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The War Of Two Queens

"I, Ashley Bentley, rejects you, Alpha Stanley Carter as my mate, let the moon god bear me witness, I choose to be a rogue." In a world of shifting loyalties and hidden secrets, Ashley is adopted by Alpha Carter and his Luna; Luna Katherine after the tragic death of her parents. Ashley Bentley's life takes a treacherous turn when her adoptive mother, Luna Katherine, issues a chilling death threat when Ashley rejects her son, Stanley as her mate. Being the first ever female werewolf to reject a mate, Ashley is forced to flee for her own survival. Ashley finds a new trail and finds her second mate, who happens to be the man she had always imagined. But when shocking revelations unravel the truth behind her parents' tragic demise, Ashley's thirst for revenge brings her back to the pack's den, where the enigmatic Alpha Carter holds the key to her dark past. Will Ashley's quest for justice lead to her redemption or unleash a storm of vengeance that could consume them all? Being torn between two Alphas makes her destiny more complicated. Prepare for a gripping tale of love, betrayal, hate, pain and the relentless pursuit of truth in 'Two Alpha's at War.'

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16 Chapters

Queens Dynasty

Meet Manuella Queen a girl that didn't have it all but never complained. Her family was killed by hunters and her mate rejected her because he wanted to choose his own mate. Because of the pain she went through , she left the moonlight pack and everything behind to start a new life as her own alpha with her own pack(The Queens pack). She set a moto for herself which is "I answer to no men, to no one. I am my own Alphafemale. I am a Queen". Meet alpha Andrew Mariano . His pack is known for being the second most ruthless pack in the world. He hates that they are second to a female so one day when they decide to attack his life changes and he starts to question his fate. What do you think fate has in stored for this two? Keep on reading to find out. ◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆ ALL RIGHTS RESERVED . NO PART OF THIS BOOK MAY BE REPRODUCED IN ANY MANNER WITHOUT WRITTEN PERMISSION OF THE COPYRIGHT OWNER(ME)! Warning This book may contain mature scenes, mature language and violence.

10 Chapters

Queens and Monsters

New SYNOPSIS – QUEENS AND MONSTERS – Mafia/cartel, arranged marriage, forbidden, love triangle, dangerous romance Reinaldo Roríguez Emiliano Ruiz Both are dangerous, deadly, and powerful. Both are second-generation soldiers proving themselves in the Roríguez cartel. Both want me. Of course, I wasn’t told until it was too late. That’s the way things work in the famiglia. My fate is up to Dario Luciano, my guardian. He doesn’t care the way the men make me feel. How when I’m near them, the air crackles and my skin warms with stinging electricity, stirring something deep inside me that never before existed. One fills me with desire, twisting my insides. The other recognizes my need to be loved, filling me with a comfortable warmth. By the time I learn that both have requested my hand, a deal has been brokered. Neither man from the Roríguez cartel will have me. I’ve been promised to another, the son of Dario’s sworn enemy. Will I have any say in my future? What will happen to the alliance between the Luciano famiglia and the Roríguez cartel when tragedy strikes? Have you been Aleatha’d?

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41 Chapters

The Queens: Scarred Queen

"She despised them all, yet she was wife to one.Drifting in a world of glittering diamonds, mansions, lunches and designer clothes, Casey Hernandez could happily disappear, except the life of the mafia wife demanded she remain and play her part. One misstep and she would face the monster who marked her as his own.Reyes wanted the stunning blond with the furious eyes. He was going to ruin her life, take her from everything she knew and own every inch of her. Hard, brutal, mean. Exactly how he was. Exactly how this world had shaped him. Because he could. She was about to become spoils of war.And when he finally had his woman, they would rise up together; the king and his scarred queen.The Queens: Scarred Queen, Alejandro's Prey is created by Nikita Slater, an EGlobal Creative Publishing signed author."

