Where Was The Underworld Series Filmed For Major Scenes?

2025-10-27 02:53:31 31

8 Answers

Yara
Yara
2025-10-28 01:02:49
Prague was basically the backbone for the look and feel of the whole 'Underworld' universe in my head, and that's not an accident. A lot of the big, moody, gothic urban sequences — the rainy streets, the old stone architecture and those cavernous interiors — were shot around Prague, with heavy use of Barrandov Studios for the controlled, nightmarish sets. I love picturing the crew turning those stages into shadowy cathedrals and vampire lairs.

Beyond Prague, the series spread out across a few other places depending on the movie. Early entries mixed studio work with location shoots and some soundstage work in Los Angeles, while later films leaned more on international production hubs. The prequel and the entries that needed more wild, natural backdrops pulled in locations from places like New Zealand and northern landscapes to get that elemental, raw feel. For me, seeing those real-world places stitched together is what makes 'Underworld' feel cinematic and lived-in — like a travel diary for nocturnal creatures, which I find endlessly fun.
Mckenna
Mckenna
2025-10-30 21:43:08
I can still picture the behind-the-scenes photos: massive sets inside Barrandov Studios and narrow Prague alleys doubled for the vampire districts in 'Underworld'. For me, that combination of on-location European streets and huge studio builds is the franchise’s signature. The team leaned on Prague a lot early on because the city’s texture is perfect for a shadowy, historical urban setting — cobblestones, ironwork, and that slightly decayed grandeur. Later entries shifted gears to capture a wider world: rugged exteriors and natural vistas were shot in places that give a more ancient or elemental vibe, including production work that resembles New Zealand or northern European terrains, while other sequences used Vancouver and American sound stages to handle modern, action-heavy scenes. I appreciate the variety because it stops the visuals from getting stale; every installment feels like it’s visiting a new corner of the same creepy globe, which keeps me hooked.
Charlie
Charlie
2025-11-01 01:01:24
Short and nerdy take: the majority of the iconic exterior, gothic city scenes in 'Underworld' and 'Underworld: Evolution' were filmed around Central/Eastern Europe—Budapest is the name most fans point to—while 'Underworld: Rise of the Lycans' famously moved production to New Zealand for its rustic, medieval settings. Later installments, especially the modern/post-apocalyptic ones like 'Underworld: Awakening', used Vancouver-area stages and soundstages for lots of the interior action and effects-heavy sequences. Throughout the whole run the filmmakers mixed on-location exteriors (for mood and texture) with studio builds (for stunts and VFX), which is why the series manages to feel both textured and cinematic. That blend is a big part of why I keep going back to rewatch those set pieces.
Braxton
Braxton
2025-11-01 06:59:34
My take: the 'Underworld' films are kind of a patchwork tour of film-friendly spots. The major urban, gothic scenes? Mostly Prague and its famous studios, especially Barrandov — that’s where they constructed those gigantic, atmospheric sets. For exterior variety and different climates, the franchise used other international locations across various entries, drawing on landscapes that read ancient or icy. North American sound stages and cities (think Los Angeles and Vancouver-style production setups) handled tighter action scenes and modern interiors. That mix — historical-looking Europe + rugged natural backdrops + efficient studio work — is why each movie feels both familiar and fresh. Personally, I dig tracing how each location shapes the mood of every installment; it’s like a little scavenger hunt on every rewatch.
Samuel
Samuel
2025-11-01 19:48:18
Prague is the name that comes up most for me — the streets and the studios there gave 'Underworld' its bleak European look. Barrandov Studios especially was used for many of the big set pieces, letting the filmmakers design those cavernous, gothic interiors. I also noticed later films bringing in more varied landscapes: some scenes definitely lean on rugged, outdoorsy locations (think New Zealand-ish terrain or colder, northern spots) to sell the ancient, wild side of the world. And yes, a fair amount of studio and soundstage work in North America filled in the rest. It’s a neat mix that keeps the series visually interesting, and I like spotting which film used what.
Beau
Beau
2025-11-02 03:54:47
Big-picture, the 'Underworld' movies leaned heavily on Europe for that gothic, lived-in atmosphere and on big studio stages in North America for the set-heavy action. The first two films—'Underworld' and 'Underworld: Evolution'—used Budapest and other Central/Eastern European locales to create the vampire cityscape; those stone bridges, narrow alleys, and cathedral silhouettes feel very much like Budapest doubled as a grim, timeless metropolis.

By contrast, 'Underworld: Rise of the Lycans' swung the map to the southern hemisphere: most of the rustic village and rural night-battle scenes were filmed in New Zealand, which gave the story that rugged, wind-whipped medieval vibe. Later entries like 'Underworld: Awakening' moved production into North America, with Vancouver-area stages and backlots doing the heavy lifting for the more modern, clinical, and post-apocalyptic interior scenes. 'Underworld: Blood Wars' again mixed European exteriors with studio work, leaning on gritty Eastern European architecture and soundstage effects.

If you’re watching for recognizable backdrops, watch how the camera lingers on old stonework and baroque rooftops in the early films, then switches to sleek labs and ruined cityscapes later—those shifts map directly to where each movie was shot. It’s one of the reasons the series feels both mythic and grounded at the same time; I still get a kick spotting which parts are real streets and which are matte or stage-built.
Clara
Clara
2025-11-02 16:21:57
If someone asked me where the major scenes for 'Underworld' were filmed, I’d point them first to Prague — the city and Barrandov Studios were heavily used to build that dark, European-gothic vibe. I get why: Prague’s architecture reads like an instant supernatural set, and the studios there are perfect for building huge practical sets. Then there’s the practical reality of modern franchise filmmaking: parts of the series used sound stages and studio work in the U.S. as well, especially for tightly controlled action sequences. As the franchise progressed, production also branched out to other countries for landscapes and unique exteriors — New Zealand-style rugged terrain and some colder, Nordic-style locations show up in the later films’ backgrounds. Vancouver and other North American production centers were sometimes used for contemporary interiors or city exteriors, so the visual palette feels intentionally mixed. Overall I love how those choices made the films feel both fantastical and grounded, like a patchwork of cool places stitched into one dark world — it keeps me watching for little location Easter eggs every rewatch.
Olive
Olive
2025-11-02 23:33:21
I've always loved spotting locations, and with the 'Underworld' series it's basically a geography lesson wrapped in fang-brawls. The filmmakers used Budapest a lot to sell that dark, gothic vampire world—those hulking, Eastern European architectural silhouettes are everywhere in the early films. They give the movies a texture that studio sets alone wouldn't have managed.

Then there's 'Rise of the Lycans', which leans on New Zealand's landscapes and rural locations; the fields, stone cottages, and rolling hills make the Lycans' homeland feel both ancient and raw. When the franchise needed tight, controlled environments—hospitals, labs, underground cells—they often built things on soundstages in Vancouver or other North American studios. The result is a tasty mix: real, imposing exteriors from Europe and New Zealand plus tactile, stunt-friendly interiors from studio shoots. I love watching the transition between on-location grit and polished studio mayhem—it's like the movies breathe differently when they switch continents.
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