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When In Rome
When in Rome is a comedic or romantic novel where cultural misunderstandings and clashes arise as a protagonist navigates unfamiliar social norms, often leading to personal growth or unexpected connections.
Heiress of Rome
Her name was Vitatrix, the first empress of Rome.
You won't see her in any of the history books, or hear her name in any ballad or song.
She isn't even mentioned in myth or legend. Her mark on mankind was erased, because she was a woman.
Long ago Rome's emperor died with out a son. His cousin, a roman senator ascended to the throne with out a legitimate heir, or so everyone thought.
Fear started to grip the citizens of Rome as new threats rose from every corner of the empire.
In the city of Clusium, a daughter that was born to the new roman emperor, hidden by his wife. All of this to protect her from the possible rage and discrimination from her own family.
All because she was born a girl.
In a world where men rule, can this sole female heir secure her rightful place? Or will her gender pull her down?
Raised by the midwife that helped bring her into the world, a young Trix finds out who she truly is.
She must return to a family she has never known and save the Roman Empire from anarchy.
She must fight a corrupt senator, a secret society, and her own fears of the future.
Together with her best friend, Hector, she will learn that not everyone can be trusted.
Not all stories have a happy ever after. Will this one?
55 Chapitres
Guns In Rome
Eleanor always wanted a fresh start. She was raised in the mafia and was constantly exposed to guns, death, and blood. On the night she is kidnapped by an infamous Don, she manages to escape. But instead of going back to her old life, she decides to start a new one. She runs into the city of Rome and her true passion and love for food are sparked. When she meets Dante Santa Cruz, she no longer believes that anything can return her to the world she fled.
But how could she forget that she was the daughter of the mad queen?
4 Chapitres
Runway Deception (ENGLISH)
Maica Delmundo is a well-known model—beautiful, sexy, intelligent, and admired by many. It seems like she has it all. But beneath her fame lies a hidden secret, one that could ruin the career she has worked so hard to protect. What is the secret she’s keeping? Is she ready to let go of her success? Or will she hold onto it, even if it means losing the man she loves?
12 Chapitres
Romeo and Julius
Romeo, the youngest son of the king of vampires, and Julius, the crown prince of werewolves, mortal enemies in a war that has lasted 200 years, meet for the first time at college and discover that they are soulmates. The denial, the attempt at rejection, does not overcome the matebond that binds them, leaving them lost between the war, the obvious opposition of the species, and the hatred that the kings feel for each other.
Like a Romeo and Juliet from the fantastic world, could the two overcome the inevitable tragedy, transforming the story of their lives into a true romance where love can conquer all?
212 Chapitres
100 Days With Mr Romero
"Can I taste you down there?" He said and I swallowed.
"I want to claim you." His words disrupted my thoughts and I inhaled in a sharp breath.
"When you fell on my hands before practically falling on the floor, I knew I just had to have you." His deep voice reverberated throughout the empty room. He was sounded confident—no he was confident. "Even if it's for a night."
“I want to feel your skin on fire. I want to inhale the sharp of your breath as blood rushes through your body. Tell me bunny, are you wet right now?” He asked and I inhaled sharply. He growled.
She was Fire, and he wanted to consume every bit of her.
It was supposed to be a one night of fun, letting go and celebrating graduation from college. That was all Emma had bargained herself for.
He was Gideon, the owner of the biggest club in New York and few other countries. A typical player? No that wasn't the type of man he was, but that didn't mean he didn't mind having some fun occasionally. Or maybe more than occasionally.
What then happens when the one night of fun revolves into a forever when an unnerving situation binds both parties together? Would they be able to make the best out of the situation or would it turn out to be a disaster?
125 Chapitres
A Billionaire In Disguise
“Honey, our daughter can’t marry a loser. She is our only child, we can not hand her over to a nobody, especially at such a cruiser time.” Catherine’s mother cried out to her husband.
“So, an underdog for a husband. How ironic! As the saying goes, 'like mother, like daughter.”Chloe teased in a low voice, making sure that only Catherine could hear those words.
Although Rome said nothing, his blood was boiling with rage and thirst for revenge.
“I'll be back,” Rome said.
222 Chapitres
With Which Event Does The Historian Livy Start His Book On The History Of Rome?