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73 Chapters

Voodoo Queens of New Orleans

When Lisa Dumont travels down to New Orleans to stay with her mother for the summer, she finds herself entangled in a web of century-long territorial disputes between undead and supernatural forces. Lisa soon realizes that she has become torn between the blood-loyalty to her mother, Voodoo Priestess Madam Dumont, and the intrigue she has grown towards Elder Vampire, Hezekiah Mercier - the enemy. And consequently, the heavy discord between the two factions leaves Lisa with life-changing decisions to make that could possibly alter the fate of both groups and everyone else in between.

63 Chapters

All The Queens Kings - Book 8

Lamia and Kellen return to a realm different from what they left. Overrun with Senko’s creations and monsters from the underworld, they have one goal as they struggle to come to terms with their new identities. To rid the realm of Aodh and send him back to the hell hole he came from. They had faced Aodh once before in their past lives. This time round is different. They remember everything and hope they can defeat him this time. Not just for their future but the future of their realm. Love and bonds need to be healed while they prepare for a war that could cost them everything. Determined to ensure a peaceful future, Queen Lamia will stop at nothing to ensure the god of the underworld doesn’t get his hands on her or her immortal child.

53 Chapters

How Did The War Doctor Impact The Doctor Who Timeline?

5 Answers2025-10-17 07:11:59

The War Doctor crashed into the continuity of 'Doctor Who' like a grenade full of moral mess and storytelling possibility, and I still get chills thinking about how neatly and nastily he reshaped everything that came before and after. He was introduced in 'The Day of the Doctor' as an incarnation the Doctor had hidden even from himself: a warrior who took a different name to carry the burden of choices no other face could bear. That insertion — sitting between the Eighth and the Ninth — was deceptively simple on the surface but seismic in effect. Suddenly there was a gap in the sequence that explained why the Ninth Doctor sounded so haunted and why later incarnations carried sparks of regret that didn't quite fit earlier continuity. The regeneration count didn’t change for viewers, but the emotional ledger did: the Doctor had literally burned a chapter out of his own label as 'the Doctor' and that left traces in every subsequent personality.

Beyond the numbering trick, the War Doctor rewired the timeline's biggest myth: the fate of Gallifrey. For years the narrative beat everyone over the head with “the Time War destroyed Gallifrey,” and the Doctor’s identity was forged in that ruin. The War Doctor was built to be the agent and the victim of that war, the person who would pull the trigger. But 'The Day of the Doctor' rewrote the intended climax: rather than an absolute annihilation, the War Doctor — with help across his own timeline — found an alternative to genocide. That retroactive salvation changes how you read episodes where the Doctor laments loss; some moments that used to be pure grief now carry a secret victory and an extra layer of pain because the saving was hidden. The timeline didn’t so much erase the past as add a buried truth that ripples outward: companions, enemies, and future selves all end up living in the shadow of that hidden decision.

On a character level, the War Doctor deepened the series’ exploration of consequence. He forced the modern show to admit that the Doctor can be a soldier and a monster by necessity, and that he will pay for it in later incarnations’ soul-scabs and nightmares. Writers leaned into that—flashbacks, guilt, and offhand lines about “what I did” suddenly clicked into place. It also opened up storytelling space: secret incarnations, pocket universes, sentient weapons like the Moment, and cross-time teamwork between Doctors are now part of the toolkit because the War Doctor made those ideas narratively plausible. I love how messy and human it all feels; the timeline got stranger but richer, and the War Doctor is the scar that proves the show learned to hold its darkness and still make room for hope.

Where Can I Find War Doctor Audio Dramas And Soundtracks?

5 Answers2025-10-17 18:26:15

If you're hunting down 'War Doctor' audio dramas and their music, Big Finish is where I always start. They've been the hub for Doctor Who audio storytelling for years, and the 'War Doctor' range (and related spin-offs) tends to appear there as box sets, single releases, or special editions. I buy both their MP3/FLAC download versions and occasional CDs — downloads are instant and sometimes include extras like booklets or interviews, while the physical discs are great for shelf pride. Big Finish often offers subscriber discounts or early access if you sign up for their monthly releases, so that’s a money-saving hack I use when a new War Doctor set drops.

