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We Deserve Monuments

“I still don’t understand how Dad fell for my Mom. I mean she is Indian and he is Australian. How did he?” I asked him tapping my chin. “That’s the specialty of Indian women. Anyone can fall in love with them.” He replied shrugging like it is the silliest question. “Do only Indian women have that specialty or even men?” I asked raising my eyebrow. “Of course!” he replied pulling me to him. “But I am unable to see anything special in you though.” I mumbled to which he narrowed his eyes. “Then the problem must be in you.” He mumbled back with a strong glare. “Ouch! Anyway, do you have the specialty you are saying to deserve me?” I asked him smirking. “What?” he asked with shocked face. I laughed before pushing him away and rushed towards the main gate thinking he will just catch me. However, I turned around and asked him “Do you?” with a serious tone this time. ------------------- A girl who wishes that the people with whom she stays must deserve her but not because she wants to feel arrogant or superior. It is just so that she can get assurance that she will not get hurt by them. She will not settle for anything less no matter what…

Not enough ratings

31 Chapters

You Deserve

Ethan Francis is a professional photographer. He is good looking, tall, sharp-featured, well built, the balanced weight, and intelligent. He was the man, any woman would say yes to. And also the man, for all the wannabe models and the supermodels to be. Arthur Perry is the managing director of his father’s construction company. He is soon to be CEO. He is smart, talented, handsome, and respectful. He has a beautiful wife, Emily Watt, and a lovely daughter, Amity Perry. He has the perfect family. Or that is what his father defined as perfect for him.When the college sweethearts meet after years in an inevitable situation, they find themselves second-guessing their life choices.Read the complete story to know about their choices.

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37 Chapters

The Love I Deserve

Truly life is unfair in this fallen world — but one got no choice but to cope up with it. Celine lived a perfect life until her father’s passing. Thereafter, she had to fight — defy all the odds, and face betrayals, which she did. But something is still missing, her heart is empty. After all the betrayals she encountered in life, will Celine be able to break down her walls? Certainly, Celine is born to fight for herself and others. But can she fight her own heart? What would she choose, to forgive or not, herself or the man she loves?

6 Chapters

Do I DeservE To Be LoveD ??

Leka Sree is a girl once lived as a princess but now she lost everything and living as a broken soul in the jail. Once beauty queen has now become an ugly duckling. How her life is going to be when she gets out of the jail ??.. Who married her even after knowing her wrondoings ??.. Why she agrees to marry him without even seeing him ??.. Peep into the story to know what's going to happen..

35 Chapters

An undeserved second chance

Ryan Harris asks his wife of over two years for a divorce one night out of the blues. At first, Becca refuses because she's desperately in love with him, and tries to change his mind, but he makes her life miserable and she has no choice but to leave. However, she finds out just two weeks after she leaves that she's carrying her now ex-husband's child, and at first, entertains the notion of getting rid of the baby, but decides to keep it in the end. Seven years later, she's still unmarried, having given up on love, and is raising her beautiful daughter alone when Ryan unwittingly brings his daughter over to attend Becca's daughter's birthday. Becca hates him now ... or so she tells herself and doesn't want to give him access to his newfound child. However, the bond between father and child is unbreakable and Becca is torn on what to do, as she still harbors feelings for her ex-husband, who is seeking reconciliation.

8.3

149 Chapters

Ex-Husband's Regret

Ava: Nine years ago I did something terrible. it wasn't one of my best moments but I saw an opportunity to have the guy I've loved since I was a young girl and I took it. Fast forward to years later and I'm tired of living in a loveless marriage. I want to free both of us from a marriage that should never have taken place. They say if you love something.... It was time to let him go. I know he'll never love me and that I'll never be his choice. His heart will always belong to Her and despite my sins, I deserve to be loved.Rowan: Nine years ago, I was so in love I could barely see right. I ruined it when I made the worst mistake of my life and in the process I lost the love of my life. I knew I had to step up in my responsibility and so I did, with an unwanted wife. With the wrong woman. Now she has once again flipped my life by divorcing me. To make matters even more complicated, the love of my life is back in town. Now the only question is, who is the right woman? Is it the girl I fell head over heels in love with years ago? or is it my ex wife, the woman I never wanted but had to marry?