2 Réponses2025-06-10 20:19:09
Livy’s 'History of Rome' kicks off with one of the most legendary foundations in history—the tale of Aeneas fleeing Troy and eventually setting the stage for Rome’s birth. But the real meat of his narrative begins with Romulus and Remus, the twin brothers raised by a she-wolf. It’s a story soaked in myth and drama, like something straight out of an epic fantasy. Livy doesn’t just dryly list facts; he paints this vivid picture of sibling rivalry, divine intervention, and the brutal founding of Rome itself. You can tell he’s threading this line between legend and history, making it feel grand yet strangely human.
What’s fascinating is how Livy uses these myths to frame Rome’s identity. The rape of the Sabine women, Romulus’s ascent to power—these aren’t just stories; they’re moral lessons about ambition, conflict, and the costs of greatness. Livy’s tone feels almost nostalgic, like he’s mourning the simpler, rougher days of Rome while also celebrating its rise. His opening isn’t just a history lesson; it’s a dramatic overture to the entire saga of Rome, setting the tone for everything that follows. The way he blends folklore with political commentary makes you feel like you’re hearing the city’s heartbeat from its very first pulse.
Who Wrote 'History Of Rome' And When Was It Published?
3 Réponses2025-06-21 03:29:03
I've always been fascinated by ancient historians, and 'History of Rome' is one of those monumental works that shaped how we view antiquity. The author is Titus Livius, commonly known as Livy, a Roman historian who lived during the reign of Augustus. He started writing around 27 BCE and continued for decades, producing 142 volumes that covered Rome's history from its legendary founding to 9 BCE. Only about a quarter survived to modern times, but what remains gives us incredible insight into Roman values and military conquests. Livy wrote with this vivid narrative style that made historical figures feel alive, blending myths with facts in a way that reflected Rome's self-image as destined to rule the world. If you enjoy epic historical storytelling, you might also appreciate 'The Annals' by Tacitus for a grittier take on imperial Rome.
What Monuments Commemorate Augustus Octavian Caesar In Rome?
1 Réponses2025-08-30 22:49:39
Strolling around Rome, I love how the city layers political propaganda, religion, and personal grief into stone — and Augustus is everywhere if you know where to look. The most obvious monument is the 'Mausoleum of Augustus' on the Campus Martius, a huge circular tomb that once dominated the skyline where emperors and members of the Julio-Claudian family were entombed. Walking up to it, you can still feel the attempt to freeze Augustus’s legacy in a single monumental form. Nearby, tucked into a modern museum designed to showcase an ancient statement, is the 'Ara Pacis' — the Altar of Augustan Peace — which celebrates the peace (the Pax Romana) his regime promoted. The reliefs on the altar are full of portraits and symbols that deliberately tied Augustus’s family and moral reforms to Rome’s prosperity, and the museum around it makes those carvings shockingly intimate, almost conversational for someone used to seeing classical art in fragments.
When I want an architectural hit that feels full-on imperial PR, I head to the 'Forum of Augustus' and the 'Temple of Mars Ultor' inside it. Augustus built that forum to close a gap in the line of public spaces and to house the cult of Mars the Avenger, tying his rule to Rome’s martial destiny. The temple facade and the colonnaded piazza communicated power in a perfectly Roman way: legal tribunals, religious vows, and civic memory all in one place. Nearby on the Palatine Hill are the 'House of Augustus' and remnants tied to the imperial residence; wandering those terraces gives you a domestic counterpoint to the formal propaganda downtown, like finding the personal diary hidden in a politician’s office.
There are other less-obvious Augustan traces that still feel like little easter eggs. The 'Obelisk of Montecitorio' served in the Solarium Augusti — Augustus’s gigantic sundial — and although its meaning got shuffled around by later rulers, it’s an example of how he repurposed Egyptian trophies to mark time and power in the Roman public sphere. The physical statue that shaped so many images of him, the 'Augustus of Prima Porta', isn’t in an open square but in the Vatican Museums; it’s indispensable for understanding his iconography: the raised arm, the idealized youthfulness, the breastplate full of diplomatic and military imagery. If you’re into text as monument, fragments of the 'Res Gestae Divi Augusti' (his own monumental self-portrait in words) were originally displayed in Rome and survive in copies elsewhere; in Rome you can chase down inscriptions and museum fragments that echo that project of self-commemoration.
