Why Does 'The Favorite' Have Mixed Reviews?

2026-03-16 07:33:22 258

2 Answers

Oscar
Oscar
2026-03-17 00:38:11
The mixed reviews for 'The Favorite' don't surprise me at all. On one hand, it's a gorgeously shot period piece with razor-sharp wit and three powerhouse performances from Olivia Colman, Emma Stone, and Rachel Weisz. The way Yorgos Lanthimos twists historical drama into something so darkly hilarious and uncomfortable is brilliant—it's like 'Barry Lyndon' if Kubrick had a sadistic sense of humor. But I totally get why it divides people. The pacing is deliberately jarring, the humor is bone-dry and absurdist, and the ending leaves things ambiguous in a way that frustrates viewers craving closure. Some friends of mine adored its unpredictability, while others called it 'pretentious' for leaning so hard into weirdness.

What really fascinates me is how the film's style clashes with traditional costume drama expectations. The fisheye lenses, the anachronistic dialogue, the way power dynamics flip on a dime—it's deliberately alienating. And that's before you get to the rabbit symbolism, which some see as profound and others find laughably overdone. Personally, I think the divisiveness is its strength; it's a film that demands strong reactions rather than passive viewing. The way it portrays female ambition as both monstrous and empowering still lingers in my mind years later.
Uriah
Uriah
2026-03-17 19:43:24
I think 'The Favorite' splits audiences because it refuses to play nice. It's not a comforting historical drama—it's vicious, chaotic, and unapologetically bizarre. Some viewers bounce off the aggressive stylization (those Dutch angles! the sudden modern dance breaks!), while others, like me, relish how it weaponizes discomfort. The script's mean-spirited humor won't land for everyone, but when it clicks, it's electrifying. Stone and Weisz trading insults like poisoned daggers is peak cinema, even if the overall experience feels like being trapped in a beautifully decorated vipers' nest.
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