Library

The Roads Not Taken Poem

TAKEN. She found it hard to resist him and neither did her wedding ring. People called it cheating, she called him a meaningful tool. A blissful marriage with a masculine attraction. What a distraction! "No one has to know" he said to her too.

9.8

64 Chapters

When Roads Collide

Cole Patrick is merely a doorstep spawn who is reluctantly adopted by the Wyatt dynasty. He endures the mistreatment from the family but cannot speak up because the Wyatt's are powerful and influential. Zye Wyatt is an exception. She shows him kindness but is careful not to do it in front of the other members of the family. An innocent touch, a shared laugh, and suddenly, their bond blossoms into a forbidden love, ignited under the stars one lazy evening. However, their ruse comes to an end on prom night when Zane, Zye's brother finds them kissing behind the school library. He reports to their father who ships Zye abroad and kicks Cole out. At 18, homeless and determined to rise above his status, Cole forges a path of his own. Ten years later, Zye, broken and fresh from her divorce, finds herself looking for work in a small town. She is attracted to a bike gang from the town and is interested in joining as a step to her freedom. She realises that the bike gang leader is none other than Cole. Hardened by life but still her first love. However, their reunion does not last longer. A private investigator sent to find Zye's whereabouts reports them to her dad. The fragile peace they've curated shatters as shocking truths emerge: Cole wasn't abandoned; he was stolen from his mother after Mr. Wyatt brutally murdered his father. And his mother? Alive, a prisoner of the Wyatts' dark secrets all these years. Now, Cole stands at a crossroads: choose the woman who once offered him solace, or embrace the roaring vengeance for his shattered past and reclaim his stolen birthright. Can their love, forged in the fires of deception and longing, survive the ashes of Wyatt family lies?

Not enough ratings

5 Chapters

TAKEN

Isabella Parker is the perfectly imperfect girl with half parts sass and half parts innocence mixed with a perfect life. She has loving parents who adore her beyond anything, two younger siblings whom she loves beyond anything. She is in her graduation with 2 great friends, everything seems going perfect UNTIL ONE Day The day she gets kidnapped! One small favour to a classmate messes everything up? Or does it! Isabella has caught eye of an mysterious man, who wouldn't let her go. "LET ME GO" she shouted half scared as the man dragged and shoved her on a bed, she presumed. Obviously she presumed, she had a blindfold on from the moment she woke up. "The sooner you stop fighting the better for you" he replied in a calm voice. His voice did something to her. She held her tongue for a minute, not because she was going to stop fighting HELL NO! But because of what his voice reminded her of! His touch wasn't foreign neither his voice. WEIRD! "Didn't think that would work" he chuckled. "IT DIDN'T you fucking pig" she shouted struggling as he laughed. "Glad you are finding my misery funny" she growled. "No wonder Alex wanted to feed you off to his Piranhas" he laughed. Her entire body stilled at the thought. They wanted to kill her? but she couldn't hold her tongue now could she? "Then what am I still doing here?" She sassed. She could feel the tense in his posture even tho she couldn't see. It was getting hard to breath. She gasped when she felt his lips on her earlobe. He was so quiet. "Instead I decided you were mine to feed on!" He said in his sexy voice making her freeze.

50 Chapters

Taken

We were taken. We were imprisoned. We were starved. We were abused. We were slaughtered. We were hopeless. Then... we were saved. We are a group of women, surviving against all odds against those who oppress us. We don't back down no matter how bleak the odds, and we will triumph against those who wish to use us for their own gain. We are many, and we will not be prey ever again.

Not enough ratings

5 Chapters

Taken Twice

~l have never had a threesome with anyone~ ~But still fuck me~ TAKEN TWICE. 18+. Karen Ryder ran away from her abusive boyfriend and swore never to fall in love with any other man but she instead fall in love with not one but two men.... In fact brothers. Twisted pasts and unforeseen future leaves her breathless and though innocent about the threesome thingy, she ends up exploring her darkest fantasies and feelings. Things were all good not until when one brother got jealousy, possessive and wanted her to be his only. This was so hard for her to decide since she loved both brothers.

21 Chapters

Taken & Changed

Mya is used to the quite life in the English countryside where she lives with her parents who are the alpha and luna of their small wolf pack. However, fate has other plans for her. Taken from her home by a mysterious warlock and two strange werewolves. She is turned against her will. Kept prisoner in the Midnight mountains pack manor house and hidden away from the world. Mya is put through a vigorous training regime. Beaten on a daily basis by six shifters she hadn't even known existed before she was taken captive. But the warlock and alpha of the Midnight mountains pack have big plans for her. Cursed by the warlock and savagely attacked by the shifters. Mya's life is changed forever. What secrets does the Manor hold? Has Mya got a secret supporter on the inside? Can she persuade the shifters to aid her in her plan of escape? And what awaits her back in the big world now that she is changed forever?