I like to mix these visits with a slow cappuccino break, watching tourists and locals weave among ruins and modern buildings. Some monuments are ruins, some are museums, and some survive only as repurposed stone in medieval walls — but together they form a kind of Augustus trail that tells you how a single ruler tried to narrate Roman history. If you go, give yourself a little time: stand in front of the 'Ara Pacis' reliefs, then walk to the Mausoleum and imagine processions moving between them; that sequence gives the best sense of what Augustus wanted Rome to feel like.
What Is The Origin Of The Phrase All Roads Lead To Rome?
7 Réponses2025-10-22 18:24:48
The phrase 'all roads lead to Rome' has a neat, slightly nerdy backstory that I love to bring up when maps or history come up in conversation. At its core it's not just a catchy proverb: it reflects the actual engineering and political reality of the Roman Empire. The Romans built an immense, well-maintained network of roads radiating out from the capital, and for a long time many important routes were measured from the Forum in Rome, often thought to be marked by the 'Milliarium Aureum' — the so-called Golden Milestone set up by Augustus. That milestone was intended as a symbolic center from which distances to major cities were reckoned, so the idea that roads converged on Rome isn't purely metaphorical.
Beyond the literal roads, the phrase evolved into a medieval and early-modern proverb meaning many methods or paths can lead to the same goal. In Europe, Rome was the religious and administrative heart for centuries, so telling someone that 'all roads lead to Rome' also had political and cultural resonance: no matter which province you came from, Rome was a central hub. Over time it slipped into common speech as a way to remind people that different approaches may reach the same destination — handy in debates, in creative problem-solving, or when consoling friends who worry about taking a less-traveled path. I often find myself using it when choosing between odd travel routes or weird career detours; there's comfort in the idea that multiple paths can get you somewhere worthwhile, and that bit of Roman practicality still feels surprisingly modern to me.
How Does The Novel All Roads Lead To Rome Explore Fate?
7 Réponses2025-10-22 11:31:35
Pulling together those little coincidences and the big, historical echoes is what made 'All Roads Lead to Rome' land for me. The novel uses travel and convergence as a literal engine: separate lives, different eras, and scattered choices all swirl toward the city like tributaries joining a river. Instead of preaching that fate is fixed, the book dramatizes how patterns form from repeated decisions—someone takes the same detour, another forgives once too many, a third follows a rumor—and those micro-decisions accumulate into what readers perceive as destiny. I loved how the author drops small, recurring motifs—an old map, a broken watch, a stray phrase in Latin—that act like breadcrumbs. They feel like signs, but they also reveal how human attention selects meaning after the fact.
Structurally, the chapters themselves mimic fate: parallel POVs that slowly compress, flashbacks that illuminate why a character makes a certain choice, and a pacing that alternates between chance encounters and deliberate planning. This creates a tension: are characters pulled by some invisible current toward Rome, or have they unknowingly nudged each other there? The novel leans into ambiguity, refusing a tidy answer, which is great because it respects the messiness of real life.
On an emotional level, 'All Roads Lead to Rome' treats fate as a conversation between past and present—ancestors’ expectations, historical burdens, romantic longings—and the present-day ability to accept or reject those scripts. By the end I felt both unsettled and oddly comforted: fate here is neither tyrant nor gift, but a landscape you can learn to read. It left me thinking about the tiny choices I make every day.
Who Is The Main Antagonist In 'Game Of Thrones Caesar Of Rome Is The Father Of Phoenixes'?
3 Réponses2025-06-15 21:37:34
In 'Game of Thrones Caesar of Rome is the Father of Phoenixes', the main antagonist is Emperor Lucius Tiberius, a ruthless ruler who combines Roman military genius with dark sorcery. His ambition knows no bounds—he wants to conquer not just lands but also time itself, using forbidden rituals to extend his life. What makes him terrifying is his unpredictability; one moment he’s negotiating peace treaties, the next he’s burning entire cities to ash. His phoenix motif isn’t just symbolic; he literally rises stronger from every defeat, making him a nightmare for the protagonists. The way he manipulates both allies and enemies through sheer charisma and psychological warfare sets him apart from typical fantasy villains. If you enjoy complex antagonists, this series delivers.
How Does 'Game Of Thrones Caesar Of Rome Is The Father Of Phoenixes' End?