9.5

681 Chapters

Are The Monuments Men Film Characters Based On Real Soldiers?

5 Answers2025-10-17 19:33:50

I've always been fascinated by the real-life oddities of wartime history, and the story behind 'The Monuments Men' is one of those delightful mixes of truth and storytelling. The short version is: yes, the film is based on real people and a real unit — the Monuments, Fine Arts, and Archives program — but most of the movie's characters are dramatic reconstructions rather than shot-for-shot biographies. Some characters are directly inspired by historical figures (George Stout, James Rorimer, and the heroic French art guardian Rose Valland are names you'll see tied to the real effort), while others are composites or fictionalized to make the story tighter and more cinematic.

Filmmakers often compress timelines, blend personalities, and invent scenes for emotional or narrative clarity. In practice that means a screen persona might borrow a heroic moment from one real person and a quirk from another. The book 'The Monuments Men: Allied Heroes, Nazi Thieves and the Greatest Treasure Hunt in History' by Robert M. Edsel — which much of the film traces back to — and the Monuments Men Foundation do a great job laying out who actually did what, including how museum curators, conservators, and soldiers worked together to track and recover thousands of stolen artworks. If you like digging into the details, the real stories are richer and often stranger than the movie versions.

I love the film for sparking curiosity about cultural rescue in wartime, but if you're after historical accuracy, treat the movie as an entertaining gateway rather than a documentary. It got me reading more and marveling at how passionate a few people were about saving art even in the chaos of war.

Where Did The Monuments Men Hide Recovered Artworks?

5 Answers2025-10-17 05:20:07

My curiosity lights up when I think about where those priceless works ended up during the chaos of the war. The short version: the Nazis stashed enormous caches in places that were cold, dry, and easy to hide—salt mines, deep caverns, church crypts, private castles and country estates. The most famous hiding spot was the Altaussee salt mine in Austria, where whole galleries of paintings, tapestries and sculptures were tucked away in the mine’s stable environment. Another big stash was in the Merkers salt mine in central Germany, where they also found mountains of gold and currency alongside art.

After Allied troops discovered these sites, the Monuments people didn’t just grab things and run. They worked with military authorities to secure the locations, photograph and catalog every item, and then move the objects to specialized hubs called Central Collecting Points—places like Munich, Wiesbaden and Offenbach—where restoration and provenance research happened. Those depots became the bureaucracy’s clearinghouses: paintings were cleaned, photographic records were taken, and painstaking tracing began to return works to their rightful owners or museums. Some items were found in surprising places too—barns, monastery attics, even packed onto trains—but the mines and castles were the headline finds.

I still get a little thrill picturing crates of masterpieces sitting in those cold rock chambers, safe against bombardment yet vulnerable to time, and imagining the relief when experts finally brought them back into the light; it makes me proud of the way people rallied to protect culture amid destruction.

What Underrated Horror Dracula Movies Deserve Rediscovery?

3 Answers2025-08-29 14:37:43

I still get a little thrill when I stumble on a Dracula film that feels like a secret handshake between me and the director — those movies that twist the familiar myth into something weirdly new. If you want underseen Dracula-ish gems, start with 'The Brides of Dracula' (1960). It lacks the Count himself, but Terence Fisher and Hammer Studios cram atmosphere, slow-building dread, and some terrific gothic set pieces into a tight runtime. It’s like the darker, moodier cousin of the more famous Hammer entries; watch it late at night with subtitles on and you’ll hear every creak and whisper.

