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Things Heard And Seen

This story is not a story at all ; it is rather a journal that documents events which shapes this author's life. Walk the journey with me ; is it what you going through to? If so , hopefully this journal will help you feel as if you are not alone in this world. This book will contain good times , as well as bad times. The events that occurs are not made up in my imagination ; these events were lived out and documented as soon as possible. Let us conquer these problems together!

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66 Chapters

The Don Never Heard Me

I loved Adriano Ferraro—yeah, that Don—for five freaking years. He wasn't just my fiancé; he was my anchor in a world where loyalty got tested, and weakness got you killed. We had it all mapped out—dreams, plans, a future we actually thought we owned. Until I lost our baby. I reached for him, shaking, desperate for anything. But comfort never came. Instead, it was her. His stepsister, propped up. "Don't buy her act. She's just fishing for attention—again." That snake smiled like she just won a prize for emotional torture, dripping venom while fanning the flames. And Adriano? He bought it. He turned away. In that moment, it hit me—I wasn't just grieving. I was completely alone. The kid I carried, the future I built in my head? Gone. And so was I. I walked out. On him. On the Ferraro Family I was stupid enough to think I could belong to. All I left behind was silence. Empty space where we used to be. Now Adriano's drowning in regret, but it's too damn late. The life we should've had, the love we should've built? Dust. And her? The stepsister who ruined it all? She's paying for every lie.

8 Chapters

Things Slip Through

When a child mysteriously disappears from a small town and even his mother seems indifferent, it’s time for the new sheriff to step in. Meet Chris Baker, the new sheriff of the quiet Adirondack town of Clifton Heights. As one inexplicable case after another forces him to confront the townsfolk in The Skylark Diner, it’s the furtive Gavin Patchett that hands Chris a collection of not-so-fictional short stories that tumbles him into a world of monsters, ageless demons, and vengeful citizens. As Chris reads through the stories the veil starts to lift, and he soon questions what is real and what’s not, and whether he really wants to know. Nothing will ever be the same again. ©️ Crystal Lake Publishing

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25 Chapters

Things You Need

The things we want are so very rarely the things we need. Clifton Heights, a modest Adirondack town, offers many unique attractions. Arcane Delights sells both paperbacks and hard-to-find limited editions. The Skylark Diner serves the best home-cooked meals around, with friendly service and a smile. Every August, Mr. Jingo’s County Fair visits, to the delight of children and adults. In essence, Clifton Heights is the quintessential small American town. Everyone knows everyone else, and everyone is treated like family. It is quiet, simple, and peaceful. But shadows linger here. Flitting in dark corners, from the corner of the eye. If you walk down Main Street after dark, the slight scrape of shoes on asphalt whispers you're not alone, but when you look over your shoulder, no one is there. The moon shines high and bright in the night sky, but instead of throwing light, it only seems to make the shadows lengthen. Children disappear. Teens run away. Hunters get lost in the woods with frightening regularity. Husbands go mad, and wives vanish in the dead of night. And still, when the sun rises in the morning, you are greeted by townspeople with warm waves and friendly smiles, and the shivers pass as everything seems fresh and new... Until night falls once more. Handy's Pawn and Thrift sits several blocks down from Arcane Delights. Like any thrift store, its wares range from the mundane to the bizarre. By daylight, it seems just another slice of small town Americana. But in its window hangs a sign which reads: We Have Things You Need. And when a lonely traveling salesman comes looking for something he desperately wants, after normal visiting hours, after night has fallen, he will face a harsh truth among the shelves of Handy’s Pawn and Thrift: the things we want are rarely the things we need. ©️ Crystal Lake Publishing

19 Chapters

All Things Lovely

Autumn Shade only wants one thing: to get away and live her own life. Tired of being forced by her father to take on the business, and follow in his steps, she leaves. She wanted to show her father that she was capable of making her own decisions and not screwing up. But just when she successfully leaves, she's caught up in another whirlwind which threatens to deem everything she'd known a lie.Justin Black and his friends see Autumn and they find that she was perfect for what they were planning, given that it was her father they wanted to take revenge on.Autumn learns a shocking truth about a scandal involving a murder and her father, and persistently denies it. But apparently they have proof.All Autumn wants to do is the right thing. If her father is innocent she gets to say 'I told you so' and if he's really a cheating murderer then she does what's right and gets out of this mess once and for all.But as usual, things get complicated. Actually, feelings get complicated, because the longer she stayed, the closer the broken boy held her.© 2020 by Everleigh Winters

