Where Was 'Un Poisson Nommé Wanda' Filmed?

Oh, 'Un Poisson Nommé Wanda'—that's the French title for 'A Fish Called Wanda,' and it's one of those comedies that sticks with you like glitter after a craft project. The plot revolves around a gang of diamond thieves who double-cross each other in the most absurd ways possible. There's Wanda, the femme fatale who's playing everyone; Otto, her hilariously dimwitted boyfriend who thinks he's intellectual; Ken, the animal-loving stutterer; and George, the mastermind who gets arrested. The chaos escalates with mistaken identities, slapstick violence (poor Ken's fish keep dying!), and a love triangle involving a straight-laced lawyer. The genius of this film is how it balances cringe-worthy humor with sharp wit. John Cleese as the lawyer is peak British awkwardness, while Kevin Kline's Otto steals scenes with his aggressive ignorance ('Don't call me stupid!'). The movie pokes fun at cultural stereotypes—Americans vs. Brits—but in a way that feels playful, not mean-spirited. And that scene where Archie tries to seduce Wanda in front of her 'brother' Otto? Pure comedic gold. It's a reminder that heist films don't need to be serious to be brilliant.

The hauntingly beautiful locations in 'Au Nom de la Rose' (assuming you mean 'The Name of the Rose,' the 1986 adaptation of Umberto Eco's novel) were primarily shot in Europe, with Italy stealing the spotlight. The abbey scenes—those shadowy corridors and labyrinthine libraries—were filmed at Eberbach Abbey in Germany, which absolutely nailed the medieval vibe. Funny enough, the exterior shots used the real-life Sacra di San Michele in Italy, a monastery perched dramatically on a mountain. It felt like stepping into a Gothic painting! What’s wild is how the production team blended these locations seamlessly. The German abbey’s interiors contrasted with Italy’s rugged exteriors, creating this eerie, timeless atmosphere. I recently rewatched it and kept pausing to admire the stone arches and candlelit scenes—it’s a masterclass in moody cinematography. Makes me want to plan a pilgrimage to both spots just to see the magic in person.

Man, 'Un Poisson Nommé Wanda' (or 'A Fish Called Wanda' in English) is one of those films that sticks with you—not just for the absurdly funny plot, but for its stellar cast. You've got John Cleese, who's basically comedy royalty thanks to Monty Python, playing this hilariously uptight lawyer caught in a ridiculous heist-gone-wrong scenario. Then there's Jamie Lee Curtis, who absolutely shines as the cunning Wanda—she’s got this perfect mix of charm and mischief that makes her impossible to ignore. Kevin Kline’s Otto? Unforgettable. He won an Oscar for that role, and it’s easy to see why—his blend of pseudo-intellectualism and sheer idiocy is pure gold. And let’s not forget Michael Palin as the stuttering Ken, whose scenes with the poor dogs still make me cringe-laugh. What’s wild is how this film balances slapstick with razor-sharp wit. The chemistry between the cast feels effortless, like they’re all in on the same joke. Cleese and Curtis’s weirdly electric tension, Kline’s over-the-top machismo, and Palin’s tragicomic innocence—it’s a masterclass in ensemble comedy. I rewatched it recently, and it holds up so well. If you haven’t seen it, drop everything and do so—it’s a crash course in how to make chaos look brilliant.

I stumbled upon 'Distribution de Mercredi' while scrolling through French indie film recommendations last winter, and its gritty, intimate vibe stuck with me. From what I gathered, it was primarily shot in small towns around Normandy—those washed-out coastal landscapes and narrow cobblestone streets felt unmistakably regional. There’s a scene where the protagonist walks past a faded bakery sign, and I later spotted that exact spot in a travel vlog about Étretat. The director’s choice of locations really leaned into that 'lived-in' melancholy, like every alleyway had decades of untold stories. Funny enough, I ended up deep-diving into French film forums, and some locals mentioned unrecognizable spots were likely around Le Havre’s industrial outskirts. The way the film blends urban decay with those fleeting moments of seaside light—it’s no surprise they needed contrasting backdrops. Makes me wish I’d taken proper notes during my own trip there!

Whenever someone brings up 'Un Poisson Nommé Wanda', I can't help but grin—it's such a chaotic, hilarious ride! The runtime is around 1 hour and 48 minutes, but it feels shorter because the pacing is relentless. The film crams in so many absurd heist twists, double-crosses, and John Cleese's iconic physical comedy that you barely notice time passing. I love how it balances British wit with over-the-top slapstick, like the scene where Kevin Kline dangles a man upside down for a bracelet. It's one of those rare comedies where every rewatch reveals new layers of jokes, from the wordplay to the visual gags. The length is perfect—long enough to develop the madness but tight enough to leave you wanting more.