Another favorite that cries out for rediscovery is 'Captain Kronos: Vampire Hunter' (1974). It feels like a lost folk horror fairy tale — slightly campy, often gorgeous, and surprisingly tender in parts. Then there’s 'Dracula: Pages from a Virgin’s Diary' (2002), Guy Maddin’s ballet-film mashup that turns Stoker into dream logic and dance; it’s art-house and operatic, and if you love experimental cinema, it’ll stick with you. For something audacious and grotesque, try 'Blood for Dracula' (1974) with Udo Kier — it’s gloriously weird, European art-house cruft that slowly corrodes polite vampire tropes. Lastly, if you want a meta take on filmmaking and myth, 'Shadow of the Vampire' (2000) — a fictionalized making-of for 'Nosferatu' — is equal parts eerie and brilliant.

If you’re curating a small Dracula festival at home, mix a Hammer film with one of the arty or meta pieces above. Watch restorations when you can, read a bit of Bram Stoker between screenings, and invite someone who’ll stay awake for the weird bits — they make for the best late-night conversations.

Which Indie Titles Deserve A Spot On Top 10 Romance Books?

4 Answers2025-09-03 20:30:15

Okay, if I had to cram my indie-loving heart into a top-10 shortlist, these are the titles that keep bouncing to the top of my brain—books that feel handmade, quietly daring, and somehow more honest than many big-list romances. Some of them began life on Wattpad or as self-published gems, others as webcomics that grew into full paperback hugs. Either way, they deserve the spotlight.

'Heartstopper' — such a soft, earnest queer love story that proves comics can out-romance many novels. 'Check, Please!' — another webcomic-turned-book that mixes hockey, found family, and swoon. 'Archer's Voice' — slow-burn, emotional, and impossible to forget. 'Slammed' — raw, lyrical, and one of those books that hooked a generation. 'After' — chaotic and guilty-pleasure addictive, it says a lot about fandom-born storytelling. 'The Wall of Winnipeg and Me' — the perfect example of patient tension and grown-up romance. 'The Edge of Never' — road-trip longing and that aching pull. 'Beautiful Disaster' — flawed, messy, and oddly magnetic. 'On Dublin Street' — smart banter and city heat. 'The Life I Stole' — for readers who like redemption arcs and quiet rebuilds.

These ten aren't polished like every trad-pub cover; they have fingerprints. They show why indie spaces are fertile for risk: queer voices, messy protagonists, slow-burn pacing, and weird premises that traditional pipelines might reject. If you want a reading night that feels like eavesdropping on something real, start here, make tea, and get comfortable.

Which Underappreciated Books Deserve A Modern Adaptation?

4 Answers2025-09-04 20:28:49

Okay, toss me a cup of tea and let's dream a little: there are so many quietly brilliant novels that would sing on screen if someone dared to adapt them right. First up, 'The Forgotten Beasts of Eld' by Patricia A. McKillip — it's lyrical, mythic, and intimate all at once. I picture a limited series that leans into mood and atmosphere rather than blockbuster spectacle, something like a grown-up fairy tale with hand-held camera moments and a haunting score. Think family drama meets elemental magic, slow-burned over six to eight episodes.

Then there’s 'Engine Summer' by John Crowley, which is gentle, melancholic science fiction. Its contemplative pace and fragmented storytelling would thrive as an anthology-style show or a single-season adaptation that uses visual memory sequences and a soft, analogue color palette. It’s perfect for viewers who like slow, thoughtful sci-fi rather than nonstop action.

Finally, give me 'The Vorrh' by B. Catling or 'The Drowned World' by J. G. Ballard. Both are surreal and challenging, but in an era when streaming platforms embrace weirdness, a bold director could turn them into sensory, unsettling experiences — equal parts weird art-house and genre TV. I’d love to see filmmakers treat these books as invitations to experiment with sound design, practical effects, and non-linear editing rather than forcing them into standard genre beats.

Which Underrated Best Romantic Sci-Fi Books Deserve Film Adaptation?