65 Chapters

Never Seen After the Divorce

Four years of marriage. One signature—his own—that set me free, though he never realized what he was signing. I was Sophia Moretti, the invisible wife of James Moretti, heir to the city’s most powerful mafia family. But when his childhood sweetheart, the dazzling and privileged Vicky, returned, I finally understood: I had always been temporary. So I played my final move. I slid the papers across his desk—divorce disguised as routine university forms. James signed without a second glance, his fountain pen scratching across the page as carelessly as he'd treated our vows, without noticing he was ending our marriage. But I walked away with more than my freedom. Beneath my coat, I carried his unborn heir—a secret that could destroy him when he finally realized what he'd lost. Now, the man who never noticed me is tearing the world apart trying to find me. From his penthouse to the underworld's gutters, he's turning over every stone. But I'm not some trembling prey waiting to be found. I rebuilt myself beyond his reach—where not even a Moretti can follow. This time, I won't be begging for his love. He'll be begging for mine.

11 Chapters

What Is The Meaning Of The Heart Is Deceitful Above All Things?

2 Answers2025-10-17 19:27:48

That line from 'Jeremiah 17:9' always hits like a nudge in the ribs — uncomfortable but useful. On the surface, it's saying something pretty stark: the heart (which in the original language covers feelings, desires, will, and thought) tends to lie to itself. 'Deceitful above all things' isn't just poetic flourish; it points to a pattern where what we most want to be true colors how we perceive reality. Translating that into everyday life, it explains why I can convince myself a project is on track when I'm actually procrastinating, or why I keep telling myself a relationship will change even when the evidence stacks up differently.

Thinking about it more deeply, I see two layers. One is a spiritual or moral layer many readers recognize: human nature often leans toward self-justification, rationalizing choices that comfort the ego. In that sense the verse nudges toward humility and accountability — you can't fully trust your internal compass without checks. The other layer is psychological and embarrassingly modern: cognitive biases, motivated reasoning, and confirmation bias. Social media amplifies this by giving us tailored feedback loops, so our hearts get reinforced in whatever direction they already favor.

So what do I do with that idea? I try to treat my inner voice like a friend who's easily swayed by wishful thinking. I journal to see patterns I miss in the moment, ask trusted people for honest takes, and set small, observable tests for my own claims (if I say I'll write daily, then track it). I also appreciate the verse because it gently pushes me towards practices that matter: confession or honest talk with others, therapy, intentional solitude, and habits that reveal reality. It's humbling without being hopeless; knowing my heart can deceive me opens the possibility of discovering greater truth, whether that's through prayer, reflection, or just the hard work of living honestly. That balance — humility plus practical steps — is where I find freedom, and it keeps me checking in with myself more often.

Why Was The Author Last Seen Online Without Replying To Fans?

4 Answers2025-10-17 06:44:27

I get why people were buzzing — seeing an author active but not replying feels oddly personal, like being left on read by someone you care about. From where I sit, the most human explanation is overwhelm: authors often toggle online presence when juggling edits, deadlines, or last-minute requests from publishers. They can be logged in for a quick check of comments, set notifications to catch critical messages, and then get pulled into a two-hour edit sprint where replying becomes impossible.

Another thing I’ve seen is boundary-setting. A lot of creators learn the hard way that constant engagement burns them out, so they’ll pop online to drop an announcement or to keep their account alive but deliberately avoid responding to threads. Technical issues also happen — account glitches, notifications not popping, or messages buried under a flood of replies. And yes, life intrusions like family emergencies or travel can make someone appear active while actually being distracted.

Whatever the reason in this case, I lean toward patience: silence online doesn’t equal dismissal. I’ll keep supporting their work and trust they’ll reconnect when they can — it’s what I’d want if roles were reversed.

Where Can I Buy Merchandise For The Goodbye Things Series?

