Times 100 Best Novels

⚠️ Warning: This collection contains taboo age-gap romances, raw passion, and forbidden encounters that will leave you breathless. Read at your own risk. One hundred nights. One hundred forbidden desires. One hundred ways to surrender to the fire. In this raw and unapologetically steamy collection, boundaries are crossed, age gaps burn hotter than reason, and taboos become irresistible pleasures. From powerful men who should know better, to innocent souls who can’t resist temptation, 100 Nights of Forbidden Fire takes you deep into a world where the rules don’t apply, and every encounter is hotter than the last. Whether it is the allure of the older neighbor, the danger of the untouchable boss, or the thrill of a love that society calls forbidden, each story is a pulse-racing escape into passion without limits. Are you ready for a hundred nights of raw, forbidden fire?

There is a place where names are forgotten, faces are hidden, and only the body speaks. It doesn’t whisper. It moans. It obeys. It disobeys. It begs. You were warned not to touch. But you will. Welcome to Velvet Heat, a collection of 100 dangerously intimate stories that whisper in the dark and bite when you’re not looking. These are not tales of sweet love and gentle kisses. These are fantasies that unravel you..slowly, slickly, and without apology. Behind every silk sheet is a secret. Beneath every command, a dare. And under every moan, a threat. From faceless strangers in candlelit rooms to monsters who taste like sin, this is a world where desire bleeds, power shifts, and no one escapes untouched. Some stories will make you beg. Some will make you scream. And some… will make you wish you never opened the book. Velvet Heat is where you come to lose yourself. But you’ll never leave the same. Only sinners. No safe words. Only consequences. And no promises of love..just obsession, power, hunger… and release.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

Born into a blended family, Chantelle grew up on the sidelines, raised with love by her grandmother after her mother's death. Shut out by her father Gérard, dominated by his new wife Rhonda, and relegated to the background behind her pretentious stepsister Mégane, she learned to survive in silence. When her grandmother is diagnosed with a terminal illness, Chantelle's world crumbles. With no family support and overwhelmed by medical bills, she accepts a desperate proposition: one hundred nights for one million euros, with a wealthy man whose identity she will never know. The rules are simple. A blindfold over her eyes, a stranger's touch, and silence. He never speaks. She never sees. He leaves her with anonymous bank transfers... and the haunting scent of his perfume as her only memory. Twelve nights pass. Then, forced by her father to attend a family dinner, Chantelle comes face to face with Mégane's fiancé: Collen Wilkerson—the cold, unapproachable CEO of the powerful corporation where she works as a simple employee. He is a man she knows only from a distance. Arrogant. Untouchable. But when he steps closer, a familiar scent wraps around her, and the world stops. It's his perfume. The same as the masked man. She has already spent twelve nights in his arms. And there are still eighty-eight to go.

Some lines were never meant to be crossed... but the heart doesn't always follow the rules. "Crossed Lines: 40 Forbidden Stories" is a captivating collection of forty unforgettable tales where love appears in the most unexpected places and every choice comes with a price. From impossible attractions and long-buried feelings to family secrets, second chances, and relationships that challenge society's expectations, each story explores the delicate balance between desire, loyalty, and the consequences of following one's heart. Every chapter introduces new characters, new conflicts, and a new journey filled with emotion, heartbreak, hope, and unforgettable twists. Some will fight for love. Some will walk away. Others will discover that the greatest battles are the ones within themselves. Forty stories, forty impossible choice and one unforgettable collection. Will they obey the rules... or cross the line?

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.