3 Answers2025-09-06 17:53:48

Honestly, if a director wanted to surprise me at the box office, they would adapt 'This Is How You Lose the Time War' into a film that feels like an elegy and a spy thriller rolled into one. The book’s epistolary structure — letters exchanged across timelines — is perfect for a non-linear movie that can play with color grading, voiceover, and intercutting timelines. I’d want it to keep the poems and the tiny, savage metaphors; those are the emotional core, the reason you care about two people from rival factions trying to love across impossible odds.

Another pick I'd shove into anyone's hands is 'The Girl in the Road' by Monica Byrne. It’s almost cinematic in the way it moves across geography and memory: desert crossings, ocean liners, and a futuristic Indian subcontinent. The novel’s intimate and queer love story sits inside a broader, adventurous scaffold, which gives filmmakers room to make something visually bold and emotionally intimate at once. Think gritty, sun-bleached cinematography with a tender, slow-bloom romance at the center.

I’d also champion 'Idoru' by William Gibson and 'The Space Between Worlds' by Micaiah Johnson. 'Idoru' would let a director explore pop-star AI mythology with glossy cyberpunk visuals and soft, uncanny romance; 'The Space Between Worlds' offers multiverse visuals and the chance to examine identity and love when duplicate lives diverge. Any one of these could be a smart, moving sci-fi romance that trusts feelings over spectacle, and I’d be first in line to see them.

What Monuments Commemorate Ayub Khan Pakistan Today?

3 Answers2025-08-25 07:43:37

Growing up near Rawalpindi, I still think of Ayub National Park before anything else when someone asks about monuments linked to Ayub Khan. That massive green space — with its lake, amusement area and wide lawns — was named for him decades ago and remains one of the most visible public reminders of his era. When I visit, I often spot plaque-like signs and older buildings within the park that reference the 1960s development push, which makes the place feel like a little time capsule of mid‑century Pakistan.

Beyond the park, the other concrete commemorations that I can point to without stretching are institutions in the north: Ayub Medical College and its associated teaching hospital in Abbottabad are still important regional landmarks carrying his name, and they draw students and visitors every year. Elsewhere across Pakistan you’ll encounter smaller, less formal tributes — roads, parks and municipal facilities that were named during or shortly after his presidency. Some have been renamed over time, while others quietly retain the Ayub label.

If you’re studying his legacy, I’d recommend combining visits to those places with reading contemporary newspaper archives or local municipal records; the physical monuments tell you where memory has stuck, and archives tell you where it’s been rewritten. For me, walking around Ayub National Park is part nostalgia, part curiosity — it’s where civic life and contested memory meet in a very ordinary way.

What Underrated Horror 2013 Gems Deserve Rewatching?

3 Answers2025-08-26 15:44:15

Whenever I need a little reminder that 2013 had some quietly brilliant scares, I pull up a few of these and let the atmosphere do the work. They’re not the big studio scream-fests that everyone quotes, but they linger in the head in the best ways — small, weird, and defiantly original.

First, give 'Cold Skin' another look. It’s a gorgeous, melancholy creature piece that sneaks up on you: bleak island setting, fog, and this slow-burn friendship between two very different men that complicates the monster tropes. Rewatching, I always notice tiny visual callbacks and the way the score thickens the isolation; it rewards slow attention. Then there’s 'The Sacrament', Ti West’s found-footage riff on cult paranoia. The first time it feels like a thriller; the second time you see the structural choices: how tension is built via interiors, camera attitudes, and the small human moments before the collapse.

For something claustrophobic and sly, 'The Den' is perfect — the whole online-observation premise ages in a fascinating way now that we live inside webcams and streams. And don’t sleep on 'The Borderlands' (also released as 'Final Prayer') if you like ecclesiastical dread: the pacing and the final act’s practical effects hit harder on a second viewing when you’re looking for clues. If you want something more heady, 'A Field in England' is like a psychedelic period nightmare that refuses to resolve; it’s the kind of film that changes tone with each viewing. All of these reward patience — try watching with the lights dimmed, and you’ll catch details that slipped past you the first time.