3 Answers2025-10-17 02:18:37

I get a little giddy when people ask about merch hunts, so here’s a sprawling map of places I’d check first for anything tied to the 'goodbye things series'. Start with the obvious: look for an official shop. If the series has a publisher, production company, or an official website or social feed, that’s the most direct route to legit goods, limited editions, and pre-orders. Official stores often have the best quality prints, enamel pins, artbooks, or special bundles, and they sometimes do worldwide shipping or list international retailers.

If the official channel doesn’t have much, move on to big online retailers and bookshops. Sites like Amazon, Barnes & Noble, Bookshop.org, or regional bookstore chains often carry tie-in merchandise or the book itself if the series is literary. For anime/manga-style items, check specialty shops like Right Stuf, Crunchyroll Store, CDJapan, AmiAmi, or Animate (they carry figures, CDs, and event-exclusive goods). Don’t forget secondhand markets like eBay, Mercari, or local used-book/collectible stores for out-of-print items.

For fan-driven merch and indie sellers, Etsy, Redbubble, Society6, and Teepublic are lifesavers. You’ll find prints, stickers, shirts, and sometimes creative takes that the official line never made. If you want something truly custom, use Printful or a local print shop for hoodies, posters, or badges. Finally, hunt in community hubs—Twitter/X, Reddit, Discord servers, and fan groups often swap leads about pop-up shops, doujin circles, and con-exclusive drops. I usually mix official buys with a few fan-made items to keep my collection interesting, and it always feels good to support creators directly when possible.

What Daily Habits Help People Do Hard Things Better?

5 Answers2025-10-17 17:07:20

I pick small fights with myself every morning—tiny wins pile up and make big tasks feel conquerable. My morning ritual looks like a sequence of tiny, almost ridiculous commitments: make the bed, thirty push-ups, a cold shower, then thirty minutes of focused work on whatever I’m avoiding. Breaking things into bite-sized, repeatable moves turned intimidating projects into a serial of checkpoints, and that’s where momentum comes from. Habit stacking—like writing for ten minutes right after coffee—made it so the hard part was deciding to start, and once started, my brain usually wanted to keep going. I stole a trick from 'Atomic Habits' and calibrated rewards: small, immediate pleasures after difficult bits so my brain learned to associate discomfort with payoff.

Outside the morning, I build friction against procrastination. Phone in another room, browser extensions that block time-sucking sites, and strict 50/10 Pomodoro cycles for deep work. But the secret sauce isn’t rigid discipline; it’s kindness with boundaries. If I hit a wall, I don’t punish myself—I take a deliberate 15-minute reset: stretch, drink water, jot a paragraph of what’s blocking me. That brief reflection clarifies whether I need tactics (chunking, delegating) or emotions (fear, boredom). Weekly reviews are sacred: Sunday night I scan wins, losses, and micro-adjust goals. That habit alone keeps projects from mutating into vague guilt.

Finally, daily habits that harden resilience: sleep like it’s a non-negotiable, move my body even if it’s a short walk, and write a brutally honest two-line journal—what I tried and what I learned. I also share progress with one person every week; external accountability turns fuzzy intentions into public promises. Over time, doing hard things becomes less about heroic surges and more about a rhythm where tiny, consistent choices stack into surprising strength. It’s not glamorous, but it works, and it still gives me a quiet little thrill when a big task finally folds into place.

Can Therapy Help Someone Learn To Do Hard Things?

5 Answers2025-10-17 20:23:14

Night after night I'd sit at my desk, convinced the next sentence would never come. I got into therapy because my avoidance had become a lifestyle: I’d binge, scroll, and tell myself I’d start 'tomorrow' on projects that actually mattered. Therapy didn’t magically make me brave overnight, but it did teach me how to break the impossible into doable bites. The first thing my clinician helped me with was creating tiny experiments—fifteen minutes of focused writing, a five-minute walk, a short call I’d been putting off. Those micro-commitments lowered the activation energy needed to begin.

Over time, therapy rewired how I think about failure and discomfort. A lot of the work was about tolerating the uncomfortable feelings that come with new challenges—heart racing, intrusive doubts, perfectionist rules—rather than trying to eliminate them. We used cognitive restructuring to spot catastrophic thoughts and behavioral activation to reintroduce meaningful action. Exposure techniques came into play when I had to face public readings; graded exposures (reading to a friend first, then a small group, then a café) were invaluable. Therapy also offered accountability without judgment: I’d report back, we’d troubleshoot what got in the way, and I’d leave with a plan. That structure turned vague intentions into habits.