3 Réponses2025-06-15 11:49:52
The ending of 'Game of Thrones Caesar of Rome is the Father of Phoenixes' is a wild ride that blends political intrigue with supernatural elements. Caesar, after consolidating his power in Rome, discovers his true heritage as the progenitor of phoenixes. The final battle sees him harnessing their rebirth flames to incinerate his enemies, but at a cost—his humanity. In a twist, his daughter, the last pure phoenix, sacrifices herself to restore balance, leaving Caesar to rule a fractured empire with immortal wisdom but eternal grief. The epilogue hints at his unseen influence throughout history, tying the fantasy elements to real-world myths.
Who Famously Wrote A Book About The History Of Rome And How It Became An Empire?
2 Réponses2025-06-09 17:50:00
I've always been fascinated by ancient Rome, and the name that instantly comes to mind is Edward Gibbon. His monumental work, 'The History of the Decline and Fall of the Roman Empire', is like the ultimate binge-watch but in book form. Gibbon doesn’t just list events—he paints this sprawling, vivid picture of Rome’s rise, glory, and eventual collapse. The way he connects political corruption, military overextension, and cultural shifts makes it feel eerily relevant today. It’s not just dry history; it’s a saga full of hubris, irony, and moments that make you go, 'Yep, that’s where it all went wrong.'
What’s wild is how Gibbon’s perspective still sparks debates. Some scholars side-eye his take on Christianity’s role in Rome’s fall, but you can’t deny his influence. Reading him feels like sitting with a sharp, opinionated friend who’s dissecting every bad decision Rome ever made. His prose has this elegant sarcasm, especially when he roasts emperors or mocks bureaucratic nonsense. For anyone into empires—or why they crumble—Gibbon’s the OG storyteller.
When In Rome The Promise Lyrics
5 Réponses2025-02-12 17:02:01
As a mealy-mouthed fan, I have to ask: When you say, 'does that mean a song?' Is it 'The Promise' of which you're looking for the words? But don't try to predict, my pal finally listened to Blues You Can Use and later answered: 'Hmmm. I dithered around in this one for over two weeks.'It's a melody of the 80s, just perfect for the synth music burgeoning at that time.
What Did Porsena Do During The Siege Of Rome?
2 Réponses2025-09-05 21:13:42
When I picture the ancient world, the image of Lars Porsena standing before Rome feels like watching a smoky, heroic painting come to life — half history, half legend. According to the stories the Romans loved to tell (especially in Livy’s 'Ab Urbe Condita' and Dionysius’s 'Roman Antiquities'), Porsena, king of Clusium, marched on Rome around the end of the 6th century BC to restore the exiled king Tarquinius Superbus. The narrative is packed with dramatic episodes: a bridge held by one man, a would-be assassin who burns his own hand, and a daring hostage escape. Those scenes — Horatius Cocles defending the Sublician Bridge, Gaius Mucius Scaevola stabbing at a king’s camp and earning the nickname ‘Scaevola’ after burning his right hand, and Cloelia swimming across the Tiber with other hostages — are the kind of moral legends Romans used to show courage and civic virtue.
But I like to treat the legends like a playlist: they tell you what the Romans wanted to hear about themselves, not a blow-by-blow news feed. The sober historical take is messier. Some classical authors suggest Porsena besieged Rome and even made some initial gains, while others imply he negotiated and withdrew without fully restoring Tarquin. Modern scholars are skeptical about the length and character of the siege — archaeological evidence doesn’t offer a neat confirmation of a blockbuster, months-long siege the way the stories imply. It’s entirely plausible Porsena’s intervention was a serious military campaign aimed at installing a friendly regime, but that diplomatic settlements, battlefield setbacks, and prideful Roman myths later reshaped the story.
I always find the interplay between legend and reality the most fun: the ancients needed heroes like Horatius and Scaevola to teach kids about duty the way we binge inspirational films now. Meanwhile, scholars peek under the myth to ask practical questions — supply lines, Etruscan motives, and whether Porsena left any real imprint on Roman politics. For me, the Porsena episode is less a clear military report and more a snapshot of Rome learning to narrate its own rise. If you’re into primary sources, flip through Livy or Dionysius and then read a modern historian’s critical take; it’s like watching a director’s commentary for an epic movie, and it makes the legends even more fun to chew on.
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