How Does 'The Taken Ones' End?

I just finished reading 'THE CHOSEN ONES- Let The Fate Unravel Itself' last week, and from what I gathered, it's definitely part of a series. The ending leaves so many threads hanging—like the unresolved tension between the protagonist and the Shadow Council, or the mysterious prophecy that only gets halfway decoded. There's no way this was meant to be standalone. The world-building is too expansive for a single book, with entire factions introduced late in the story that clearly have bigger roles to play. If you're looking for a complete arc, you'll be disappointed, but as the first installment of a saga, it's thrilling. I'd pair it with 'The Fifth Season' for similar cliffhanger energy.

The prophecy in 'THE CHOSEN ONES- Let The Fate Unravel Itself' starts as this cryptic poem that everyone interprets differently. Some think it predicts a hero rising to save the world, others believe it foretells total destruction. What makes it so gripping is how it unfolds in unexpected ways. The main character, Kai, initially seems like the obvious 'chosen one,' but halfway through, the prophecy twists—turns out there are multiple chosen ones, each with a role to play. The words 'the crimson moon shall bleed truth' actually refer to a lunar eclipse that reveals hidden memories in people, not some grand battle. The author plays with expectations brilliantly, showing destiny isn't fixed but shaped by choices. Even the final line, 'let the fate unravel itself,' gets recontextualized when Kai's decision to spare the villain breaks the cycle of prophecy entirely.

I got hooked by the way the series flips the 'chosen one' trope on its head. In 'The Emberbound Oath' the chosen aren't carved from prophecy and silver spoons; they're a messy, reluctant bunch plucked from margins—the blacksmith's apprentice who can bend metal with thought, a refugee scholar whose memory holds a dead god's regrets, a disgraced naval officer who hears storms like music, and a street kid who accidentally becomes a living compass for lost things. The world-building treats that selection process like archaeology: layers of politics, forgotten rituals, and corporate-style guilds all arguing about who gets the training stipend. What I love is the slow burn of their relationships. At first they're functionally a team to everyone else, but privately they're terrified, petty, and hilarious. The author writes their failures with kindness—training montages end in bad tea, healing circles awkwardly implode, and one character learns to accept magic by literally getting cut and still singing. Magic is costly in this world; the 'bond' that names someone chosen siphons memories, so every power use is a personal sacrifice. That makes choices meaningful, not just flashy. Beyond the quartet, there's an unsettling twist: the mantle of 'chosen' migrates. It's tied to an ancient city-heart called the Keystone, which chooses whomever the city needs, not whom people want. Politics scramble, religions reinterpret doctrine, and everyday folks get pulled into schemes. I walked away thrilled, slightly melancholy, and already theorizing who will betray whom. Feels like the kind of series I'll reread on long train rides.

A few hours of digging turned into a small rabbit hole for me — I wanted a clean, confident name to give you, but 'Taken By My Partner\'s Relative' is one of those titles that mostly shows up in informal corners, and there's no single, universally credited author on the usual databases. I checked book retailer listings, library catalogs, fanfiction platforms, and social reading sites, and the pattern I kept running into was that the piece often appears as a self-published story or as a work posted under various pseudonyms. That usually means it either started as a fanfiction-style piece or was published independently without a standardized bibliographic record. If you're trying to track down a formal author name, the most reliable routes are the ISBN/publisher details (if it exists as an ebook or print-on-demand), the copyright page, or the profile of the uploader on the platform where you found it. On sites like Wattpad, Archive of Our Own, or smaller personal blogs, authors commonly use pen names and don't always port their works to mainstream outlets like Amazon or Goodreads, so you might see different names in different places. I also saw cases where the same story gets reposted and credited differently depending on the uploader, which is maddening but pretty typical for niche romance/erotica stories. Personally, I find these scavenger hunts kind of fun even if they end without a neat answer — it feels like being a detective in a small community. If I had to summarize from what I encountered: there isn\'t a single authoritative, widely recognized author listed across major catalogues for 'Taken By My Partner\'s Relative'. Most evidence points to it being a self-published or community-posted work credited to user handles rather than a traditionally published novelist. That ambiguity can be annoying if you want to cite the author, but it also speaks to how these stories travel through fandom and indie scenes — messy, alive, and often attributed to the people who shared them rather than to a neat, official record. I kind of like that chaotic energy, even if it makes research harder.

