Does 'Then She Was Gone' Have A Movie Adaptation?

2025-06-19 09:41:38 224

3 answers

Micah
Micah
2025-06-25 07:57:14
I've been following 'Then She Was Gone' for a while, and no, it doesn't have a movie adaptation yet. Lisa Jewell's psychological thriller is packed with tension and twists that would translate amazingly to the screen, but as of now, there's no official announcement. The book's haunting atmosphere—especially Ellie's disappearance and Laurel's unraveling obsession—would make for gripping cinema. If you're craving similar vibes, check out 'Gone Girl' or 'The Girl on the Train'. Both films capture that mix of family drama and dark secrets. Until Hollywood picks it up, the novel’s vivid prose is your best bet for immersion.
Oliver
Oliver
2025-06-22 23:26:01
As someone who devours both books and adaptations, I can confirm 'Then She Was Gone' hasn't hit the big screen. What's fascinating is why it *should*. The book’s structure—shifting between past and present, with Laurel’s grief and Floyd’s eerie charm—demands a director who can handle subtle horror. Imagine the kitchen scene where Laurel finds Ellie’s hairbrush: cinematic gold.

Lisa Jewell’s pacing is already visual, like a slow-burn thriller where every glance carries weight. The reveal about Noelle’s manipulation would hit harder with an actress capable of quiet menace. While waiting, try 'The Undoing' on HBO—it mirrors the themes of trust and hidden monstrosity.

Adaptations often dilute books, but this one could shine if done right. The publisher’s silence suggests rights might still be available. Here’s hoping A24 or Netflix takes notice—their flair for psychological depth would suit the material perfectly.
Noah
Noah
2025-06-22 07:57:34
Nope, no movie for 'Then She Was Gone', and honestly? Good. Some stories thrive on the page. Lisa Jewell’s knack for inner monologues—like Laurel’s guilt over favoring Ellie—would lose nuance in film. The book’s power lies in its unreliability; we question Floyd’s motives alongside Laurel, something cameras might spoil by showing too much.

Instead of waiting, dive into 'Sharp Objects' (the series). It nails the mother-daughter tension and small-town secrets Jewell excels at. Or read 'The Push' by Ashley Audrain—another chilling exploration of maternal instincts gone wrong.

If an adaptation happens, it needs the right team. Someone like Andrea Arnold (‘Big Little Lies’ S2) could balance the raw emotion with suspense. Until then, the book’s ambiguous ending is better left to imagination.
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