It’s important to say therapy isn’t a superhero cape. Some things require practical training, mentorship, or medication alongside psychological work. Therapy helps with the internal barriers—shame, avoidance, unhelpful beliefs—that sabotage effort, but learning a hard skill still requires deliberate practice. I kept books like 'Atomic Habits' and 'The War of Art' on my shelf, not as silver bullets but as companions to the therapeutic process. What therapy gave me, honestly, was permission to be a messy, slow learner and a set of tools to keep showing up. Months in, I was finishing chapters I’d left for years, and even when I flopped, I flopped with new data and a plan. It hasn’t turned me into a fearless person, just a person who knows how to do hard things more often—and that’s been wildly freeing for me.

Who Owns Rights To No More Cranes Seen In The Mountains And Rivers?

4 Answers2025-10-16 11:35:18

If you're tracking who controls the rights to 'No More Cranes Seen in the Mountains and Rivers', the simplest way I think about it is: the original creator holds the core copyright, and various companies pick up different licenses from them.

In practice that means the author or original rights holder owns the underlying work — the story, characters, and original text — and then grants publishing, translation, distribution, and adaptation rights to platforms or publishers. For example, a Chinese web platform or a traditional publisher might have exclusive serialization or print rights within a territory, while a production studio could buy adaptation rights for TV, film, or animation. Merchandising and game rights are often separate deals too.

So, unless the author explicitly transferred full copyright, you'll usually see a split: the creator retains copyright while different businesses hold licenses for specific uses. I always find that split interesting because it lets a story reach new audiences while the original creator can still have a say — feels like a fair middle ground to me.

Can Naruto Sakura'S Bond Be Seen As A Friendship In The Manga?

2 Answers2025-09-23 06:52:31

The bond between Naruto and Sakura in 'Naruto' is such an interesting topic to dive into! At first glance, it’s easy to label their relationship as a classic friendship, but the nuances really come through when you look deeper. From the beginning, there’s this genuine camaraderie that forms among the three characters—Naruto, Sakura, and Sasuke—that's rooted in their shared experiences and struggles as young ninjas. Naruto's unwavering support for Sakura during her moments of self-doubt showcases the essence of friendship. He believes in her abilities when she doesn’t, urging her to see her own worth, which creates a really powerful dynamic.

As the story matures, so does their relationship. While Sakura initially sees Naruto as a bit of a nuisance, she grows to appreciate him for his steadfastness and resilience. There’s this pivotal moment during the Pain arc where they face incredible odds together, and Naruto’s determination deeply impacts Sakura. This shift marks a significant turning point, indicating how their friendship evolves into something much richer. It’s not just about being teammates; it’s about understanding and supporting each other emotionally as they both confront their individual challenges.

Moreover, you can’t ignore the role of unrequited feelings. Naruto’s crush on Sakura adds complexity to their bond. It's a little bittersweet, right? He treasures her as more than just a friend, and while Sakura does have her ups and downs navigating her own feelings for Sasuke, the friendship serves as a solid foundation for them. So, yes, it's definitely a friendship, but one colored with unspoken tensions and layers of emotions that keep it engaging throughout the series. I find the variety of emotions they both experience fascinating, making their bond resonate with so many fans on different levels. It’s a beautiful example of how friendship can evolve with time and experiences, especially in the context of their shinobi lives.

Switching gears a bit, I think it’s also essential to consider how their bond adds warmth to 'Naruto.' For younger audiences, the portrayal of friendship is incredibly important; it shows that everyone has their unique path while still being connected through shared experiences. I love how the series subtly teaches the value of loyalty, trust, and emotional support all wrapped in the guise of ninjas fighting epic battles. Overall, their friendship is more profound than it may seem on the surface, reflecting the complexities of relationships in a way that's both relatable and inspiring!

Can Acid Communism Be Seen In Modern Street Art?

