10 Answers2025-10-17
For a show so laughably, hilariously dark, this show’s ending is drastically sincere. There’s no winking, no self-awareness, no unexpained twist for the sake of it. What you’re left with is straightforward emotion, and because we’ve been so thoroughly introduced to each of these characters, it works. We believe Jane’s sacrifice, Ocean’s shock, and the rest of the group’s solidarity. That is the heart of the show, and it’s survival in a ridiculous, confusing, thoroughly odd show in a stiflingly, serenely cynical time for work about teenagers, death, and kindness. It’s so movingly, genuinely sincere. We are moved. That is the importance of it. Who on stage survives to deliver this to us is almost inconsequential.
6 Answers2026-07-29
A tool is a tool. Write a scene of intense physical passion in which the protagonist loses fine motor skills? “Buck” her hips. It’s not a polite phrase in isolation, but it serves a useful function in a scene that is trying to move quickly. A reader reads very fast in such scenes, and your ear for your own writing must recognize that “bucked” immediately conveys to the reader a physical image and the sum of its parts: that she has lost control. It is a workhorse phrase, and in its proper context, it functions beautifully. (This is a workhorse phrase, in fact. Workhorse.)
12 Answers2026-07-29
This term is often used within fanfiction, in book blurbs and descriptions, and even to describe adult animations and comics. Some artists have even built entire followings off of how they draw the anatomy of their characters in a very focused way, and then their fans engage in semi-ironic semi-sincere ‘worship’ of that artists’ artistic focus.
In terms of application to a specific platform, “worship” might be used as a content tag in literature, while as the focus of a fandom, it comments on the artist’s known strengths and preferences and elicits reaction from fans about their works as well as the artist’s style.
4 Answers2026-05-22
The snacks I look for are no-mess. Olives and pickles in individual packets are yummy and odd. Beef sticks are protein rich. For sweets I go for the licorice or fruit leather kind. They won’t melt or get sticky. A small Tupperware with some hummus and the necessary vegetables for dipping is also very nice. A bagel with cream cheese is another good choice. It’s sturdy enough to be packed in a backpack. All these snacks are fun to eat and very suitable for long train rides.
5 Answers2026-07-25
The manga is non-canon to the novel series. Thus it has no place in the novel reading order. It's supplementary material.
If you are the kind of completionist who reads everything, start with the novels. They are the source of the story. Then you can read the manga as a great and unique interpretation of the world and characters. But read it afterwards or as you read the novels, not as an insert between two novels. Each has its own pace and its own surprises. Read the novels for the story. Read the manga for the wonderful illustrations of the Flock in flight and in battle.
12 Answers2026-07-28
I have two completely different sets of search results for “cockwarming” here. No help with industrial safety, thank you very much. Cockwarming is a practice (and a tag) found in a lot of contemporary romance and explicit fanfiction. It refers to keeping the penis in the mouth, vagina or anus of one’s partner for extended periods of time without movement. The practice is intended to give the partner doing the cockwarming a feeling of deep, constant, intimate connection with their partner. This can be to show a particular dynamic between characters, to build tension in a scene, to show the vulnerability of a character, etc. It is often used in slower-burn stories that are character-focused and the resulting smut is intense in terms of emotion as well as physicality. In fact, it is one of the most popular tropes in certain circles precisely because it allows for a focus on sustained presence as opposed to other, more energetic sex practices.
9 Answers2026-06-14
Waiting to see someone reference the totally failing, super awkward attempt at having a sex scene in this scene from ‘Zach and Miri Make a Porno’. The whole movie is about these two friends trying to make an adult film in order to pay their rent. And the whole movie consists of totally uncomfortable, unsexy scenes trying to be sexy.
Much of the humor in Kevin Smith’s films stems from the way he depicts the inner lives of his characters through awkward, cringe-worthy dialogue. So it follows that his movie about two friends who make an adult film in order to pay their rent is often tense and intense. Here, though, that tension does not stem from the characters’ passion, but from their increasing embarrassment and the failing of their friendship. It is a really funny take on failed intimacy, and Seth Rogen and Elizabeth Banks have a great uneasy relationship.
9 Answers2025-08-01
It’s also been identified by fans of the book and TV show as an affectionate label to describe themselves as ‘slow horses’ when they feel they’re an underdog, struggling against the odds, in everyday life. The label has become an identity for them.
And ‘slow horse’ now denotes a type of underdog or relatively powerless people struggling in difficult circumstances but nonetheless fundamentally capable and, in some measure, irrepressible. Much of this manifestation is to be found online. A person having a terrible time with their terrible employer or their miserable life could declare themselves a ‘slow horse’. There’s even a pride to be found in such description. The term has seeped from the pages of Mark Billingham’s novels into general usage and it’s a highly effective one.
7 Answers2026-07-28
Seriously though, discussions that kick off with that sort of language aren’t really worth having. It instantly sets a horrible tone. In fandoms in particular, a lot of people seem to toss around that particular word and immediately descend into slinging mud at each other rather than thoughtfully exploring plot and characters.
I actually would rather have a conversation about what makes a character compelling, flawed or relatable. Sure their romantic or sexual choices can be part of that, but the moment you start to reduce a character to one word of derision you are doing a massive disservice to the writer and the rest of the audience who can see more to the character than that. It ends the conversation rather than starting it.
6 Answers2026-07-29
The power exchange of the stag and vixen is not necessarily Dominant/submissive in nature. The stag can have power in setting boundaries and approving of his partner(s) but that is largely countered by the vixen having the power of action and experience. A symbiotic, balancing form of power where each has control in some form. This can be a delicate balance though and can easily tip into controlling behavior (the stag telling the vixen exactly what to do and how to do it) or detachment (the vixen pursuing experiences that do not involve her partner(s) and thus do not require their consideration for her comfort). Most healthy descriptions of the stag and vixen relationship detail constant re-calibration of the power balance between them. This is not a set-it-and-forget-it type of relationship. Rather, the relationship work that is present in the relationships of these couples is that of constant negotiation of the power dynamic between them. And that can be very intimate and rewarding in and of itself.