by human rights scholars and reports from international organizations to see how on-the-ground testimony is documented. I also like weaving in different formats — poetry, essays, history, fiction — because each genre opens a different door. Reading these authors together gave me a layered understanding that feels honest and messy, and I always come away with new questions and a deeper appreciation for the voices that keep this history alive.

How Do Authors Symbolize Greed With The Golden Touch?

4 Answers2025-10-17 00:07:58

Gold has always felt like a character on its own in stories — warm, blinding, and a little dangerous. When authors use the 'golden touch' as a symbol, they're not just sprinkling in bling for spectacle; they're weaponizing a single, seductive image to unpack greed, consequence, and the human cost of wanting more. I love how writers take that flash of metal and turn it into a moral engine: the shine draws you in, but the story is all about what the shine takes away. The tactile descriptions — the cold weight of a coin, the sticky sound when flesh turns to metal, the clink that echoes in an empty room — make greed feel bodily and immediate rather than abstract.

What fascinates me is the way the golden touch is used to dramatize transformation. In the classic myth of Midas, the wish that seems like wish-fulfillment at first becomes a gradual stripping away of joy: food becomes inedible, touch becomes sterile, human warmth is lost. Authors often mirror that structure, starting with accumulation and escalating to isolation. The physical metamorphosis (hands, food, family) is a brilliant storytelling shortcut: you don’t need a dozen arguments to convince the reader that greed corrupts, you show a single, irreversible change. That visual clarity lets writers layer in irony, too — characters who brag about their riches find themselves impoverished in everything that matters. I also notice how color and light are weaponized: gold stops being luminous and becomes blinding, then garish, then cadmium-yellow or rotten-lemon; it’s a steady decline from awe to nausea that signals moral rot.

Different genres play with the trope in interesting ways. In satire, the golden touch becomes cartoonish and absurd, highlighting social folly — think of scenes where gold literally pours out of ATMs, or politicians turning into statues of themselves. In more intimate literary fiction, the same device becomes elegiac and tragic: authors linger on the small losses, like a child who can’t be hugged because they’re made of metal, or an heir who can’t taste their victory. Even fantasy and magical realism use it to talk about capitalism: greed is not only metaphysical curse but structural critique. When I read 'The Great Gatsby' — with all its golden imagery and hollow glamour — I see the same impulse: gold as a promise that never quite delivers the warmth and belonging it advertises.

Stylistically, writers often couple the golden touch with sound design and pacing to make greed feel invasive. Short, sharp sentences speed the accumulation; long, wistful sentences slow the aftermath, letting you feel the emptiness that echoes after the clink. And the moral isn’t always heavy-handed — sometimes the golden touch becomes a bittersweet lesson about limits, sometimes a cautionary fable, sometimes a grim joke about hubris. Personally, I love stories that let you marvel at the shine for a moment and then quietly gut you with the cost. The golden touch is such a simple idea, but when done well it sticks with you like glitter: impossible to brush off, and oddly beautiful for all the wrong reasons.

How Do Authors Write Believable Power Play Between Rivals?

5 Answers2025-10-17 05:53:21

Two rivals don't need to fight to make a scene; sometimes all it takes is a look and the air changes. I like to build believable power plays by treating them like a slow, improvisational chess match: each participant has pieces, weaknesses, and a history that colors every choice. Start by giving both sides clear resources and constraints — not just strength, but information, reputation, favors, legal leverage, or emotional ties. When you let rivals trade blows across different domains (public humiliation vs private leverage, physical dominance vs strategic foresight), the conflict feels real because it's multidimensional.

For craft, I focus on small scenes that reveal imbalance: a withheld smile, an offhanded compliment that lands like a challenge, a deliberately slow sip of tea while the other person unravels. Dialogue should drip with subtext; let characters say one thing and do another. Pacing matters — build micro-wins and losses so readers can feel the tide turning. Escalation must be earned: don’t jump from quiet antagonism to all-out war without showing cost. Show the consequences of a power move immediately or later: reputational damage, a broken alliance, a moral compromise. That cost is what makes power feel heavy and believable.

I also love asymmetry. One rival might be scrappier and more adaptable, the other cooler and better resourced. That gives you room for surprises: the underdog can win by exploiting rules the powerhouse overlooks. Use POV to tilt sympathy and uncertainty: a scene from the less confident character can feel more perilous. Borrow from examples like 'Breaking Bad' where power shifts are gradual and brutal, or 'Death Note' where intellect, not brawn, fuels dominance. And don’t forget atmosphere — setting can be a weapon too, a courtroom for wits, a ballroom for social maneuvering. Ultimately, believable power play is about stakes, restraint, and timing. When I get that rhythm right, the tension hums in my chest long after I close the book, and I keep scribbling notes for the next scene because it’s just that satisfying.