Is The Turn Of The Screw Based On A True Story?

Ten years after my wealthy family took me back, I died in the rental house my billionaire parents had dumped me in. My son was three. Just to mess with me, the kidnapper gave me three chances to call for help. If even one person was willing to come see me, he'd spare my child. The first call was to my father, the man who'd spent fifteen years searching for me. He was busy directing the staff as they set up my adoptive sister's birthday party. When he picked up, he barked, "Estelle Emerson, seriously? Can you go one week without causing a scene? It's your sister's birthday. I'm busy. Don't kill the vibe." The second call was to my mother, the woman who brought me home and changed my name from Dixie to Estelle. But Vera snatched the phone and laughed so hard she could barely get the words out. "Estelle, seriously? If you're gonna make something up, at least make it believable. You look so broke you probably don't even have fifty bucks. What kidnapper would pick you?" The third time, I called Luca's father, my legal husband. He said he was in a meeting and didn't have time to play games with me. He also said that if I behaved myself, he'd agree to take me home for dinner next week. After the final call ended, I looked at the grinning kidnapper in despair and sent the last two messages of my life. A photo of myself covered in blood. And a short message, every word sincere. [I'm really going to die. In my next life, don't bring me home.]

My adopted daughter, Phoebe Marsh, possessed an evil ability. Whenever she got hurt, the pain would also be inflicted directly on my biological daughter, Maisie Shaw. She deliberately hurt herself, covering her body with wounds and bruises. Then, she would turn around with cold eyes, watching Maisie writhe on the floor in agony until she passed out from the pain. With no medical solution available, I broke down and held Maisie close, begging my husband, Brandon Shaw, to send Phoebe away. However, he would erupt in fury. "It's obviously Maisie who's been faking illness for attention, and you're making up this ridiculous story to get rid of Phoebe. She's just a fragile, helpless child. How can you be so vicious?" After that, Phoebe escalated her self-harm even more viciously. Meanwhile, Maisie spent every day curled up in the corner of her bed, refusing to let anyone touch her. On Maisie's birthday, Phoebe threw herself from the fifth floor. Just as Maisie was blowing out her candles and making a wish, she suddenly began bleeding from all her facial orifices, and she died instantly. Yet, Phoebe only suffered minor scrapes. I died from overwhelming grief shortly after. When I opened my eyes again, I had returned to Phoebe's first day in our home. Maisie was playing with her Legos when she suddenly clutched her ankle and started crying. This time, I grabbed the broom from behind the door and swung it toward Maisie, shouting, "I'll beat you up for faking illness and seeking attention!"

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

When Covid hits, the Thomas Family decided to pack up their lives in the city and move to Buttershire, to the family mansion on the hill. But there is a secret to the mansion, that no one told the family when they got the keys. Whilst the adults seem oblivious to what is happening around them, the teenage knows that the clock is ticking. What they discover is truly not for the faint of heart.

After years of running from her past, Lissa returns to the one place she never wanted to see again—her childhood home. The town hasn’t changed, but Lissa has. Now a mother, a wife, and a survivor, she’s trying to rebuild a life while standing on the crumbling foundation of her trauma. Just a few months. Just until she finds her footing. But the house doesn’t let go so easily. It smells of mildew and memory. Dust covers more than furniture—it coats every secret Lissa tried to bury. As she navigates motherhood, old friendships, and a strained relationship with her sister, Lissa discovers more than ghosts in the attic. A photograph violently scribbled out. A letter from someone she hoped was lost to time. And a journal that brings her back to the girl she used to be. Her husband, Colt, tries to be her anchor. Her son, Lucas, is her reason to fight. But a single name—just one letter, T—is all it takes to fracture her resolve. The past isn’t dead. It’s waiting in the basement. In a letter tucked behind old receipts. In the quiet corners of her memory where no one else can go. As the days pass, the house begins to feel like a trap.Lissa must decide if she’s strong enough to dig through the wreckage of her past… or if some secrets are better left buried. Told with raw emotion and atmospheric suspense, House of Quiet Screams is a story of trauma, resilience, and the silent strength it takes to confront what once felt un faceable. For Lissa, surviving was never the end of the story—facing what comes after might be the beginning.

To save the merfolk from slaughter, I seduced the vampire lord himself-Lazarus. He still loved me after all. For three days and three nights, he drowned himself in my body, unwilling to let me out of his arms for even a second. I roused from the haze of fleeting bliss, only to have a searing, corrosive liquid poured mercilessly over my head. "You with eternal healing can taste the sting of agony？" "Yet your trivial suffering pales in comparison to the loss of my kin you brought upon me. It is nothing at all!" "This is merely the beginning. Refuse to reveal where my parents lie hidden, and you shall never break free from this castle." He was convinced that I alone had destroyed everything he held dear. Holding the entire merfolk’s lives hostage, he confined me within the castle. Time and again, he tore open my chest by force, wrenching out my pearl of the mer, feeding its essence to Isolde to mend her frail flesh. He condemned me to sleepless nights, forcing me to cleanse the filth he left behind. Barefoot, I was made to dance the mermaid’s lament upon razor-sharp silver blades, writhing in pain to lull Isolde into slumber. Later, Isolde feigned a pregnancy. Driven by false tenderness for her, Lazarus took to slicing chunks of my immortal mermaid flesh with cold blades, brewing them into nourishing potions for her. Hatred for me burned deep in his bones, yet whenever I was on the brink of death, he would still force his own blood down my throat to keep me alive. "You presume too much on my lingering love for you, choosing silence over the truth, do you not? Aurora… tell me, what became of my parents?" I endured in silence, bearing witness to his love torn between hatred and longing. Soon, I would no longer need to guard that fatal secret. For a mermaid who dwells on land for three years shall wither and perish, severed from the sea that gives her life. Only three days remained until my final breath.