Does 'The Serpent And The Wings Of Night' Have A Sequel?

I recently finished 'The Serpent and the Wings of Night' and was completely hooked by its dark fantasy vibe and intricate world-building. Right now, there’s no official sequel announced, but the way the story ended left so much room for more. The author hasn’t confirmed anything yet, but given how popular it’s become, I wouldn’be surprised if a follow-up is in the works. I’ve seen fans speculating about potential directions—maybe exploring the fallout of the tournament or diving deeper into the gods’ machinations. Until then, I’ve been filling the void with similar books like 'The Poppy War' or 'The Jasmine Throne,' which scratch that same gritty, mythic itch.

I just finished 'The Serpent and the Wings of Night' and that ending left me emotionally wrecked in the best way possible. The final showdown between Nyaxia and Vespertine was this beautifully tragic clash of ideologies—Nyaxia clinging to her belief in ruthless survival while Vespertine fought for something more. The battle wasn't just physical; it was this deep philosophical war about what it means to be powerful. When Vespertine finally lands the killing blow, the way Nyaxia smiles as she dies completely recontextualizes their whole relationship. There's this haunting moment where Nyaxia whispers 'You've finally spread your wings,' implying she might have been pushing Vespertine toward this outcome all along. The aftermath scenes hit even harder. Vespertine ascending to godhood but rejecting the cold isolation Nyaxia embraced was such a powerful character moment. The way she reshapes the celestial order to allow mortal prayers to reach her shows how fundamentally she's changed from the closed-off assassin we met at the beginning. That last image of her watching over the mortal world with her wings outstretched—still serpentine but now touched with celestial gold—perfectly encapsulates her transformation. The romantic subplot gets this bittersweet resolution too, with her immortal lover choosing to remain mortal so they can grow old together in the time they have left. It's rare to see a fantasy ending that balances cosmic stakes with such intimate character moments.

The villain in 'The Serpent and the Wings of Night' is a fascinating character because they aren't just some one-dimensional evil force. It's this ancient serpent deity named Vesper who's been manipulating events from the shadows for centuries. What makes Vesper so terrifying is how they operate - they don't just attack directly, but instead corrupt and twist people's desires to serve their own ends. The way the author writes Vesper's influence is brilliant, showing how this villain doesn't need brute strength when they can turn allies against each other with whispered promises and carefully placed doubts. Vesper's backstory is equally compelling. They were originally one of the divine protectors before becoming disillusioned with humanity's constant wars. This gives their villainy this tragic dimension - you can almost understand why they think wiping out civilization might be justified. Their powers reflect this too, with reality-warping abilities that let them rewrite memories and alter perceptions. The scenes where main characters realize they've been under Vesper's influence the whole time are some of the book's most chilling moments. The most impressive part is how Vesper's villainy ties into the book's themes. Their manipulations force the protagonists to question whether free will truly exists, and whether any of their choices were ever really their own. It's this psychological warfare that makes Vesper stand out from typical fantasy villains. The final confrontation isn't just about physical strength, but about breaking Vesper's hold on people's minds - which makes for one of the most unique climaxes I've read in recent fantasy.

I’ve been obsessed with 'The Serpent and the Wings of Night' since the first chapter, and let me tell you, the deaths in this book aren’t just shocking—they’re emotionally brutal. The story doesn’t hold back when it comes to sacrifices and betrayals, and every loss feels like a knife twist. The most gut-wrenching death for me was Violeta. She wasn’t just a side character; her arc was woven so tightly into the protagonist’s journey that her absence leaves a void. Violeta dies protecting her sister during the Blood Moon Festival, a trial where participants fight to the death for a wish. The way she goes out—smiling, whispering a promise to her sister—is haunting. The author makes you feel every ounce of her love and desperation, and it’s the kind of scene that lingers long after you’ve closed the book. Then there’s Kieran, the brooding warrior with a hidden soft spot. His death is different—slow, agonizing, and utterly avoidable. He’s poisoned by a rival clan during a ceasefire, a moment that exposes the story’s themes of trust and futility. What kills me isn’t just his death but how he uses his last breaths to pass on a secret that changes everything. The way the narrative handles grief afterward is masterful, especially how the protagonist carries Kieran’s dagger like a totem. The book also isn’t afraid to kill off characters you think are safe. Remember the old scholar, Alaric? He’s the one who deciphers the serpent prophecies, and his murder—silent, off-page—is somehow worse because you only find out through a single bloodstained note. It’s those subtle, cruel touches that make the stakes feel real. The deaths here aren’t just plot devices; they’re echoes that shape the world and characters in ways you can’t predict.