15 Chapters

Where Can I Read Taken By The Mafia King Online Legally?

5 Answers2025-10-16 09:21:01

I'm pretty obsessive about tracking down legit copies, so here's the practical route I take if I'm hunting for 'Taken by the Mafia King'. First, check major ebook storefronts — Amazon Kindle, Google Play Books, Apple Books, Kobo, and BookWalker are the usual suspects for English-translated novels and light novels. If it's a webcomic/manhwa-style work, I scan platforms like Tappytoon, Lezhin, Tapas, and Toomics; those services often hold exclusive English licenses and will show official chapter lists and buy-or-coin systems.

If nothing shows up there, I go to the publisher's website or the author/artist's social media; many times they'll post where English releases are being handled or link to the official distributor. Libraries aren't to be overlooked either — Libby/OverDrive sometimes carry licensed ebooks or digital comics, and that’s a totally legal way to read without paying per chapter.

Last tip: look for ISBNs, translator credits, or an official imprint on the listing — those are good signs it’s legit. I feel better supporting creators properly, and it’s worth a few clicks to find a legal copy I can enjoy guilt-free.

Does Taken By The Mafia King Have An English Translation?

5 Answers2025-10-16 21:58:38

Good news if you’ve been curious: I’ve seen translations of 'Taken by the Mafia King' floating around, but it’s a bit of a mixed bag depending on format. There are fan-translated chapters for the comic/novel on various scanlation and fan-translation hubs, so English readers can get a decent feel for the plot and characters. These community translations tend to be uneven—some groups put out polished chapters with cleaned lettering and good flow, while others are more literal and raw, but they give you access when no official release exists.

If you want official channels, that’s where things get trickier. I haven’t spotted a major publisher consistently releasing a licensed English edition of 'Taken by the Mafia King' in book form, though sometimes titles get licensed later or appear on platforms like Webtoon, Tapas, or specific publishers. My go-to is to check publisher pages and the project’s original platform for licensing updates, and to support creators if/when an official English release drops. Personally, I like reading fan translations to keep up, but I’ll buy the official release the moment it appears.

Are There Fanfic Sequels To Taken By My Fiance'S Relative?

4 Answers2025-10-16 11:46:27

I dug through a few archives and community threads and yes — there are fan-made continuations of 'Taken By My Fiance's Relative'. Some of them are straightforward epilogues that pick up a few months after the original ends, ironing out loose ends and giving the central couple a domestic arc. Others are full-blown multi-chapter sequels that explore consequences, awkward family dynamics, power shifts, or even legal fallout. You’ll see tags like 'sequel', 'epilogue', 'side-story', 'domestic', and 'angst' attached; the variety is honestly what kept me clicking for hours.

What I liked most was how different authors took the premise in wildly different directions: one turned it into a slow-burn reconciliation, another did a darker redemption route for the relative, and a few authors wrote ‘AU’ continuations that transplanted the characters into college or married-life settings. If you prefer cleaner pacing, look for fics with good chapter updates and active comment sections — those tend to be more polished. Personally, I enjoyed a quieter epilogue that focused on small, human moments; it felt like a warm cup of tea after a rollercoaster plot, and it stuck with me.

How Do You End A Poem To Evoke Emotions?

3 Answers2025-09-28 09:21:32

Crafting an ending for a poem is like the final note of a beautiful melody—it needs to resonate deeply and leave a lasting impression. A powerful closing line can encapsulate the essence of what you've expressed throughout the piece, almost like a punch to the gut. When I write, I often focus on distilling the core emotion I want the reader to carry away. For example, if I’m exploring loss, the last line might invoke a visual or a haunting memory that replays in the reader’s mind long after they’ve put the poem down.

One approach I love is to echo a line or an image from earlier in the poem. It weaves the entire piece together, creating a sense of closure. Picture it: you've vividly described the fall of leaves in autumn, then circle back to that imagery as a metaphor for fading memories or love at the end. It makes the reader feel like they've returned to a familiar place, forced to confront their own emotions wrapped in your words.