For TV-adjacent soundtracks — like the music surrounding the War Doctor's appearance in 'The Day of the Doctor' — look at the usual soundtrack spots: Silva Screen releases, Apple Music/iTunes, Spotify, and Amazon Music all host official Doctor Who scores by Murray Gold and other composers. Some of the audio drama composers upload extended cues or remixes to Bandcamp or SoundCloud, which I’ve snagged for the extra material that doesn’t make the main soundtrack. Audible sometimes carries certain Doctor Who audios, but lots of the Big Finish stuff remains exclusive to their store, so I check both places. If you like physical media, Discogs and eBay are lifesavers for out-of-print CDs and limited editions; I've found rare bundles there after checking daily for weeks.

A few practical tips from my collector brain: search exact phrases like 'War Doctor Big Finish', and check release notes for whether the purchase includes a separate soundtrack file or only in-show music; some releases bundle music while others don't. Watch out for regional restrictions on physical extras and try to buy from official sellers to support the actors, writers, and composers. Joining newsletter lists or following the Big Finish and composer pages on social media usually gets you the heads-up on reissues and special vinyl pressings. Above all, enjoy the sound design — the War Doctor stories have some of the moodiest staging and scores in the range, and that gritty tone is what hooked me in the first place.

Does In Love And War Have A Sequel?

5 Answers2025-10-17 08:12:12

If you mean the 1996 film 'In Love and War' — the romantic biopic about Ernest Hemingway starring Sandra Bullock and Chris O'Donnell — there isn't a direct sequel. That movie adapts a specific slice of Hemingway's life and the particular romance it dramatizes, and filmmakers treated it as a standalone story rather than the opening chapter of a franchise.

There are, however, lots of other works that share the same title: books, TV movies, and even unrelated films in different countries. Those are separate projects rather than continuations of the 1996 movie. If you're into following the historical thread, there are plenty of related reads and films exploring Hemingway's life and wartime romances, but none of them are official sequels to that movie. Personally, I still enjoy rewatching it for the chemistry and period vibe — it's self-contained but satisfying.

Who Is The Author Of Love And Fortune: A Gamble For Two?

3 Answers2025-10-17 21:09:45

You know, when I first saw the title 'Love and Fortune: A Gamble for Two' on a dusty paperback shelf I practically dove into it, and the name on the cover is Sara Craven.

Sara Craven was one of those prolific romance writers who could spin a whole world in a single chapter: sharp emotional beats, charmingly prickly leads, and just enough scandal to keep you turning pages. If you like the kind of romantic tension that flirts with danger and then softens into genuine care, her touch is obvious. I loved how she balanced wit with real stakes—there’s a softness underneath the bravado that made the couples feel lived-in rather than glossy.

Beyond that single title, exploring her backlist is like walking through a gallery of classic modern romance: recurring themes of second chances, hidden pasts, and the fun of watching intimate defenses crumble. Honestly, picking up 'Love and Fortune: A Gamble for Two' felt like visiting an old friend who tells a great story over tea; Sara Craven’s voice is the kind that lingers with you after the last page. I still think about the way she handles small domestic moments—they’re my favorite part.

How Does Tomorrow When The War Began Differ From The Novel?

5 Answers2025-10-17 22:31:37

I still get a kick out of comparing the book and the screen version of 'Tomorrow, When the War Began' because they almost feel like two siblings who grew up in different neighborhoods. The novel is dense with Ellie's interior voice—her anxieties, moral wrestling, and tiny details about the group's relationships. That internal diary tone carries so much of the story's emotional weight: you live in Ellie's head, you hear her doubts, and you feel the slow, painful drift from ordinary teenage banter into serious wartime decision-making. The film, by contrast, has to externalize everything. So scenes that in the book unfold as extended reflection get turned into short, dramatic beats or action setpieces. That changes the rhythm and sometimes the meaning.