What Monuments Commemorate Augustus Octavian Caesar In Rome?

1 Answers2025-08-30 22:49:39

Strolling around Rome, I love how the city layers political propaganda, religion, and personal grief into stone — and Augustus is everywhere if you know where to look. The most obvious monument is the 'Mausoleum of Augustus' on the Campus Martius, a huge circular tomb that once dominated the skyline where emperors and members of the Julio-Claudian family were entombed. Walking up to it, you can still feel the attempt to freeze Augustus’s legacy in a single monumental form. Nearby, tucked into a modern museum designed to showcase an ancient statement, is the 'Ara Pacis' — the Altar of Augustan Peace — which celebrates the peace (the Pax Romana) his regime promoted. The reliefs on the altar are full of portraits and symbols that deliberately tied Augustus’s family and moral reforms to Rome’s prosperity, and the museum around it makes those carvings shockingly intimate, almost conversational for someone used to seeing classical art in fragments.

When I want an architectural hit that feels full-on imperial PR, I head to the 'Forum of Augustus' and the 'Temple of Mars Ultor' inside it. Augustus built that forum to close a gap in the line of public spaces and to house the cult of Mars the Avenger, tying his rule to Rome’s martial destiny. The temple facade and the colonnaded piazza communicated power in a perfectly Roman way: legal tribunals, religious vows, and civic memory all in one place. Nearby on the Palatine Hill are the 'House of Augustus' and remnants tied to the imperial residence; wandering those terraces gives you a domestic counterpoint to the formal propaganda downtown, like finding the personal diary hidden in a politician’s office.

There are other less-obvious Augustan traces that still feel like little easter eggs. The 'Obelisk of Montecitorio' served in the Solarium Augusti — Augustus’s gigantic sundial — and although its meaning got shuffled around by later rulers, it’s an example of how he repurposed Egyptian trophies to mark time and power in the Roman public sphere. The physical statue that shaped so many images of him, the 'Augustus of Prima Porta', isn’t in an open square but in the Vatican Museums; it’s indispensable for understanding his iconography: the raised arm, the idealized youthfulness, the breastplate full of diplomatic and military imagery. If you’re into text as monument, fragments of the 'Res Gestae Divi Augusti' (his own monumental self-portrait in words) were originally displayed in Rome and survive in copies elsewhere; in Rome you can chase down inscriptions and museum fragments that echo that project of self-commemoration.

I like to mix these visits with a slow cappuccino break, watching tourists and locals weave among ruins and modern buildings. Some monuments are ruins, some are museums, and some survive only as repurposed stone in medieval walls — but together they form a kind of Augustus trail that tells you how a single ruler tried to narrate Roman history. If you go, give yourself a little time: stand in front of the 'Ara Pacis' reliefs, then walk to the Mausoleum and imagine processions moving between them; that sequence gives the best sense of what Augustus wanted Rome to feel like.

What Novels Explore The Theme 'Don'T Deserve' Redemption?

3 Answers2025-09-09 11:28:00

One novel that immediately comes to mind is 'Crime and Punishment' by Dostoevsky. Raskolnikov's journey is a brutal examination of guilt and the idea of whether someone can ever truly 'earn' redemption after committing a horrific act. The way Dostoevsky dissects his protagonist's psyche—wavering between self-loathing and grandiosity—makes you question if redemption is even possible for someone who believes they’re above moral laws.

Then there’s 'The Kite Runner' by Khaled Hosseini, where Amir spends decades haunted by his childhood betrayal. The book doesn’t offer easy answers; even when he tries to atone, the weight of his past actions lingers. It’s less about 'deserving' forgiveness and more about whether living with the burden is its own form of penance. Both novels leave you wrestling with the idea that redemption might not be a destination but a lifelong struggle.