Additionally, leaving a line open-ended can evoke a sense of yearning or introspection. A question or a thought that takes a turn into uncertainty can stir the reader’s imagination—what comes next? It allows them to fill in the gaps with their own feelings, making the poem a shared experience, which is always powerful. The whole process is incredibly rewarding and leaves me with a warm sense of satisfaction, knowing that I may spark reflection in someone else.

Who Is The Author Of Taken By My Partner'S Relative?

2 Answers2025-10-16 18:27:12

A few hours of digging turned into a small rabbit hole for me — I wanted a clean, confident name to give you, but 'Taken By My Partner\'s Relative' is one of those titles that mostly shows up in informal corners, and there's no single, universally credited author on the usual databases. I checked book retailer listings, library catalogs, fanfiction platforms, and social reading sites, and the pattern I kept running into was that the piece often appears as a self-published story or as a work posted under various pseudonyms. That usually means it either started as a fanfiction-style piece or was published independently without a standardized bibliographic record.

If you're trying to track down a formal author name, the most reliable routes are the ISBN/publisher details (if it exists as an ebook or print-on-demand), the copyright page, or the profile of the uploader on the platform where you found it. On sites like Wattpad, Archive of Our Own, or smaller personal blogs, authors commonly use pen names and don't always port their works to mainstream outlets like Amazon or Goodreads, so you might see different names in different places. I also saw cases where the same story gets reposted and credited differently depending on the uploader, which is maddening but pretty typical for niche romance/erotica stories.

Personally, I find these scavenger hunts kind of fun even if they end without a neat answer — it feels like being a detective in a small community. If I had to summarize from what I encountered: there isn\'t a single authoritative, widely recognized author listed across major catalogues for 'Taken By My Partner\'s Relative'. Most evidence points to it being a self-published or community-posted work credited to user handles rather than a traditionally published novelist. That ambiguity can be annoying if you want to cite the author, but it also speaks to how these stories travel through fandom and indie scenes — messy, alive, and often attributed to the people who shared them rather than to a neat, official record. I kind of like that chaotic energy, even if it makes research harder.

How To Analyze A Poem By Rabindranath Tagore Effectively?

3 Answers2025-09-20 05:35:23

Exploring Rabindranath Tagore's poetry is like stepping into a vibrant garden, each poem bursting with color and life. One way to analyze his work is to immerse yourself in the cultural and historical context of the time. Tagore was not just a poet; he was a social reformer and a philosopher, deeply influenced by the political upheavals in India during British colonization. So, when you read poems like 'Gitanjali', think about how his romantic ideals clash with the harsh realities around him. Consider his use of imagery, metaphors, and personal reflection, which create a connection between the individual and the universe.

Delving deeper, focus on the themes of nature and spirituality that Tagore often explores. His profound appreciation for the natural world transcends the mundane; it's like he finds divinity in a flower or a passing breeze. Enjoy reading the lines that describe the interplay between human emotion and the environment. It’s the way he intertwines joy and sorrow, freedom and constraint that truly captivates. Furthermore, listening to recitations of his poetry can breathe new life into the printed word, revealing hidden cadences and emotional nuances. If you can, try analyzing with a group—sharing perspectives can enrich your understanding and illuminate aspects you may have missed.

In the end, don’t shy away from your personal reactions. Tagore speaks to the soul, so it's perfectly okay to reflect on your feelings and experiences as you dive into his verses. That authenticity will make your analysis both personal and insightful. Each poetic journey with Tagore promises to be unique, and I find that is what makes it so exhilarating!

Where Can I Find A Poem About Sea With Vivid Metaphors?

1 Answers2025-08-24 16:51:12

On stormy evenings I hunt for lines that taste like salt, and that hunt always leads me to a few favorite wells. If you want poems about the sea packed with vivid metaphors, start with the obvious classics and let them do the heavy lifting: 'Sea Fever' by John Masefield has that longing-for-the-boat cadence that makes the sea feel like a living, breathing companion; 'The Rime of the Ancient Mariner' by Samuel Taylor Coleridge turns oceanic horror and wonder into a mythic tapestry; and 'On the Sea' by John Keats compresses the vastness of ocean into images that stick with you long after you close the book. I tucked a dog-eared copy of 'Sea Fever' into my backpack during a week-long ferry ride once, and the way the metaphors mirrored the creak of the ship made me scribble lines in the margins. Those tactile moments—reading a poem while the world outside echoes it—are exactly why metaphors about the sea hit so hard.