Oh, 'Souviens-toi... l'été dernier' is such a nostalgic trip! The movie was primarily filmed in the gorgeous coastal town of Saint-Malo in Brittany, France. The cobblestone streets and historic walls of the old city gave it that perfect eerie yet romantic vibe. Some scenes were also shot around the nearby beaches, which added to the summery but ominous feel of the story. I love how the location almost feels like another character in the film—moody and full of secrets. Fun fact, Saint-Malo is known for its tidal variations, which they cleverly used to heighten the tension in certain scenes. The production team also filmed a few interior shots in Paris studios, but the heart of the movie is undeniably Brittany. If you ever visit, you can practically retrace the characters' steps—just maybe without the murder mystery part!

I've always been fascinated by how 'A Fish Called Wanda' (known as 'Un Poisson Nommé Wanda' in French) managed to blend dark humor with heist chaos so perfectly. The film took home the Academy Award for Best Supporting Actor in 1989, with Kevin Kline's outrageously funny portrayal of Otto winning hearts and votes. It also snagged a BAFTA for Best Actor in a Supporting Role (Michael Palin) and was nominated for Oscars in Best Director and Best Original Screenplay. What's wild is how it still feels fresh today—Kline's physical comedy and the script's sharp wit haven't aged a day. Beyond awards, the film's legacy lives on in cult status. It’s one of those rare comedies where every rewatch reveals new layers, like the way Jamie Lee Curtis and John Cleese play off each other’s energy. The American Film Institute even ranked it as one of the top 100 funniest films ever. Not bad for a movie about jewel thieves and a stuttering animal lover!

The live-action adaptation of 'Blanche Neige' (Snow White) was primarily filmed in breathtaking locations across Europe, which perfectly captured the fairy tale's magical essence. One of the standout spots was the Bavarian Alps in Germany, where the lush forests and towering mountains doubled as the enchanted woods. The production team also utilized historic castles like Neuschwanstein Castle, which served as inspiration for Disney’s animated version—talk about coming full circle! Scenes requiring grandeur were shot in various studio lots in the UK, where intricate sets brought the dwarves’ cottage and the Queen’s palace to life. The mix of real-world locations and detailed sets created a visually stunning backdrop that felt both timeless and fresh. What fascinated me most was how the filmmakers balanced practicality with fantasy. For instance, the village scenes were filmed in quaint towns in Croatia, where the cobblestone streets and rustic buildings added authenticity. Meanwhile, CGI enhanced the more whimsical elements, like the talking mirror and magical creatures. It’s a testament to how modern filmmaking blends old-world charm with cutting-edge tech. I couldn’t help but geek out over the behind-the-scenes footage showing how these locations transformed into a fairy tale—it’s like stepping into a storybook!

I was so curious about the filming locations of 'Un Monde Meilleur' after binging it on Netflix! The series has this gorgeous, almost dreamlike quality to its settings, and it turns out most of it was shot in Belgium—specifically Brussels and its surrounding areas. The cobblestone streets and historic architecture give it that unmistakable European charm. I love how the show uses real neighborhoods to ground its story; it feels so much more immersive that way. One standout location is the Théâtre Royal des Galeries in Brussels, which pops up in a few pivotal scenes. The production team really leaned into Belgium’s mix of old-world elegance and modern vibes, which perfectly mirrors the show’s themes of tradition clashing with progress. It’s wild how much the setting becomes its own character, you know? Makes me wanna book a flight just to wander those same streets.

The filming locations for 'Sans un bruit 1' (known internationally as 'A Quiet Place') are such a cool topic! The movie's eerie, post-apocalyptic vibe was captured mostly in upstate New York, specifically around the towns of Little Falls and Pawling. The farmhouse where the Abbott family hides—that iconic, tense setting—was actually a real property they dressed up for filming. The surrounding woods and river scenes added so much to the isolation feel, and it’s wild how such peaceful places doubled as horror backdrops. What’s even neater is how the production leaned into practical locations instead of CGI-heavy sets. The abandoned factory where Emily Blunt’s character gives birth? That’s a real spot in New Rochelle. The filmmakers wanted authenticity, and you can totally feel it—every creaky floorboard and rustling leaf feels tangible. It makes me appreciate how location scouting can elevate a film’s atmosphere beyond just visuals.