5 Answers2025-10-17 23:53:28

Street corners sometimes feel like time machines that splice a 1960s poster shop, a rave flyer, and a political pamphlet into one wild collage. I see acid communism in modern street art when murals and wheatpastes borrow psychedelia’s warped palettes and communal fantasies, then stitch them to leftist slogans and public-space demands. There are pieces that look like someone fed Soviet propaganda through a kaleidoscope—hammer-and-sickle shapes melting into neon florals, portraits of workers haloed with fractal light. That visual mashup is exactly the vibe 'Acid Communism' tried to name: a desire to reanimate collectivist possibility with the weird, ecstatic language of counterculture.

Sometimes it’s subtler: neighborhood paste-ups advertising free skill-shares, community fridges tagged with cosmic symbols, or a mural organized by a dozen hands where authorship is intentionally diffuse. Those collective acts—arts not as commodities but as shared infrastructure—feel like lived acid communism to me. I love spotting those moments: bright, unruly, slightly dangerous public optimism that refuses to be expensive. It makes me hopeful and a little giddy every time I walk past one.

Who Should Star In An Unspeakable Things Adaptation?

5 Answers2025-10-17 01:26:50

My mind lights up at the possibilities for a screen version of 'Unspeakable Things'—it feels like the kind of story that needs actors who can carry dread in a glance and tenderness in a whisper. For the lead role, I’d pick Florence Pugh: she can be ferocious and fragile in the same scene, which is perfect if the central character is someone haunted by secrets and forced into impossible choices. Opposite her, someone like Barry Keoghan would bring that slippery, unpredictable energy; he can be quietly menacing or heartbreakingly vulnerable, and that duality would complicate every interaction on screen.

For a parental figure or antagonist, I imagine Toni Collette or Willem Dafoe—either could give the role a lived-in menace, Collette with domestic terror and emotional volatility, Dafoe with an uncanny, almost mythic intensity. A child with a crucial role should be played by someone who can hold their own in emotionally dense scenes—Brooklynn Prince or Jaeden Martell could do incredible work, offering both eerie stillness and real hurt. Supporting cast could include Jessie Buckley as a conflicted ally and Lakeith Stanfield in a role that subverts expectations: his presence adds unpredictability and a kind of sly intelligence.

I’d want direction that leans into psychological horror more than jump scares—think the slow-burn atmosphere of 'Hereditary' or the obsessive detail of 'The Haunting of Hill House', but with its own identity. Cinematography should favor long takes and tight framing to trap the viewer with the characters, and a score that uses silence and a few dissonant motifs to needle anxiety. Casting diverse actors who can bring textures of memory, trauma, and secrecy will make the story richer, especially if the script preserves moral ambiguity rather than handing out neat answers. All in, this feels like a project that could become a modern oddball classic if the right mix of visceral performances and patient direction comes together—I’d be first in line to see it, completely curious and a little unnerved.

How Do Authors Craft Memorable Short Things For Anthologies?

5 Answers2025-10-17 09:57:47

I get a little giddy thinking about tiny, sticky stories — those ones that lodge under your skin after a single read. For me, the trick is treating the short piece like a photograph, not a novel: pick a frame, a single decisive moment, and let every sentence serve that image. The first line has to be both hook and tone-setter; it isn’t just an opener, it’s a promise. I’ll often start by stripping away everything that doesn’t contribute to that one emotional or intellectual payoff. That means ruthless cutting of backstory, trimming description until every word hums, and choosing a point of view that amplifies the focus — sometimes a child's confused wonder, sometimes a weary narrator who’s already moved on.

I love playing with constraints. A limited timeline or a single setting sharpens creativity: one afternoon in a laundromat, one night at a bus stop, one phone call. Within those bounds I concentrate on sensory detail and a single arc — small but complete. Surprise is key, but not cheap shocks; I prefer an emotional pivot or a reframe that makes the reader re-evaluate everything they just read. Titles matter, too: a good title can be half the story by offering context or tension before the first word.

Finally, voice carries a short piece. A distinct narrative voice can make even a humble premise unforgettable. I study anthologies like 'Interpreter of Maladies' and 'Exhalation' to see how authors distill complexity into compact forms. When I write for collections, I think about how my piece will sit beside others — contrast and resonance make the whole anthology richer. In the end, I aim for a single image or line that keeps replaying in my head, and if I get that, I know I’ve done my job; that small echo is what I keep chasing.