If you want to branch out beyond the big names, there are a few reliable places to find curated collections and new voices. The Poetry Foundation and Poets.org both let you search by theme—type in words like 'sea,' 'ocean,' 'tide,' 'ship,' or 'shore,' and you’ll unearth everything from Romantic stunners to contemporary micro-poems. For public-domain treasures, Project Gutenberg is your friend: you can dive into older works without paying a dime. I also love browsing library anthologies; a good seaside anthology or a bookshop's poetry shelf will introduce you to lesser-known gems. Don’t forget modern collections—H.D.'s 'Sea Garden' is a compact, imagistic set that perks up anyone who likes impressionistic metaphors. If you want something older and raw, try 'The Seafarer'—an Old English piece that feels haunted and immediate. When I’m lazy, I’ll type a fragment of a line into Google and watch related poems surface—sometimes a single metaphor pulls me through an entire new poet’s collection.

For a living, breathing feel, look beyond text: audio recordings and readings can turn metaphors into soundscapes. I once listened to a live reading of a sea poem on a rainy night and felt like the room was sinking into the verse; spoken word performers and recorded readings on YouTube or podcast platforms animate imagery in ways the page can’t. Communities help too—browse Goodreads lists tagged 'sea poems' or lean into poetry subreddits and micro-poetry corners on Instagram where people post short, metaphor-rich lines. If you want something scholarly, JSTOR or university library portals will link you to annotated editions that unpack metaphors and historical context, which is super helpful if you love knowing why a poet chose salt over storm or tide over wave. Personally, I'll end with my favorite little ritual: make a tiny playlist of poems about salt and storm, take it to a window or the nearest shoreline, and see which metaphors feel like yours. If you try that, I'd love to hear which line stuck with you.

How Does A Poem About Sea Use Rhythm To Mimic Waves?

1 Answers2025-08-24 20:48:19

There’s a tactile pleasure when a poem about the sea actually sounds like the ocean — and that’s where rhythm does most of the magic. For me, rhythm is the heartbeat of any maritime poem: it can rock you gently like a sunlit tide, push and pull like a storm surge, or stop dead with a shoal’s whisper. I’ve read 'Sea Fever' aloud on a blustery pier and felt John Masefield’s refrains match the slap of waves against pilings; the repeated line becomes a tidal return each time. That physical echo — the rise and fall of stresses in the verse — is what tricks our ears into feeling motion. Whether the poet leans on steady meter or wild free verse, the deliberate placement of stressed and unstressed syllables, the pauses, and the breathless enjambments mimic how water moves in unpredictable but patterned ways.

When poets want the sea to feel steady and inevitable, they often use regular meters. I’ve noticed how iambic lines (unstressed-stressed) can create a rolling, forward-moving sensation — like a steady swell that lifts and then drops. Conversely, trochaic or dactylic rhythms (stress-first or stress-followed-by-two light beats) can give that lurching, tumbling quality of breakers collapsing onto sand. Some lines peppered with anapests (two light beats then a stress) feel like surf racing up the shore, urgent and rushing. But rhythm isn’t only about meter labels; it’s about variance. Poets will slip in a spondee or a caesura to make a beat longer, a pause like a tide hesitating around a rock. Enjambment helps too: pushing a phrase past the line break can mimic the continuous flow of water, while sudden line stops and punctuation imitate the abrupt hush when waves retreat across shingle.

Sound devices join rhythm in creating the sea’s voice. Repetition — think of refrains or repeated consonant sounds — acts like the tide's return. Alliteration and assonance produce the smack of surf or the soft hiss of salt; a cluster of s's, for instance, can feel like wind through ropes. Short, clipped words speed the pace; long, vowel-heavy lines stretch it out. Structure matters: alternating long and short lines can suggest incoming and outgoing tides, and stanza length can mirror changing currents. I once tried writing a short sea piece on a ferry and timed my lines to the boat’s lurches — reading it later, the rhythm mapped almost exactly to the vessel’s pattern. If you’re experimenting, read your lines aloud, tap the pace with your finger, and try varying where you breathe. Sometimes the silence between words — the space you leave — is more oceanic than the words themselves.

If you want to write a sea poem that actually feels wet under your teeth, pick the motion first: calm, swollen, chopping, or glassy. Then choose a rhythmic tool to match — steady meter, rolling anapests, jagged line breaks, or repeating refrains. Don’t be afraid to break your own pattern; the sea rarely stays the same for long, and a sudden rhythmic shift can convey a squall as effectively as any adjective. Personally, after a day reading shorelines of poetry, I like to sit on a window ledge with a cup that’s gone cold and try to write the sound of the last wave I heard — it’s the best kind of practice.

