Is 'The World We Make' Part Of A Series?

2025-07-01 10:13:12 324

3 Jawaban

Nora
Nora
2025-07-05 12:53:56
Absolutely—'the world we make' completes the duology started by 'the city we became', though I wouldn't be surprised if Jemisin revisits this universe later. The two books function like twin acts of a play: Act One introduces the magic system (cities manifesting through human champions) and Act Two explores its global implications. Paris and Tokyo get hinted at as potential next avatars, which makes me hope for spin-offs.

What fascinates me is how the sequel subverts expectations. Instead of just bigger battles, it focuses on ideological conflicts between cities—should they assimilate or preserve uniqueness? The Enemy's final form being a twisted version of urban homogenization is genius. The pacing differs too; while book 1 races through New York's boroughs awakening, Book 2 luxuriates in worldbuilding, like Lagos' avatar using traffic jams as defensive magic. If you enjoy fantasy that blends metaphysics with metropolitan culture clashes, this duology's worth bingeing.
Brielle
Brielle
2025-07-06 07:09:14
I just finished reading 'The World We Make' and yes, it's actually the sequel to 'The City We Became'. The first book introduces this wild concept where cities can become alive through human avatars, and this second installment cranks up the stakes with interdimensional threats. What's cool is how the sequel expands beyond New York's boroughs to include other global cities waking up. The tone stays gloriously weird—imagine Lovecraftian horror meets urban fantasy with a punk rock attitude. If you liked the first book's blend of social commentary and eldritch madness, this delivers more of that signature Jemisin brilliance while exploring how cities might unite against cosmic horrors.
Lila
Lila
2025-07-07 19:44:20
I can confirm 'The World We Make' continues the story started in 'The City We Became'. Jemisin builds her universe meticulously—the first book establishes sentient cities through human avatars fighting an alien entity, while the sequel tackles coalition-building between awakened cities worldwide. The character development is phenomenal; Brooklyn's avatar grows from a reluctant hero to a strategic leader, while Sao Paulo's new avatar brings fresh cultural perspectives.

The series stands out by using urban fantasy to examine real-world issues. Gentrification becomes literal monsterization, and cultural appropriation turns into a weapon. The writing crackles with urgency during action scenes but slows down beautifully for moments like Queens teaching Mumbai how to wield her city's power. It's rare to find sequels that deepen both mythology and social themes, but this one sticks the landing while teasing potential future stories about other awakening cities.
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