The movie compresses and simplifies. Subplots and backstories that give characters depth in the novel are trimmed, and some scenes are reordered or tightened to keep the pace cinematic. Themes like the moral ambiguity of guerrilla warfare and the teenagers' psychological fallout are present, but less explored — the film leans harder on visual suspense and romance beats. Practical constraints show too: fewer long, quiet moments; a crisper moral framing; and characters who sometimes feel more archetypal than fully rounded. For me, the novel is the richer emotional meal and the film is the adrenaline snack—both enjoyable, but different appetites. I love watching the movie for its energy, but I always return to the book when I want to sit with the characters' inner lives.

Who Is In Tomorrow When The War Began Movie Cast?

5 Answers2025-10-17 13:04:39

I got pulled into 'Tomorrow, When the War Began' when a friend insisted we all watch it on a rainy weekend, and what stuck with me at once was the cast — they nailed the chemistry of that tight-knit group. The principal young cast includes Caitlin Stasey as Ellie Linton, Jai Courtney as Lee Takkam, Phoebe Tonkin as Fiona (Fi) Maxwell, Deniz Akdeniz as Homer Yannos, Lincoln Lewis as Corrie Mackenzie, and Adelaide Clemens as Robyn Mathers. Those are the names people most associate with the film because they carry the story: seven teenagers facing an impossible situation, and the actors really sell that transition from ordinary kids to reluctant guerrillas.

Beyond that core crew, the movie features a range of supporting performers filling out parents, authority figures, and locals who make the invasion feel real and consequential. The production brings together a mix of younger talent who were rising stars at the time and a handful of experienced character actors to give the world grounding. I always end up rewatching scenes just to see small moments between the leads — the tension, the jokes, the way they look at one another — which is why the cast list matters so much to me; they're not just names on a poster, they make the novel's friendship feel lived-in on screen. I still get a little nostalgic thinking about that first group scene around the campfire.

Are There Planned Sequels To The War On The West?

2 Answers2025-10-17 11:01:44

honestly the landscape around sequels is one of those messy, exciting things that attracts both hope and skepticism. From my perspective as someone who lives for lore and post-credits teases, there are a few routes sequels usually take: a direct numbered continuation, a thematic follow-up that explores another region or cast, or a series of smaller projects like DLCs, comics, or animated shorts that broaden the world without committing to a blockbuster sequel. For 'War on the West', the vibe in fan spaces is that the creators haven't shut down the idea of continuing the story — there have been interviews and cryptic social posts suggesting more worldbuilding is on their minds — but nothing that screams 'greenlit, cameras rolling' yet.

If I imagine what a sequel to 'War on the West' could look like, my brain immediately goes to branching narratives and the kind of side-character expansions that turn into fan-favorite spin-offs. You could get a sequel focusing on the political fallout in the eastern territories, or a prequel that dives into the events that set the war in motion. There's also the practical side: market demand, sales, and critical response weigh heavily. Publishers often test the waters with remasters, special editions, or even serialized tie-in novels and comics — and if those do well, a proper sequel is much more likely. Fan mods and community-created content can also keep momentum alive, nudging producers toward an official follow-up.

At the end of the day, I try to balance excitement with patience. I follow official channels, creators' interviews, and convention panels because that's where real announcements usually land, but I also enjoy the speculation: imagined character arcs, what-unfolds-next theorycrafting, and the fan art that keeps the universe feeling alive. Whether a full-blown 'War on the West' sequel arrives or the story expands through smaller projects, I'm here for the ride and already sketching out ideas for what I'd love to see next.

Is City Battlefield: Fury Of The War God Based On A Novel?

2 Answers2025-10-17 17:45:55

I've done a fair bit of digging on this one and my take is that 'City Battlefield: Fury of the War God' reads and breaths like an original game property first — with novels and tie-ins showing up afterward rather than the other way around. The clues are the kind of credits and marketing language the developer used: the project is promoted around the studio and its gameplay and world-building rather than being advertised as an adaptation of a preexisting serialized novel. That pattern is super common these days—developers build a strong game world first, then commission light novels, manhua, or short stories to expand the lore for fans.