Which Modern Poet Recommends Writing A Poem About Sea?

1 Answers2025-08-24 11:35:24

If you love the sea like I do, you’ll know it shows up in a lot of modern poets’ advice and work—often as an irresistible subject. When people ask me which modern poet recommends writing about the sea, I tend to give a little tour instead of a single name. There isn’t just one canonical voice saying ‘write about the sea’; rather, several contemporary poets make the case in different ways. Pablo Neruda, for instance, celebrated elemental subjects with those expansive odes that turn ordinary things into grand material. His odes to the ocean demonstrate how the sea can be both intimate and cosmic, a canvas for emotion and image alike. Derek Walcott is another voice I keep returning to: living in the Caribbean, the sea is woven into his sense of history and identity, especially in poems like 'Sea Is History' where the ocean becomes a ledger of memory. Reading them made me want to sit on a rock and write until the tide told its own metaphors.

As someone who scribbles in cafes and on beaches, I also draw inspiration from quieter, observational poets. Mary Oliver doesn’t command you to write about the sea, but her fierce attention to the natural world—collected in books like 'Devotions'—reads like permission to look closely at whatever is near you, including waves, salt, and wind. Billy Collins, with a very different tone, offers pragmatic, witty prompts in poems such as 'Introduction to Poetry' that encourage playful, tactile approaches—press a poem up to the light, or step into it like a tide pool. Those techniques translate beautifully to seaside scenes: ask sensory questions, personify a wave, or treat the shoreline as a small laboratory of images. If you want the sea to feel alive on the page, try Collins’ gentle coaxing and Neruda’s grandeur together: small detail plus big feeling.

Practically speaking, if you’re standing on a beach and wondering how to start, think of it as advice from these poets blended into one habit. Look for a detail that’s specific (a glass bottle tangled in seaweed, the exhausted squawk of a gull, the particular way foam maps the sand), then let a larger emotional or historical beat anchor it—memory, longing, a childhood ritual. Try alternating short, staccato lines with longer, rolling sentences to mimic wave movement. Read Walcott’s attention to landscape for how place shapes voice, read Neruda for sensory surplus, and read Oliver for the permission to be quietly attentive. I find that when I take even ten minutes to sketch the smell and sound first, the metaphors come easier; sometimes the sea gives me a line I didn’t know I needed. If you try it, bring a jacket—coastal winds love to steal loose notebooks—and see what tide-level images show up.

What Recurring Metaphors Appear In A Poem About Sea By Modern Poets?

2 Answers2025-08-24 06:24:58

I can’t walk past a shoreline without my notebook sneaking out of my bag, and that habit shapes how I think about the metaphors modern poets keep circling back to when they write about the sea. One of the most persistent is the sea-as-mirror: poets use the water to reflect inner states, national moods, or even the blanking sky of memory. That reflection isn’t always flattering—sometimes it’s opaque glass mottled with oil and rust, and the mirror becomes a claim that what’s on the surface is only a displaced version of what’s below. Another frequent image is the sea as archive or memory bank: currents carry not just salt and kelp but stories, wreckage, and the sediment of history. I love how contemporary lines will switch from a child’s family myth to a fossilized ship’s manifest in the same stanza—the ocean keeps receipts, and the poet reads them aloud.

Waves are almost always anthropomorphized, but the roles vary wildly. I’ve read waves as breath—inhale, exhale—so poems become long, patient respirations. Waves as language is a favorite trope for people who like to play with form: enjambment mimics surf, repeated refrains become tide. There’s also the sea as lover or predator: seductive and indifferent, a presence that both promises and takes. In modern work that grapples with migration and colonial histories, the sea turns into a political border—an unforgiving threshold where legal and moral maps fail. That shift changes other metaphors too: boats aren’t just vessels, they’re fragile biographies; salt isn’t just seasoning but the literal and figurative preservation of memory, grief, and loss.

Lately I notice industrial metaphors layered into marine images—sea as market, sea as machine—where plastic and oil are scars that read like modern hieroglyphs. Climate anxiety has pushed poets to treat the ocean as a tribunal or witness, a body that testifies to human recklessness. But there’s also tenderness: some contemporary voices reclaim the sea as a home, a mother tongue, especially in Pacific and coastal poets who write about kinship with water. When I close my notebook and listen to gulls, I’m aware that these metaphors aren’t just decorative—they’re how poets map ethics, history, and intimacy onto a landscape that’s always shifting, and that mapping keeps changing depending on who’s speaking and who’s listening.