What Is The Timeline Order Of Margaret Atwood’S Major Works?

They broke her. Now she owns their world and the heart of the man they never imagined her to be with—Raymond, a cold billionaire, who was once their old friend. A man who would burn the world for her. For six years of her marriage, Patricia Addison endured and swallowed every humiliation and insult from the Mason family... all for the love she had for him and the promise they once shared. For two of those years, she watched the same man who had promised her love parade his mistress—who was once their maid—around their home, while she died piece by piece, and he did nothing to save her. Worse, he claimed the mistress as his wife right before her eyes. When Patricia finally decided to leave in peace, they still wouldn’t let her go. They stole her peace, her child, one she never knew she had. And for that, the Bedford family will never know peace again. She will take everything that has to do with their happiness.

A diverse collection of short romantic stories and erotica to fulfill your fantasies. THIS BOOK IS INTENDED FOR 18+ AUDIENCE ONLY!

My husband Hades gave another woman my birthday celebration. Then he gave her my mother’s brooch. Then he let our son call her home. Nympha was the flower spirit who had grown up beside him. The healers said a curse was killing her, and she had only six months left before she disappeared forever. Hades said he only wanted her final days to be free of regret. So I was expected to be generous. Even when our five-year-old son, Eren, curled up beside her at the hearth and whispered that she felt more like home than I did, I still told myself he was only a child. Then one night, I heard him say to Hades, “Nympha is so gentle. So beautiful. I wish Mother could be more like her.” Hades only smiled. “Your mother is strict because she wants what is best for you,” he said. “But if you like Nympha so much, I can let her stand beside you at the family altar. She can bless you like a second mother.” That was when I finally understood. My husband had already given her my place. And my son had accepted her there. So the next morning, I placed a marriage dissolution agreement before Hades. He signed it without reading, because Nympha had collapsed again and he was desperate to reach her.By the time he realized what he had signed, I was already gone. If they wanted Nympha to be the lady of the Underworld, I would grant them their wish. But why, after I left, did Hades tear the Underworld apart looking for me? Why did my son cry himself sick, begging for the mother he once pushed away? And why did the dying woman they protected so carefully suddenly stop looking so fragile?

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

Ava Lancaster gave up her identity as a billionaire heiress to marry for love, choosing anonymity over inheritance and devotion over power. But her husband, Liam Hayes, repays her sacrifice with betrayal—repeated affairs, emotional neglect, and the quiet erosion of her worth. When Ava finally walks away, she does so with nothing but her name, refusing alimony and erasing herself from the life she helped build. What Liam never knows is that Ava secretly returns to the empire she once abandoned, reclaiming her family legacy and rising as the unseen CEO of a global conglomerate. Years later, when Liam’s failing company seeks a partnership to survive, fate brings them face-to-face again—this time with Ava holding all the power and Liam unaware that the woman he discarded now controls his future. As business turns into a battlefield, Ava orchestrates her revenge not with cruelty, but with dominance, strategy, and restraint. Torn between the ghosts of her past and the possibility of new love with a steadfast rival CEO, Ava must confront the cost of power, the weight of forgiveness, and the question of whether love can exist without surrender. Empire of Her Own is a long-burn, emotionally rich modern romance about betrayal, reinvention, and a woman choosing herself—fully, unapologetically, and on her own terms.

She was never supposed to matter. The novel never gave her a name worth remembering. After dying in a mundane accident, twenty-three-year-old Clara Quinn opens her eyes inside the pages of the fantasy novel she despised most — reborn not as the heroine, not as the villainess, but as an unnamed background character fated to die before the story even begins. Her plan is simple: stay invisible. Attend the Imperial Academy of Asterveil, avoid every named character, and quietly survive a plot designed to destroy everyone foolish enough to interfere. That plan lasts exactly one day. During the entrance ceremony, Lady Morwen Ashvale — the infamous crimson-eyed prodigy that even crown princes fear — steps off her platform, walks past every noble heir waiting for her acknowledgment, and stops directly in front of Clara. "You belong to me," Morwen says, loud enough for every student in the hall to hear. "Do not forget it this time." This time. Clara has never met this woman in her life. Yet Morwen looks at her as though she has been searching for centuries. As shadows begin stalking Clara through the academy's cursed corridors — as the original story fractures and rewrites itself around her — Clara uncovers the truth that should be impossible: Morwen has lived this story hundreds of times. She has watched Clara die in every single one. And in every timeline where Clara falls, Morwen burns the kingdom to ash. She is not obsessed. She is grieving. She has always been grieving. And this time, she refuses to lose again.