The Right To Write: An Invitation And Initiation Into The Writing Life

YEARNERS delivers addictive short stories filled with building tension and passionate moments. Each tale is a complete journey spread over 7 to 10 chapters. You’ll find slow teasing that leads to overwhelming encounters, touches turning into strong claims, and characters who lose themselves completely in the wrong person. Expect deep emotional games, secret conflicts, and characters who give in to what they know is wrong. Open the book… if you dare to surrender.

Welcome to a world where boundaries are blurred, desires take center stage, and pleasure is never off-limits. "Naked Ink" is a sultry collection of standalone erotic tales each one dripping with heat, tension, and unfiltered passion. From forbidden affairs and seductive strangers to powerful CEOs, secret kinks, and midnight rendezvous, every chapter is a new experience waiting to be devoured. No strings attached. No judgments. Just pure, indulgent escape. Whether you crave dominance or submission, slow burn or fast and filthy, this collection promises something for every appetite. So dim the lights, silence the world, and let yourself get lost in fantasies that are as dangerous as they are delicious. Are you ready to sin?

"Please teach me to become a better writer!" "Oh?" Joaquin got his glass sipped his whiskey as he looked at me in a condescending manner. "I need something in return," he teased as he put his glass down on the table, making me nod excitingly. "Yes, yes! I would do anything you ask for!" Hearing her feedback, he stood up from his chair then walked towards me, chuckling. "Erm..." I stepped away from him, now bumping my back on the wall behind me. Surprised, I gasped as he did a breathtakingly hot "kabe-don". He then spoke near my ear, sending shivers down my spine. "What if I ask... for a collaboration?" --- Haven Thorne, a young woman who is eager to become a great writer, secretly attended a party that was hosted by a popular and rich top author, Joaquin Greyson. Wanting to learn from the great writer, Haven gathered her courage and visited his home for consecutive days even after the constant rejections. Irritated, Joaquin entertained the persistent woman to stop her. Seeing her determination however, piqued his interest and had agreed to her request—even asking for a collaboration! Will the top author really be willing to teach the newbie, or will he lose his patience? Will she able to meet the demands of her experienced mentor, or will she disappoint him? With that in mind, what will their pen and passion teach them? Love, hate… or something more?

What you hold is not just a book, It is an invitation behind closed doors. It is a room where the lights are low, the tension is real, and the ordinary rules do not apply. There is nothing innocent waiting on the other side. From hidden secrets and dangerous chemistry to the thrill of forbidden choices, every story in this collection looks at what happens when people follow their deepest cravings. Each confession is a choice to step into the dark and chase what is forbidden.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

Her name was Cathedra. Leave her last name blank, if you will. Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things. Three words: Lies, lies, lies. A picture that moves. And a plea: Please tell them the truth. All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know. No one believed her. No one ever did. She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless. As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone. Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind. Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.