I'm pretty obsessive about tracking down legit copies, so here's the practical route I take if I'm hunting for 'Taken by the Mafia King'. First, check major ebook storefronts — Amazon Kindle, Google Play Books, Apple Books, Kobo, and BookWalker are the usual suspects for English-translated novels and light novels. If it's a webcomic/manhwa-style work, I scan platforms like Tappytoon, Lezhin, Tapas, and Toomics; those services often hold exclusive English licenses and will show official chapter lists and buy-or-coin systems. If nothing shows up there, I go to the publisher's website or the author/artist's social media; many times they'll post where English releases are being handled or link to the official distributor. Libraries aren't to be overlooked either — Libby/OverDrive sometimes carry licensed ebooks or digital comics, and that’s a totally legal way to read without paying per chapter. Last tip: look for ISBNs, translator credits, or an official imprint on the listing — those are good signs it’s legit. I feel better supporting creators properly, and it’s worth a few clicks to find a legal copy I can enjoy guilt-free.

Good news if you’ve been curious: I’ve seen translations of 'Taken by the Mafia King' floating around, but it’s a bit of a mixed bag depending on format. There are fan-translated chapters for the comic/novel on various scanlation and fan-translation hubs, so English readers can get a decent feel for the plot and characters. These community translations tend to be uneven—some groups put out polished chapters with cleaned lettering and good flow, while others are more literal and raw, but they give you access when no official release exists. If you want official channels, that’s where things get trickier. I haven’t spotted a major publisher consistently releasing a licensed English edition of 'Taken by the Mafia King' in book form, though sometimes titles get licensed later or appear on platforms like Webtoon, Tapas, or specific publishers. My go-to is to check publisher pages and the project’s original platform for licensing updates, and to support creators if/when an official English release drops. Personally, I like reading fan translations to keep up, but I’ll buy the official release the moment it appears.

I dug through a few archives and community threads and yes — there are fan-made continuations of 'Taken By My Fiance's Relative'. Some of them are straightforward epilogues that pick up a few months after the original ends, ironing out loose ends and giving the central couple a domestic arc. Others are full-blown multi-chapter sequels that explore consequences, awkward family dynamics, power shifts, or even legal fallout. You’ll see tags like 'sequel', 'epilogue', 'side-story', 'domestic', and 'angst' attached; the variety is honestly what kept me clicking for hours. What I liked most was how different authors took the premise in wildly different directions: one turned it into a slow-burn reconciliation, another did a darker redemption route for the relative, and a few authors wrote ‘AU’ continuations that transplanted the characters into college or married-life settings. If you prefer cleaner pacing, look for fics with good chapter updates and active comment sections — those tend to be more polished. Personally, I enjoyed a quieter epilogue that focused on small, human moments; it felt like a warm cup of tea after a rollercoaster plot, and it stuck with me.

'The Roads Not Taken' by Robert Frost is a poem that strikes a deep chord with me every time I read it. It beautifully encapsulates the essence of choices and the inevitable reflection that follows. The narrator stands at a crossroads in a yellow wood, contemplating which path to take. This moment is so relatable; we all face decisions that could change our lives in unexpected ways. The paths symbolize different life directions, and the speaker's choice reflects the weight of these decisions. The idea that we can only take one path and wonder about the others speaks to that longing we all have for exploration and the fear of missing out. In just a few stanzas, Frost explores the tension between certainty and doubt. It's fascinating to think about how this poem mirrors our own lives. Sometimes, I feel dubbed into thinking about what my life could have been if I had made different choices—whether it was turning left instead of right, in both literal and metaphorical senses. The way he ends with a sigh really resonates because it hints at a bittersweet acknowledgment of our regrets or dreams of the 'what could have been.' It's a reminder to cherish our unique journeys, no matter how uncertain they may feel sometimes. There’s also a subtle exploration of imagination; the paths left unexplored can be filled with possibility. It's like when I dive into a new anime series, wondering how far into the story I could have gone if I had started with another. Each choice leads us to new adventures, both in literature and in life! Ultimately, Frost's reflective take on choices illuminates the essence of human experience. It’s a poem that transcends time, urging us to ponder our own paths. Anytime I feel doubt about my next steps, I capture that sense of adventure and excitement about the unknown, something Frost interprets so well in his work.