I can confidently say that as of now, it's part of a duology, not a trilogy. The second book wraps up the main storyline quite satisfyingly, with no major cliffhangers hinting at a third installment. The author, Carissa Broadbent, hasn't announced any plans for a third book either. The duology format works really well here, giving enough space to develop the characters and world without dragging the story out unnecessarily. If you're looking for a complete story with a solid ending, this pair delivers.

The Serpent and the Wings of Night' is absolutely drenched in romance, but it's the kind that creeps up on you like a shadow in moonlight. At first, the story seems more focused on survival and political intrigue in this dark, vampiric world, but then the emotional connections start weaving themselves into the narrative like delicate threads. The protagonist's relationships aren't just added for spice - they feel organic to the plot, developing naturally amidst all the danger and betrayal. The romance here isn't your typical instant attraction either. It's built on shared trauma, mutual respect, and that delicious tension between duty and desire. There's one particular relationship that starts as reluctant allies, evolves into something like friendship, and then blossoms into this intense, almost painful love that neither character can afford but neither can resist. The author does a fantastic job showing how love can be both a weakness and a strength in this brutal world. What makes the romantic elements stand out is how they're intertwined with the fantasy elements. Vampiric bonds aren't just metaphorical here - they have real power consequences. The blood-sharing scenes carry this incredible intimacy that goes beyond the physical, creating connections that are as dangerous as they are beautiful. The romance never overshadows the main plot, but it adds layers of complexity that make every decision more impactful.

I just finished 'The Serpent and the Wings of Night' series, and book 2 absolutely blew my mind. The story picks up right after the explosive events of the first book, with Oraya now fully embracing her dual heritage as both human and vampire. The political intrigue deepens as she navigates the treacherous court of the Nightborn, where alliances shift like shadows. The tension between her and Raihn escalates, blending fierce rivalry with undeniable chemistry. The world-building expands, revealing hidden factions and ancient prophecies that tie into Oraya’s destiny. The action scenes are brutal and poetic, especially the climactic duel under the blood moon. What really got me was the moral ambiguity—no character is purely good or evil, and Oraya’s choices had me questioning what I’d do in her place. The ending left me screaming into my pillow because it’s both satisfying and a gut-punch setup for book 3.

I need resolution yesterday. Based on her publishing patterns (she dropped the first book in August 2022), I’d guess late 2024 or early 2025. But here’s the tea: she’s been active on Patreon teasing snippets, and her newsletter hinted at ‘major announcements soon.’ The delay might be because she’s expanding the world—rumor has it Book 2 could involve more vampire court politics and deeper lore about the Kejari. What’s killing me is the radio silence on exact dates. Most indie authors take 12-18 months between books, but Carissa’s a faster writer. Her 'Crowns of Nyaxia' universe feels like it’s building toward something huge, and I bet she’s polishing Book 2 to perfection. Pro tip: follow her TikTok—she drops cryptic hints between dance trends. If I had to gamble? March 2025, with a preorder campaign around Halloween this year. The wait’s torture, but if it means more Raihn broodiness and Oraya’s knives, I’ll suffer.

I recently finished reading 'The Serpent and the Wings of Night' and was completely swept away by its dark, immersive world. The book wraps up its main storyline beautifully, but there are subtle hints that the author might expand the universe in future works. For now, it feels like a standalone novel with a satisfying ending, though I wouldn’t be surprised if a sequel or companion novel emerges later. The character arcs and conflicts are resolved in a way that leaves you content but still curious about the broader lore. If you love fantasy with rich mythology and complex relationships, this one’s a gem. I’ve seen debates in online book communities about whether it’s truly standalone, but most agree it works well on its own. The author’s style reminds me of 'The Priory of the Orange Tree'—epic but self-contained. Even if more books come, this isn’t a cliffhanger situation, which I appreciate.