From a storytelling perspective I also noticed the pacing and exposition are very game-first: major plot beats are designed to support gameplay loops and seasonal events, and the deeper character backstories feel like deliberate expansions meant to be serialized into tie-ins. Officially licensed tie-in novels are often described as "based on the game" or "expanded universe" rather than the original source. I’ve seen plenty of examples where a successful mobile or online title spawns a web novel or printed volume that retrofits the game's events into traditional prose — it’s fan service and worldbuilding packaged for a different audience.

That said, the line can blur. In some regions community translations and fan fiction get mistaken for an "original novel" and rumors spread. Also occasional cross-media projects do happen: sometimes a studio will collaborate with an existing web novelist for a tie-in that feels like a true adaptation. But in the case of 'City Battlefield: Fury of the War God', the evidence points to it being built as a game IP first with later prose and comic tie-ins. Personally I love when developers commit to multi-format lore — it makes following the world feel richer, and I enjoy comparing how the game presents a scene versus how it's written in a novelized chapter.

What Is Hunted Hybrid - Aegis War Saga 1 About?

4 Answers2025-10-16 15:58:01

Imagine a city under curfew, neon smoke curling over shattered glass while one kid who isn’t fully human slips through alleyways trying to stay alive — that’s the heartbeat of 'Hunted Hybrid - Aegis War Saga 1'. The story follows a hybrid protagonist, part-human and part-engineered specimen, who wakes up with fragmented memories and a set of dangerous abilities. They’re being hunted by the Aegis forces, a powerful military-corporate arm trying to either capture or erase anyone who blurs the line of their “perfect soldier” program. The plot moves fast: escapes, covert safehouses, tense extractions, and moral choices that force the protagonist to pick between survival and protecting the few people who trust them.

Beyond the chase scenes, the book digs into identity and prejudice. You get gritty urban warfare, espionage-style infiltration missions, and a small, ragtag resistance that questions what freedom means in a world run by bio-tech giants. Characters aren’t flat villains or heroes — there are betrayals that sting and quiet moments of human connection that make the violence meaningful. I loved how it balances high-octane action with quieter introspection; it kept me turning pages late into the night with my heart racing and my thoughts on the characters’ choices.

How Does Two Brides And A Single Grave End?

1 Answers2025-10-16 14:35:42

This ending totally caught me off guard in the best way. In 'Two Brides and a Single Grave' the final act strips away the melodrama and replaces it with a quiet, aching honesty. What seemed like a simple love triangle all along becomes a study in grief, memory, and the different ways people try to hold on. By the last chapters the focus shifts from who gets to be called spouse to what each woman needs to survive the absence of the man they both loved. The grave itself—literal and symbolic—becomes the stage for truth-telling: confessions, old wounds reopened, and finally a fragile peace. The writing refuses neat closure, but it gives each character a meaningful choice, which felt respectful rather than tidy to me.

At the graveside scene the two brides, whose rivalry and jealousy have powered most of the story, are finally forced into real conversation. Their backstories and motives are unraveled in a slow, human way: one bride admits her marriage was a shelter from past trauma, the other reveals a devotion that was as much fear of loneliness as it was love. Instead of a melodramatic revelation that one of them had plotted the death, the narration pivots to shared culpability and remorse—small betrayals, withheld words, and the ache of unmet expectations. The man in the center isn’t turned into a saint or villain; his complexity remains, and that’s what makes the ending feel earned. The grave scene is punctuated by simple gestures: a letter read aloud, an old photograph found, a hand extended that the other hesitates over and then takes. It’s cinematic without being showy.

What I loved most was how the story closes on forward motion rather than catastrophe. Neither bride gets the easy, romantic victory, but both are given paths away from that single grave—one literal, one metaphorical. One bride chooses to leave the town and start anew, carrying with her the lessons she learned, while the other stays, converting grief into a quiet life of caretaking and community ties that feel honest rather than sacrificial. The final image lingers: two figures walking separate directions from the same mound of earth, not enemies, not lovers, but people who have acknowledged their pain and chosen to live anyway. Reading the last pages left me surprisingly uplifted; grief wasn’t resolved, but transformed into something that allows for future growth, and that’s a rare, beautiful note to end on. I closed the book feeling contemplative and oddly hopeful.